The Coolest Thing About the Opening of “O Brother, Where Art Thou?”

James Carter Po Lazarus

The excellent Coen Brothers’ movie O Brother, Where Art Thou? (2000) opens with a scene of prisoners in the old South working on a road and singing the work song “Po’ Lazarus.” Unlike many of the other songs on the T-Bone Burnett produced soundtrack, though, “Po’ Lazarus” was not recorded specifically for the film.

Recording of “Po’ Lazarus”

The recording of “Po’ Lazarus” was one of the many recordings made by Alan Lomax and his father John Lomax. The two men visited the Mississippi State Penitentiary in 1959 and recorded prisoner James Carter leading a group of other prisoners in the song.

That recording of “Po’ Lazarus” later appeared on Lomax’s 1960’s album Bad Man Ballads credited to James Carter and the Prisoners. The song recounts a sheriff going to arrest Lazarus.  Then, the sheriff ends up shooting “Po’ Lazarus”: “Well then they taken old Lazarus/ Yes they laid him on the commissary gallery.”

Finding James Carter

But that background is not even the coolest part of the story. According to The Southern Journey of Alan Lomax by Tom Piazza, the Coen Brothers movie brought a little more good will to singer James Carter.

After the soundtrack to O Brother, Where Art Thou? became a bestseller, Alan Lomax’s daughter Lomax Chairetakis and others tracked down the 76-year-old Carter living in Chicago. They gave him a substantial royalty check.  And then in February 2002 flew him, his wife, and two daughters to the Grammy Awards ceremony.  At the ceremony, the soundtrack won the album of the year for 2001.

The New York Times noted that Carter had left home at age 13 and did time in prison for theft, a parole violation, and weapons possession.  Before his rediscovery, he barely recalled singing the song for the recording.

James Carter passed away in November 2003, less than two years after his trip to the Grammys. The other prisoners in the recording have never been identified. But together they created an outstanding recording used in a classic film.

What is your favorite song from O Brother, Where Art Thou? Leave your two cents in the comments.

Buy from Amazon

  • How Does “Inside Llewyn Davis” Rank In the Coen Brothers Canon? (short review)
  • Top 10 Coen Brothers Movies
  • What Is the Murder Ballad That Holly Hunter Sings to Nathan Jr. in “Raising Arizona”?
  • Show Me the Meaning! (Podcast Review)
  • When a Cowboy Trades His Spurs for Wings
  • “The Ballad of Buster Scruggs” (Short Review)
  • (Some related Chimesfreedom posts.)

    End-of-the-World Movies . . . Without Special Effects

    Science Fiction Without Special Effects In the last several years, there have been a number of interesting science fiction films that manage to avoid using special effects, or use very limited special effects. Maybe it is a response to the prominence of CGI, where so many movies are weighed down by images that you know just are not “real.” Maybe it is an attempt to return to using science fiction elements to actually say something besides blowing up things. In this genre, Chimesfreedom has discussed three films that we really liked: Robot & Frank (2012), Another Earth (2011), and The Man from Earth (2007). Another film that was interesting was Melancholia (2011). Two other films to add to this list are It’s a Disaster (2012) and Seeking a Friend for the End of the World (2012), both now available on DVD and Blu Ray.

    Of the two, Seeking a Friend for the End of the World has the bigger stars, featuring Steve Carell and Keira Knightley (as well as a small appearance by Martin Sheen). The film begins with Dodge (Carell) and his wife listening to the announcement that an asteroid is going to crash into earth in three weeks, resulting in his wife making a mad dash to leave her husband. Thus begins Dodge’s quest to find some company for the end of the world.

    The movie, directed by Lorene Scafaria, has some laughs and some interesting thoughts on different ways people might react to the end of the world. The film avoids going the expected route of going for an all-out fantasy comedy or for going for futuristic reality. But because the movie tries to walk a middle ground between comedy and tragedy, it seems to zig zag back and forth, making for interesting but somewhat unsettling viewing, especially as the movie becomes more serious toward the end. Still, I enjoyed the film and the fact that it aimed for something a little unusual.

    By contrast, It’s a Disaster is clearly a comedy. The film follows the interactions of several couples during a Sunday “couples brunch” as they gradually come to learn that someone has set off some dirty atomic bombs not far away and, inevitably, they are all going to die, probably within the day. But the film centers less on the morbid future and more on the relationships between the couples as they go about their afternoon finding things out about each other, occasionally taking some time to come up with ideas to figure out what they should do.

    The low-budget film directed by Todd Berger pretty much stays inside the house for most of the movie, but it makes you laugh at the characters and what you would do in the same situation. As when you watch Seeking a Friend, at some point you also will start wondering how the movie might end. If you go into the film with modest expectations, you might enjoy the comedy of manners that takes place. To reveal much more would ruin your fun. It’s a Disaster stars Julia Stiles, David Cross, Rachel Boston, Kevin M. Brennan, and Laura Adkin.

    Conclusion? Seeking a Friend for the End of the World and It’s a Disaster are two interesting minimal special effects end-of-the-world movies that are worth your time on a lazy rainy afternoon. While they are not great movies, they are somewhat unusual and might make you think a little while entertaining you. Of the two, Seeking a Friend for the End of the World is more ambitious, while It’s a Disaster is a little more light-hearted take on a serious subject.

    Other Reviews Because Why Should You Listen to Me? Rotten Tomatoes has mediocre ratings for Seeking a Friend for the End of the World from both critics (56%) and audience members (54%), perhaps reflecting the unevenness of the movie. By contrast, on Rotten Tomatoes, the less ambitious but more consistent It’s a Disaster gets a decent audience rating (68%) and an even better critics rating (77%). Jason Bailey at Flavorwire sums up It’s a Disaster as an “odd, funny, invigorating little movie.”

    Buy from Amazon

    What did you think of these films? Leave your two cents in the comments.

  • It’s About Time to Watch “About Time” (Missed Movies)
  • Missed Movies: The Man From Earth
  • Stephen King’s “The Life of Chuck”: A Few Thoughts for Those Who Haven’t Seen the Film . . . and a Few for Those Who Have
  • Nicolas Cage Shines In Modest But Surprising “Pig” (Short Review)
  • Jennifer Lawrence and Chris Pratt Travel Space in “Passengers”
  • Is “Captain Fantastic” Fantastic?
  • (Some related Chimesfreedom posts.)

    “The Big Lebowski” in 60 Seconds

    Big Lebowski 60 Seconds
    1A4 Studio recently created a condensed animated version of The Big Lebowski (1998), boiled down to one minute. So, grab a White Russian and sit back and enjoy the next sixty seconds of your life.

    1A4 Studio previously made similar short films condensing other movies like The Matrix (1999), Back to the Future (1985), and Star Wars (1977). Here is Blade Runner (1982) in 60 seconds.

    What is your favorite second in the videos? Leave your two cents in the comments.

    Buy from Amazon

  • Know the Song But Not the Writer: Peaceful Easy Feeling Edition
  • The Star Wars Holiday Special 1978
  • Weird Al Summarizes “The Phantom Menace”
  • “Star Wars: The Force Awakens” Comic-Con Reel
  • “Star Wars: The Force Awakens” Teaser Trailer 2
  • The Fourth Wall Breaks
  • (Some related Chimesfreedom posts.)

    Life As Seen By the Movies

    Movieclips put together a compilation of movie scenes tracing life from birth through death called “Birth to Death as told by Cinema – A Life in Film Mashup.” Some of the clips go by fast, but you will recognize many of them. And the effect of the way they are put together with narration from Orson Welle’s F for Fake (1973) is pretty cool. Check it out.

    The Welles narration largely comes from Rudyard Kipling’s poem “The Conundrum of the Workshops.” As Slate notes, the scenes are heavily male-centered, which is true of the movies in general. Movieclips has responded that he was trying to make it somewhat autobiographical and tell a coherent story connected together for one similar person (but he is appreciative of the revelation and will be more aware of the issue in future videos).

    What is your favorite part of “Birth to Death as told by Cinema”? Leave your two cents in the comments.

  • What if William Randolph Hearst Could Hack?
  • Peter O’Toole and Orson Welles Discuss “Hamlet”
  • Orson Welles And the Pre-Internet “War of the Worlds”
  • Heart of Coppola
  • This Week in Pop Culture Roundup (18 Dec. 2011)
  • Treasure Island & Wallace Beery
  • (Some related Chimesfreedom posts.)

    Post-Trauma Life in “Margaret” (Missed Movies)

    Margaret movie How you react to Margaret (2011) may depend on whether or not you enjoy imperfect movies that are challenging and ambitious. I spent much of the movie wondering where it was going to go as it continuously surprised me. While at times the movie made me uncomfortable with all of its flawed characters, I ultimately realized that I will be thinking about this one for a long time.

    Margaret centers around Lisa Cohen, a teenager played by Anna Paquin, who witnesses and is indirectly partly responsible for a bus accident that kills a woman who dies in Lisa’s arms. Lisa is severely affected by the accident, beginning with her decision about whether or not she should tell the police that the bus driver was distracted and ran a red light. From there, the teen alternates between struggling with her decisions and acting out in various ways. Her parents are divorced, and her actress mother is distracted by a play and dating while her father is far away. Her teachers at school — including ones played by Matt Damon and Matthew Broderick — have their own flaws, as does everyone in the movie. Those flaws help make Margaret portray the messiness of real life.

    Margaret has a number of stars in non-starring roles. In addition to Damon and Broderick, Jean Reno plays the love interest of Lisa’s mother and Mark Ruffalo plays the bus driver. J. Smith-Cameron plays Lisa’s mother.

    The movie, directed by Ken Lonergan, was actually made in 2005 and scheduled for release in 2007 but it only finally made it to a limited number of theaters in 2011 and was released on DVD last year. A number of issues contributed to the long delay, including that Lonergan reportedly struggled with editing the movie as the studio wanted him to cut his nearly three-hour movie to under 150 minutes, leading to lawsuits. Martin Scorsese and Thelma Schoonmaker were called in to create an edit, and although Lonergan approved their edit, his longer version is available on the new Blu-ray/DVD release. I watched the edited version on HBO. This “short” 150-minute version had a number of long lingering shots that some may or may not like, but I am curious about the longer one. David Edelstein at NPR has written how he thought the short version was flawed but he loved the extended cut.

    Others have noted that what makes the 2005 shooting interesting is that it places the making of the film and the film’s setting nearer to 9/11. Not only do Lisa and her classmates debate terrorism, the movie touches on post 9/11 themes like blame, guilt, and how one act can touch so many people. Paquin, who played a young girl in 2002’s 25th Hour (one of the best movies that featured 9/11’s effects) and is in True Blood, does an excellent job.

    Paquin plays someone we completely empathize with at the beginning but who is an annoying teenager at times. But that is part of the point, as Lonergan captures how we feel things more passionately as teenagers before we become cynical adults. If you understand why someone acts the way they do, can you still empathize with them even when they are less than perfect? That is one of the questions of civilization, and Lonergan asks us to ask ourselves that question as he illustrates how humans fail to connect with each other.

    Conclusion? Not everyone will like Margaret. But if you are in the mood for a challenging movie raising moral, ethical, and human issues, you might enjoy this one. Or at least you will be thinking about it for a long time and looking up Gerard Manley Hopkins’s poem “Spring and Fall,” about a young girl encountering death, to help you figure out why a movie named “Margaret” does not have anyone with that name.

    Other Reviews Because Why Should You Trust Me?: The split between critics (71%) and audience members (49%) on Rotten Tomatoes shows how viewers may be divided between loving and hating Margaret. Peter Travers at Rolling Stone gives Margaret three and half out of four stars, acknowledging its flaws while concluding it is a “film of rare beauty and shocking gravity.” By contrast, Amy Curtis at We Got This Covered calls Margaret “pointless” and disorganized.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    What did you think of Margaret? Leave your two cents in the comments.

  • Dylan’s Inspiration: “Drifting Too Far From the Shore”
  • The Unsatisfying Ending of Scorsese’s “Silence” That Is Still Perfect
  • Matt Damon’s Film Career in 8 Minutes
  • Breaking Down the Ending Segment of “Goodfellas”
  • The 25 Best Films of 2010-2014
  • “Just a Few Takes”: Ray Liotta Discusses Classic “Goodfellas” Scene
  • (Some related Chimesfreedom posts.)

    Buy from Amazon