Author: chimesfreedom

Editor-in-chief, New York.

Tom Waits’s “San Diego Serenade”

I recently purchased a copy of Dion’s Yo Frankie CD.  The album featured an excellent cover of Tom Waits’s “San Diego Serenade,” although Dion renamed the song “Serenade.” I love the Tom Waits version, which is hard to top, but Dion does a great job.

Tom Waits Heart of Saturday Night “San Diego Serenade” originally appeared on The Heart Of Saturday Night (1974), which was the second album by Tom Waits. Waits is one of the great songwriters of his generation. I am not sure why more artists do not cover his songs, but it might be because Waits’s vocal style is so distinctive and memorable.

In addition to Dion, Nancy Griffith also covered “San Diego Serenade” on Late Night Grande Hotel (1991).  But there are not as many covers of the beautiful song as one might expect. Nothing matches the original recording by Waits of this song about regret and about recognizing what you have lost only when it is too late.

I never saw the morning ’til I stayed up all night;
I never saw the sunshine ’til you turned out the light;
I never saw my hometown until I stayed away too long;
I never heard the melody, until I needed a song.

The Voice of Tom Waits

In later live versions, you hear a change in Waits’s voice, as later albums embraced a raspy gravely vocal sound. There are various theories arguing that the change was a choice, that it was due to a change or damage to his vocal cords, or that it was caused by cigarettes, alcohol and/or drugs.

Waits briefly discussed his voice in this interview on NPR (starting around the 7:45 mark), but he does not clearly answer the question. The live version below was recorded in December 1975, which is less than two years from the release of the original above.  But you can already hear a big difference in his voice. Still, the interpretation is beautiful.

A Nice Cover Version

I looked through a number of other covers and amateur recordings. One usually finds interesting amateur recordings of songs on YouTube.  But there may be something about the emotion and voice needed for this song.  It is difficult to find any worthwhile versions of “San Diego Serenade.”

A band called The Sensitives created one of the best covers of the song.  I had never heard of the band, and from their MySpace page, they are from Australia. Or were. They have not updated their MySpace page in more than two years.

No label apparently singed The Sensitives, and there are some rough signs in this video — like the use of a music stand.  So, I suspect they are no longer performing together (though at least the lead guitarist Henrik “Pilen” Pilquist still seems to be in a band called the Marino Valle Band).

Here, though, whoever he is, the lead singer of The Sensitives has an excellent voice.  He is one of the rare singers who capture the meaning of the song in his performance. Whoever you are, dude, I hope you are still singing somewhere, just as I hope Tom Waits keeps writing and singing these beautiful songs.



What do you think of “San Diego Serenade”? What do you think of the cover by The Sensitives? Leave a comment.

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    Anniversary of Publication of Gone With the Wind

    Gone With the Wind Museum
    Margaret Mitchell’s novel Gone With the Wind was published on June 30, 1936. Mitchell spent about ten years writing the book, using her own imagination, her research, and her childhood memories of family gatherings where relatives “refought the Civil War.” Her work over such a long time period paid off. More than 30 million copies of the book are in print around the world, and David O. Selznick’s 1939 movie version of the novel is considered the biggest earning film of all time if you adjust for inflation.

    Gone With the Wind Dress

    Like movies such as Star Wars and The Big Lebowski, the book and film Gone With the Wind has rabid fans, calling themselves “Windies.” There is a museum devoted to the book and movie in Marietta, Georgia, which I recently visited. The movie, which deviates from the novel in some ways, has detractors who note the movie’s glorification of the South’s cause and that the film ignores slavery’s inhumanity. On the other hand, some note that the movie and the book have a strong feminist theme, with an unusually strong portrayal of a female lead role for 1939. Is it okay to love and hate a movie at the same time?

    Gone With the Wind leaves us with a similar problem presented by Birth of a Nation and other movies.  One must ponder how to deal with a work of art that is tainted by ignorant beliefs and stereotypes from a prior time period. A lot of movies have confused messages about important topics. Like anything, the solution is education as opposed to censorship. We might still learn from films, even if what we learn is not the producer’s intended lesson. But it is also possible that the mixed messages may ruin the entertainment value.

    Leslie Howard CigarettesGone With the Wind is a great artistic achievement, but its legacy might be something more if it is used as a starting point for discussion and education about the Civil War and our country’s legacy of slavery. Everything about America and race is complicated, and so is the movie’s legacy. Gone With the Wind features stereotypical African-American characters like Mammy, but then the wonderful Hattie McDaniel broke through a barrier and became the first African-American to win an Academy Award (as Best Supporting Actress) because of her portrayal of the character.

    One thing about Margarett Mitchell’s book, though, is certain. There are few twentieth-century novels that have been as popular, or had such an impact around the world, or which still may provoke such controversy, as her 1936 novel about Katie Scarlett O’Hara.


    Above is an interesting clip of screen tests for the movie, leaving one to wonder how different the film might have been without the performances we know by Vivien Leigh, Clark Gable, Hattie McDaniel, and others.

    Photos by Chimesfreedom.

    What do you think about Gone With the Wind? Leave a comment.

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    A Coen Brothers Movie About Dave Van Ronk?

    Dave Von Ronk Mayor of MacDougal Street
    Reports are going around, including from the Los Angeles Times, that the Coen Brothers plan to make a movie loosely based on 1950s-1960s folk-singer Dave Van Ronk and the New York folk scene. It will be great to see the Coens creating another movie based around great music like O Brother Where Art Thou?

    If you watched Martin Sorsese’s documentary about Bob Dylan, No Direction Home, you might recall that one of the most interesting interviewees in the movie was Dave Van Ronk. Van Ronk was a folk singer in Greenwich Village during the 1960s, and he was a friend and supporter to many of the singers who would go on to more fame than he achieved, such as Dylan, Joni Mitchell, and Ramblin’ Jack Elliott. Van Ronk passed away in 2002 while he was working on a memoir, which was then completed by his collaborator Elijah Wald. The book, which will be used by the Coens, is titled after one of Van Ronk’s nicknames, The Mayor Of MacDougal Street.

    One of Van Ronk’s classic recordings is of the song ‘Green Rocky Road.”

    When I go by Baltimore,
    Ain’t no carpet on the floor.
    Come along and follow me;
    Must go down to Galilee,
    Singin’ green, green rocky road,
    Promenade in’ green;
    Tell me who ya love,
    Tell me who ya love.

    [UPDATE:  The movie became Inside Llewyn Davis (2013).]

    What do you think about the plans of the Coen Brothers? Who should play the Van Ronk character in the movie? Leave a comment.

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    Jimmy Soul on Happiness

    On June 25 in 1988, singer Jimmy Soul died of a heart attack at the age of 45. Who was Jimmy Soul, you ask? He had a short career in music, starting off as a gospel singer as a teenager and then had a huge hit with a calypso-sounding song rejected by Gary U.S. Bonds. The song, “If You Wanna Be Happy” went on to become a number one song in 1963. Unfortunately, he never had a hit song again, and he gave up his music career to join the army.

    Jimmy Soul In case the title does not ring any bells for you, the lyrics go:

    If you wanna be happy for the rest of your life,
    Never make a pretty woman your wife;
    So from my personal point of view,
    Get an ugly girl to marry you.

    The hit song was a version of a previously recorded Calypso song, “Ugly Woman.” I doubt the song is politically correct these days. But I’m not sure how anyone can hear it without smiling at least a little and wanting to get up and dance. You can see it here in this final scene from the movie Mermaids (1990), starring Cher, Winona Ryder, and a very young Christina Ricci in her first movie role. So, if you wanna be happy, just put on Soul’s one big hit song.

    Bonus “If You Wanna Be Happy” Information: Although nobody tops Jimmy Soul’s version of the song, actor Robert Mitchum did an interesting take on the song, entitled “From a Logical Point of View.” Yes, I actually own Robert Mitchum’s calypso CD. On several places around the Internet, several people incorrectly list the singer of Jimmy Soul’s version as The Coasters, including on some YouTube clips. Although The Coasters did not record the hit “If You Wanna Be Happy,” they had several other big hits, including “Yakety Yak” and “Charlie Brown.” The lead singer of the Coasters, Carl Gardner, passed away less than two weeks ago on June 13. Rest in peace.

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    Somebody to Love

    Writer Christopher Hitchens tells a great story about the playwright and activist Lillian Hellman. Late in her life, she was speaking at a college and someone asked her why, considering all of her activist work, she had not been a vocal advocate for gay rights. As the elderly Hellman leaned on her cane and looked through her thick glasses, she explained, “The forms of f**king do not require my endorsement.”

    Tonight, though, the New York Senate considered whether to endorse gay marriage, moments ago passing a bill that allows it. The New York Assembly had already passed the bill, which will now go to New York Governor Andrew Cuomo who announced he will sign the bill. So, it appears New York will become the sixth and largest state to legalize gay marriage. The law, of course, is landmark legislation considering the history of discrimination, including the Stonewall Rebellion that began in New York City forty-two years ago this coming Monday when police raided a gay nightclub.

    I realize that people are divided on the issue, and many of us have views on gay marriage that have changed over time, just like Republican NY Sen. Mark Grisanti, who talked about his change on the NY Senate floor. But whatever you think about whether such things should require approval, you cannot deny that everyone needs somebody to love.


    In the above video, Freddie Mercury and Queen perform “Somebody to Love” off of A Day at the Races (1976). Mercury was recently voted the second greatest singer of all time in an NME Magazine poll and voted the best in a radio poll.

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