Daniel Ellsberg: The Most Dangerous Man

Most Dangerous Man On April 7, 1931, Daniel Ellsberg was born in Chicago. He would grow up to serve in the Marines and work at the Pentagon and for Rand Corporation, eventually becoming disillusioned with the Vietnam War and receiving notoriety as the man behind the release of government documents about the Vietnam War. After the New York Times began publishing the papers in June 1971, the actions prompted the wrath of President Richard M. Nixon and one of the most important Supreme Court cases on the First Amendment.

The 2009 documentary The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers tells the story of Ellsberg’s life and the Pentagon Papers. Directed by Judith Ehrlich and Rick Goldsmith, the film is required viewing for anyone interested in the Vietnam War. The movie reveals much about the controversies on the home front as well as the lies told by U.S. leaders.

The documentary approaches the tale by letting Ellsberg and others report the story from first-hand accounts (while Nixon’s perspective only comes through in recordings made at the White House). As much as you think you might know about Ellsberg and the Pentagon Papers, you likely will learn new information from the film.

For example, we see the role that Ellsberg’s wife played in his decisions. We also learn that Egil Krogh — one of the “White House Plumbers” involved in breaking into the office of Ellsberg’s psychiatrist — came to see Ellsberg as a principled man.

The Most Dangerous Man in America takes the position that Ellsberg is an American hero who was willing to go to prison if necessary to try to end an unjust war. While some may disagree with the admiring portrayal, the lessons from the Pentagon Papers still resonate in modern times as we still face issues like Edward Snowden’s release of documents. Thus, the story of Daniel Ellsberg is just as relevant today as it was in the 1970s.

Leave your two cents in the comments.

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    Ethan Hawke Channels Jazz Great Chet Baker in “Born to Be Blue”

    Chet Baker In Born to Be Blue, Ethan Hawke portrays jazz trumpeter and singer Chet Baker in a “re-imagining” of Baker’s mid-career struggles in the 1960s as he worked for a comeback after spending time in prison on drug charges. In the film, director Robert Budreau attempts to reveal the real Baker through a fictionalized romance with actress Jane Azuka, played by Carmen Ejogo.

    It is always risky fictionalizing a biopic about a real person, although it can work in the right hands as it did for Todd Haynes’s treatment of Bob Dylan in I’m Not There (2007). From the trailer for Born to Be Blue, Budreau’s version of Baker seems more like a typical biopic with the exception that it is not completely true. But much of jazz music is about improvisation and variations, so perhaps the best way to understand Baker’s brilliance and demons is through a movie that riffs on his life.

    Born to Be Blue opens in limited release starting on March 25, 2016.

    In real life, Baker — who was born on December 23, 1929 — followed his brilliant success in the 1950s with struggles with heroin and other drugs throughout the rest of his life. After a difficult period in the 1960s, he began a comeback with his rediscovery fueling performances in Europe. In the early 1980s, he toured with Stan Getz and played on Elvis Costello’s album Punch the Clock (1983). On May 13, 1988, Baker was found dead on the sidewalk beneath his hotel room in Amsterdam, Netherlands, a death that was ruled an accident.

    Baker’s death had previously inspired the Born to Be Blue director Budreau to speculate about how the death occurred. In 2009, he wrote and directed a short film about Baker’s death called The Deaths of Chet Baker. You may watch that short film, starring Stephen McHattie below.

    Finally, if you are curious about why Budreau is so fascinated with Chet Baker, check out some of Baker’s performances and recordings, starting with this full performance live in Tokyo in 1987.


    What is your favorite musical biopic? Leave your two cents in the comments.

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    The Perfect Song for Every Film: “Walk of Life”

    Walk of Life

    Peter Salomone started out with a brilliant and simple premise about movie endings. His hypothesis: “‘Walk of Life‘ by Dire Straits is the perfect song to end any movie.” Spoiler alert: This post features the endings of several classic films.

    Perhaps the truth of his hypothesis is an underlying assertion about the universality of human emotion. Or maybe “Walk of Life” is just so incredibly awesome. Is it really possible to improve The Godfather (1972)? Well, just add some Dire Straits.

    Charlie Chaplin’s City Lights(1931) has one of the most perfect endings of any film, where the formerly blind woman recognizes the man who had once helped her. The only way to make it better is to add “Walk of Life.”

    Were you confused at the end of 2001: A Space Odyssey (1968)? Well, it makes more sense if you think of the star child as Johnny coming along “singing oldies, goldies / Be, bop, a, lua, baby, what I say.”

    And it works with more recent movies too, like 2015’s Mad Max: Fury Road.

    For more examples, check out the Walk of Life Project website, with its dedication and devotion, “Turning all the night time into the day.”

    What film would you like to see added to the Walk of Life Project? Leave your two cents in the comments.

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    That Time George Kennedy Gave a Great Movie Its Name

    Cool Hand Kennedy

    Actor George Kennedy recently passed away on February 28, 2016 at the age of 91. Kennedy turned in many great roles in movies like Airport and the Naked Gun films. But for my money, I will always first associate him with his wonderful role as Dragline in the classic film Cool Hand Luke (1967), which has a 100% critics rating on Rotten Tomatoes.

    While Paul Newman played one of his greatest roles and one of the great cool characters of all time, George Kennedy made us see the main character through the admiring eyes of his hot-tempered character. It is the pairing of the two actors, laying the foundation for the future of buddy movies, along with a fine supporting cast, that elevates the movie from good to great.

    Kennedy’s portrayal of Dragline gave us a movie character for the ages. He even received the honor of uttering the movie’s title in response to Luke’s great line that “sometimes nothin’ can be a real cool hand.” Check out the poker scene from Cool Hand Luke.

    It would be too long before Paul Newman finally received a Best Acting Oscar, but Cool Hand Luke gave George Kennedy an honor he deserved with the Best Supporting Actor statue. And he gave a touching and exceptionally short speech.

    Interestingly, Kennedy had a different impression than Newman of his Cool Hand Luke character’s motivation in the church scene near the end of the film. In a 1968 interview with Roger Ebert, Kennedy explained that Newman saw Dragline’s acts leading the authorities to Luke as a form of betrayal, while Kennedy saw the act as one of stupidity. I tend to agree with Kennedy’s interpretation, perhaps because his great acting gives the viewer the sense of the character’s simple sincerity.

    What is your favorite George Kennedy movie? Leave your two cents in the comments.

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    Movie Tributes on “The Simpsons”

    Simpsons Movie Montage

    Celia Gómez recently put together a video supercut that compiles many of the movie tributes that have appeared on The Simpsons. The tributes include Mr. Burns as the title character out of Bram Stoker’s Dracula (1992) and Bart Simpsons as Indiana Jones from Raiders of the Lost Ark (1981).

    Although most of the tributes are ones most people would catch, some of the best references are ones you may have missed while watching The Simpsons. The cuts showing both the movie scenes and the scenes from The Simpsons highlights the animators’ attention to detail. Check it out.

    The music accompanying the video is “Sing Sing Sing With a Swing” by the Benny Goodman Orchestra.

    What is your favorite Simpsons movie tribute? Leave your two cents in the comments.

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