Billy Grammer and Buddy Holly’s Opening Song, “Gotta Travel On”

Buddy Holler Opening Song

Buddy Holly opened shows on his final tour in 1959 with “Gotta Travel On” a song that was not one of his originals.  Crickets drummer Jerry Allison once was asked why Holly performed the song so much.  He explained, “Because Buddy liked it.”

I’ve laid around and played around,
This old town too long;
Summer’s almost gone,
Yes, winter’s comin’ on;
I’ve laid around and played around,
This old town too long,
And I feel like I gotta travel on.

Tommy Allsup, who played guitar for Holly on The Winter Dance Party Tour, also has noted that Holly liked “Gotta Travel On” as the opener on that tour. There are no recordings of Holly singing the song, but here the late Tommy Allsup plays the song in 2015 in tribute to Holly.

Bob Dylan also had a fondness for the song.  He recorded “Gotta Travel On,” which appears on his Self-Portrait (1970) album.

And, perhaps because as a 17-year-old he had seen Holly perform the song on The Winter Dance Party Tour, Dylan also often closed with the song during his Rolling Thunder Revue tour in 1976. Additionally, The Seekers, Bobby Bare, Jimmy Dean, The Limeliters, Chet Atkins, Roy Acuff, Jerry Lee Lewis, Peggy Lee, Boxcar Willie, and others have covered the song.

So, where did Buddy Holly’s opening song come from?

Origins of “Gotta Travel On”

“Gotta Travel On” is credited as being written by David Lazar, Larry Ehrlich, Paul Clayton and Tom Six.  But the song goes back quite a ways.

The first time one hears the song, a listener may think the song is just about an adventurous person off to see the world.  But upon closer listen, there is a darker undercurrent.  There is a reason the person must be traveling on:  The singer has been gambling (“played around too long”), perhaps fraudulently.   And the singer also notes,”High sheriff and police riding after me.”  And Johnnie (the singer’s brother?) has “been on the chain gang too long.”

The song has been traced to a song called “Yonder Comes the High Sherif” in 1891, although it also was called “I’ve Laid Around and Played Around.”  Ollis Martin made the first official recording of the song in August 6, 1927, with his version called “Police & High Sheriff Come.”

The melody appears in different songs with different lyrics.  One song that uses the same tune is “Long Journey Home,” as in this version by The Delmore Brothers.

A number of years passed before a variation of the original version of “Gotta Travel On” appeared through Sanga Music Inc. obtaining copyright in early 1959. The composers were listed as folksinger Paul Clayton, Larry Ehrlich, David Lazar, and Tom Six.

Clayton was an important figure in the Folk Revival in the 1950s and 1960s.  In addition to his work on writing “Gotta Travel On,” he was a fine singer and scholar of folk songs.  He influenced a number of more famous artists, such as Bob Dylan, and also loosely inspired a character or characters in the film Inside Llewyn Davis. [Thanks to @pangurdubh3 for the additional information on Clayton.]

The three latter names listed as writers were pseudonyms for members of The Weavers.  Ehrlich was a pseudonym for Lee Hays, Six was a pseudonym for Fred Hellerman, and Lazar was a pseudonym for Pete Seeger.

On February 22, 1958, The Weavers performed the song with the title “Done Laid Around” live at Carnegie Hall (appearing on their album Hootenanny at Carnegie Hall).

But it would take another singer to make it a massive hit.

The Hit Recording of “Gotta Travel On”

Billy Grammer — who was born on August 28, 1925 — took “Gotta Travel On” to near the top of both the pop and country charts in 1959.

After the success of the song, Grammer became a regular member on the Grand Ole Opry.  Regarding his recording career, Grammer is largely known for “Gotta Travel On,” his one big hit.  But he had an interesting life.

Billy Grammer’s Life

In 1963, Grammer also was the first to chart with the “I Wanna Go Home.” The song later was a much bigger hit as “Detroit City” for Bobby Bare. Below is Grammer’s version.

In the 1960s, Grammer formed a guitar company, RG&G Company, which after a sale was renamed Grammer Guitar, Inc.  Today, many collectors and musicians seek out Grammer guitars.  The first one made is on exhibit at the Country Music Hall of Fame.  Grammer was interviewed about his guitar for the NAMM Oral History Project in 2010.

Finally, Grammer and his band, “The Travel On Boys,” attended an infamous event in American history.  They performed at the rally in Laurel, Maryland where Alabama governor and presidential candidate George Wallace was shot and paralyzed on May 15, 1972.

Grammer, who became blind in later life, passed away on August 10, 2011, after a long-term illness and an earlier heart attack.  He was 85.

Although Grammer was not in the news toward the end of his life, many still remembered his work. The Grand Ole Opry honored Grammer for his 50 years of membership in February 27, 2009.  He was interviewed about his guitar for the NAMM Oral History Project in 2010.

In this video from later in life with Grammer’s wife Ruth, Grammer tells the story behind another song of his and plays, “I’m Letting You Go, Goodbye.”

And that is the story behind the song.


Leave your two cents in the comments.

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    That’s When Rock and Roll Dreams Come Through

    Jim Steinman is best known for songs he wrote for artists like Meat Loaf and Celine Dion, but he did once record his own wonderful album.

    Rock and Roll Dreams Come Through Today’s song of the day is Jim Steinman’s “Rock and Roll Dreams Come Through.”  The song is one of my favorite pop songs of the early 1980s, although it has a bit of a tortured history.

    After Jim Steinman found success writing the songs for Meat Loaf’s album Bat Out of Hell, the two planned to team up again.  But the plan encountered various problems, including Meat Loaf’s injured vocal cords.  So, Steinman set out to record the follow-up album himself.

    Bad for Good

    In 1981, Steinman released Bad For Good, an album that I love largely for nostalgia’s sake.  Many admire the songwriting for the album, believing that if Meat Loaf had recorded the songs, it would have been a worthy follow-up to Bat Out of Hell.

    But Steinman’s straining vocals cannot match the power of Meat Loaf’s voice.  Meat Loaf’s voice perfectly suits the bombast of Steinman’s songs.  Yet, I still find Steinman’s struggles on the songs make them more vulnerable and, well. . . human.  I wish Steinman — who was born November 1, 1947 — would record another album with him singing his songs.

    When I bought the record album back in 1981, the album came with a small record that had two additional songs.  One song was an instrumental and on the flip side was “Rock and Roll Dreams Come Through.”

    “Rock and Roll Dreams Come Through”

    “Rock and Roll Dreams Come Through” clearly appeared as a song added for radio play.  It was a more typical pop song than the over-blown songs on the record, lacking some of Steinman’s teenage-style humor.

    Still, “Rock and Roll Dreams” stands out on the album.  I loved it. The song went to Number 32 on the Billboard Hot 100.

    But something was different about Steinman’s voice.  I wondered how producers got Steinman’s voice to sound so much better on “Rock and Roll Dreams Come Through.”  Many years later, though, I learned that it was not Steinman singing the song, even though it was credited to him.  The singer was Rory Dodd.

    Here is Steinman’s video for the song, where he is lip syncing over Dodd’s voice.

    Dodd was a Canadian singer who sang backup on many of Meat Loaf’s songs through the years. He also is the voice singing “Turn Around Bright Eyes” on Bonnie Tyler’s mega-hit recording of another Steinman classic, “Total Eclipse of the Heart.” One may wonder what might have happened with everyone’s careers had Steinman handed over the whole album for Dodd to record.

    Critics and fans never complained about Steinman’s singer deception the way people became upset about Milli Vanilli at the end of the decade. Perhaps fans did not care because Steinman’s real voice appeared on the album, or perhaps they just enjoyed the song.

    Steinman even appeared on television to lip sync and promote “Rock and Roll Dreams Come Through,” featuring an interesting ballet dance accompaniment to distract from his mouth movements.

    Meat Loaf eventually recorded his version of “Rock and Roll Dreams Come Through” for his album Bat out of Hell II: Back into Hell (1993). His version is pretty good too.

    I’m still partial to the Steinman/Dodd version. But Meat Loaf’s video also features a young Angelina Jolie.

    {Update} Jim Steinman passed away on April 19, 2021.  For his great contributions to rock music, I hope he is up where “the angels had guitars even before they had wings.”

    What is your favorite Jim Steinman song? Leave your two cents in the comments.

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    Gravity Got Me Again: Mitch Hedberg

    Mitch Hedberg

    The brilliant stand-up comic Mitch Hedberg was born in Saint Paul, Minnesota on February 24, 1968. After starting his comedy career in Florida and then moving to Seattle, he got a big break by appearing on the Late Show with David Letterman in 1996.

    Hedberg went on to make people laugh onstage and to work on television and film. His unique pattern of speech and comedic style, partly created because he suffered from stage fright, makes him one of the most identifiable comedians. He was also simply brilliant.

    This video appears to show Hedberg’s first appearance on Letterman. He was on television with David Letterman ten times in his career, but this video clearly is an early performance (and some on YouTube note it is that first appearance).

    Previously, we had posted Hedberg’s first appearance on Letterman in 1996, but that video appears to no longer be available.  So, instead, here is his 1998 appearance on the show.

    Unfortunately, Hedberg died at the young age of 37 in a New Jersey hotel room on March 30, 2005. The medical examiner listed cocaine and heroin as the cause.

    Fortunately, though, his work is still finding new fans and making us laugh today. He is missed.

    “I write jokes for a living, man. See I sit in my hotel at night, I think of something that’s funny and then I go get a pen and I write it down. Or if the pen’s too far away, I have to convince myself that what I thought of ain’t funny.” — Mitch Hedberg

    What is your favorite Mitch Hedberg line? Leave your two cents in the comments.

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    New Video from Marty Brown: “Country Girls”

    Country Girls

    Country singer Marty Brown has released a new video for his song “Country Girls.”  The long-time country star and America’s-Got-Talent alum co-wrote the song with Jimmy Yeary.

    To promote the new song, Brown released a new video.  In the video, Brown gets a call while fishing. Then, he must make his way to his wife and his fans along various country roads.

    “Country Girls” is another solid country hit from the writer of the wonderful “Whatever Makes You Smile.” Check out “Country Girls.”

    For more information, check out Marty Brown’s website.

    Leave your two cents in the comments.

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    The Springsteen Song Rejected By the Harry Potter Films

    Bruce Springsteen finally officially released his song “I’ll Stand By You” on one of his albums on “Tracks II,” but he wrote it for a Harry Potter movie.

    Springsteen Song Harry Potter

    One of the songs to finally appear on an official Bruce Springsteen album in the massive Tracks II set is “I’ll Stand By You” (called “I’ll Stand By You Always” in other places).  The track appears on the Twilight Hours “lost album.”  The song had appeared on the soundtrack for the movie Blinded by the Light, but it was originally intended for one of the Harry Potter films.

    The Harry Potter films had almost everything.  They had magic and adventure.  They had a story beloved by children and adults.  But they did not have a Bruce Springsteen song, although they could have.

    Bruce Springsteen offered his song “I’ll Stand By You Always” to the franchise, but filmmakers turned him down.  Reportedly, Springsteen wrote the song between 1998 and 2000 after reading the first Harry Potter book to his eldest son, Sam.  He then made the song available to director Christopher Columbus for either Harry Potter and the Sorcerer’s Stone (2001) or Harry Potter and the Chamber of Secrets (2002).

    Springsteen explained to BBC Radio 2 that “I’ll Stand By You Always” “was a big ballad that was very uncharacteristic of something I’d sing myself.”  He added, though, that “it was something that I thought would have fit lovely.”

    The song’s rejection had nothing to do with the quality of the song.  Harry Potter author J.K. Rowling’s contract stipulated that no commercial songs could be used in the movies.

    “I’ll Stand By You Always” almost had a second life when Marc Anthony planned to include it on his album Mended (2002).  But ultimately Anthony left the song off the album.

    In Springsteen’s demo version, “I’ll Stand By You Always” is a quiet ballad.  The lyrics contain no overt references to Harry Potter, but they do sound like they were written from a parent to a child.

    I know here in the dark tomorrow can seem so very far away;
    Here the ghosts and the goblins can rise from your dreams to steal your
    heart away;

    Together we’ll chase those thieves that won’t leave you alone out from
    under the bed, out from over our home;

    And when the light comes we’ll laugh my love about the things that the
    night had us so frightened of;

    And until then,

    I’ll stand by you always, always, always.

    Around the time that Springsteen was shopping the song to the Harry Potter folks, a CD-R with the song was given to some executives at Columbia Records.  But the song is not generally available.  Springsteen’s demo of “I’ll Stand By You Always” hit the Internet for a brief period recently, but for now it is gone.

    Springsteen does tend to release old songs eventually, so we eventually did get an official release of “I’ll Stand By You Always.”  But before it was released we had to imagine how it sounded as Conan O’Brien does below (“Let’s raise our wands to all the wizards and steel workers. . . “).

    Post updated in 2025. Leave your two cents in the comments.

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