Jimmy Stewart’s Movie Mom

Jimmy Stewart's Movie Mom

Happy Mother’s Day this weekend! One famous movie mom was Beulah Bondi’s portrayal of Ma Baily in It’s a Wonderful Life. It was a great performance, including a touching scene with her son George Bailey, played by Jimmy Stewart, as she sends him off to court Mary Hatch, played by Donna Reed. At the other extreme, in an alternate reality in the same movie, Bondi plays a bitter and angry version of the character who does not recognize her son.

Did you know that Beulah Bondi played Jimmy Stewart’s mother in a total of four movies? She also was his mother in Mr. Smith Goes to Washington (1939), Vivacious Lady (1938 ), and Of Human Hearts (1938).

I did recently catch her as Stewart’s mom in Of Human Hearts on the Turner Classic Movies Channel. In that movie, she plays a faithful mother to Jimmy Stewart’s ungrateful son, resulting in Bondi’s second Oscar nomination for Best Supporting Actress. I learned of the persistent Stewart-Bondi connection from Robert Osborne on TCM when the movie ended. This “Top Ten Facts About It’s a Wonderful Life” also notes the connection.

I have not seen Vivacious Lady, which finally became available on DVD after this original post was written. Bondi makes a brief appearance in this trailer for Vivacious Lady at around the 2:35 mark.

Beulah Bondi gave memorable performances in other movies, including Make Way for Tomorrow (1937), where she played an abandoned mother, and Our Town (1940), where again she played a mother but not to Stewart. Her other Oscar nomination resulted from The Gorgeous Hussy (1936), where she did not play Jimmy Stewart’s mom. Bondi regretted not playing the role of Ma Joad in Grapes of Wrath (1940), where she missed portraying the mother of Stewart’s good friend, Henry Fonda.

Bondi appeared on several television shows, winning an Emmy for a performance as Aunt Martha Corinne Walton on a 1976 episode of The Waltons. Her TV work also occasionally reunited her with Stewart. IMDb notes that Bondi played Stewart’s mother in one episode of The Jimmy Stewart Television Show (1971). Earlier, she appeared in one 1957 episode of G.E. True Theater, called “A Town with a Past,” with Stewart, although apparently not as his mother.

In movies today, producers’ obsession with an actress’s age sometimes lead them to cast a mother who is in reality too young to be the mother of the actor son. For example, in The Fighter (2010), Melissa Leo played Mark Wahlberg’s mother while being only 11 years older than him. But in Bondi’s case, she was a more realistic age to play Stewart’s mother. She was born May 3, 1888 and Stewart was born May 20, 1908, which would have made her 20 years old when she gave birth to the fictional James Stewart.

In real life, one of the movies’ greatest moms never married and never became a mother herself, passing away in 1981. But Bondi’s warm portrayal of movie mothers gives her a special place in the hearts of anyone who loves old movies or moms. So Happy Mother’s Day to Beulah Bondi, to my mom, to the other mothers out there, and to all those who were born by mothers.

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    “This man’s dead, Captain”

    Leonard Bones McCoy, DeForest Kelley Probably the person most famous for announcing deaths is DeForest Kelley, i.e., Doctor Leonard “Bones” McCoy on the original Star Trek (1966-1969) series. This post considers when Kelley first said the notorious phrase and why he did not utter the declaration during the most memorable Star Trek death scene of all time.

    A few weeks ago, I watched The Man in the Gray Flannel Suit (1956), starring Gregory Peck. While watching the movie, I noticed Kelley appearing in a small role and saying the line that would be immortalized on Star Trek in different variations: “This man’s dead, Captain.” The commentary on The Man in the Gray Flannel Suit DVD pointed out that DeForest Kelley appears in the movie in an uncredited role in just the one scene. Kelley plays the doctor approached by Gregory Peck’s character, who is carrying his injured friend. When Gregory Peck asks the doctor for help, Kelley utters the memorable line (at around the 18-second mark) that he would repeat many times throughout his career. Did this scene launch his career?

    Of course, others have pointed out the connection in the past. But it was surprising to actually see it come out of nowhere while watching The Man in the Gray Flannel Suit.

    Who would have guessed while watching the movie that Kelley would build a career around proclaiming someone dead? See the video below for a montage of some of Dr. McCoy’s greatest hits.

    In a key scene of what is probably the best Star Trek movie, Star Trek: The Wrath of Khan, McCoy’s famous line was given to another character. According to Wikipedia — which cites Terry Lee Rioux’s biography of DeForest Kelley, From Sawdust to Stardust, Kelley recognized that his death announcements had turned into punch lines. So, he thought that if he said his famous “he’s dead” line about Mr. Spock, it would ruin the seriousness of the death scene. Therefore, in the movie, James Doohan’s Scotty tells William Shatner’s Kirk the news about his friend: “He’s dead already.”

    DeForest Kelley passed away on June 11, 1999.

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    3 Movies That Make Us Mad

    { Ignorance – Lori McKenna (Kasey Chambers cover)}

    lorimckenna_ignorance

    The Cove In the Kasey Chambers song “Ignorance,” covered above by folk-singer Lori McKenna, she sings, “If you’re not pissed off at the world / Then you’re just not paying attention.” There have have been several excellent documentaries in recent years that reveal disturbing information about our world that should make us mad. Chimesfreedom recently wrote about Gasland. Here, we discuss three other movies that make us mad: The Corporation, Food, Inc., and The Cove. All three movies are now available on DVD and Blu Ray.

    (1) The Corporation (2003) is a documentary about the role of corporations in our society. The movie paints a disturbing picture of the power that corporations have and the damage they have caused with almost complete immunity. The movie is very disturbing, and almost overwhelming at times. In watching it, I kept wanting to take a break from the movie but could not stop watching. Just when you think the stories could not get any more disturbing, they do, such as information about how American corporations profited through supporting Nazi Germany.

    Certainly, The Corporation has an agenda, so one should maintain a little skepticism. For example, the movie unnecessarily went a little overboard with a segment about corporations meeting the definition of a psychopath. But many of the techniques, like using movie clips, are designed to make the information entertaining. And if the movie makes you seek more information, then it is a success. Many of those interviewed provide intelligent commentary. In addition to insight from some who you would expect, like Noam Chomsky, there is interesting commentary from people like Ray Anderson, the CEO of Interface, the world’s largest commercial carpet manufacturer, who had an epiphany after many years.

    (2) Food, Inc. (2008) reveals information about the sources of our food. Yes, the movie includes some information about where our meat comes from, and I know a lot of people try to avoid being reminded of that knowledge. But animal flesh is not the focus of the majority of the movie. Among the interesting information is the extent to which corporations own and patent some of our basic food sources, a topic also briefly addressed in The Corporation.

    (3) The third movie, The Cove (2009), is not as broad as the other two movies. Instead, it explores a narrower issue. The Cove delves into secrets behind the dolphin meat industry, focusing on a hidden cove in Japan. While you are learning that dolphins are more intelligent than you thought they were, you also may realize that humans are more devious than you expected. The Cove won the Academy Award for Best Feature Documentary of 2009.

    Unfortunately, these three movies are not uplifting. The good news, though, is that there are intelligent people making these movies and that people are watching these movies to learn about the world around them.

    It is easy to look away from unpleasant Truths. And there is a cost to having your eyes opened. These movies may affect how you view your food, the corporations around you, and your decision whether or not to visit Sea World. Do you want to know the information or not? It is like the movie, The Matrix (1999). Your decision whether or not to watch these movies is similar to the offer of whether to take the red pill or the blue pill. Welcome to the desert of the real.

    “And you can turn off the TV
    And go about your day.
    But just ’cause you don’t see it,
    It don’t mean its gone away.”

    — Kasey Chambers, “Ignorance”

    What is your favorite movie that makes you mad? Leave a comment.

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    And the wind keeps rollin’,
    And the sky keeps turning gray,
    And the sun is setting,
    The sun will rise another day.

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    Graceland: Happy Birthday Willie Nelson!

    Graceland We celebrate the birthday of Willie Nelson’s, who was born during the final minutes of April 29, 1933 (so that his birthday is sometimes reported as April 30) in Abbott, Texas. One of my favorite Willie Nelson CDs is Across the Borderline,  which was produced by Don Was. The CD was released in 1993, during a traumatic period in Nelson’s life, a few years after his troubles with the IRS had come to a head. AllMusic rates the album highly and refers to it as an album surveying two decades of popular music by a wide variety of music writers. There are a number of guests on the CD, including Bob Dylan singing with Nelson on “Heartland,” a song the two legends wrote together. Despite the variety, though, there is a cohesion in the CD as the theme of loss weaves throughout the songs.

    Every song on the album is excellent, but standouts include the cover of two Paul Simon songs, “American Tune” and “Graceland.” I cannot find an article about the background behind “Graceland” (so don’t quote me), but I recall Paul Simon saying in an interview that he had always wanted Nelson to sing “Graceland” ever since he wrote it. Simon, who ended up playing guitar and producing the Nelson version, had to persuade Nelson to record “Graceland.” Nelson finally agreed as he eventually saw the meaning underlying the song.

    While I love Paul Simon’s version, Nelson’s voice really works well on the song, as he develops the aching notes of loss and sadness throughout the tune. When I hear Simon’s version, I think of the lyrics about the human trampoline bouncing into Graceland. But in Nelson’s version, I learned to see the loss in lines such as, “She comes back to tell me she’s gone/ As if I didn’t know that. . . As if I’d never noticed / The way she brushed her hair from her forehead.”

    Throughout the album Across the Borderline and its themes surrounding life’s pain and wreckage, there are moments of hope. The album ends with “Still is Still Moving to Me,” a Nelson original that invokes Eastern and taoist beliefs in keeping on and accepting. Similarly, the song “Graceland” ends with hope out of the loss: “Maybe I’ve a reason to believe / We all will be received / In Graceland.”

    The recording of the song on Across the Borderline is one of those rare moments when two musical geniuses are able to take what was already an outstanding song and make it powerfully relevant to a new singer. On the album, Nelson does all the singing, but in this version below, the two come together for a live performance to sing “Graceland” together. It is a a nice way to celebrate Nelson’s birthday today.

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