Show Me the Meaning! (Podcast Review)

The podcast Show Me the Meaning! does a wonderful job of delving into philosophical questions behind some of our favorite films. The podcast’s enjoyable focus and the hosts’ humor help Show Me the Meaning! stand out in a crowded podcast field.

A group of comedians, academics, and filmmakers at Wisecrack come together for each episode. They include Jared Bauer, Austin Hayden Smidt, Claire Pickard, Helen Floersh, and Ryan Hailey.

Bauer helps keep things moving while allowing for the right balance of friendly banter and focused discussion. Like other most enjoyable group podcasts, the hosts make you feel a part of the discussion, not like you are an outsider listening to other people’s inside jokes. And the conversations welcome and inform you without talking down to you.

Each episode focuses on a recent or classic movie, delving into the story and the meaning and philosophical questions raised in the film. But it is not a dry academic exercise. The hosts take you on a fun journey, full of humor and insight. It is one of the rare movie podcasts where you finish actually knowing more than when you started.

Show Me the Meaning is available at Wisecrack’s website or wherever you get your podcasts, including iTunes, Stitcher, Soundcloud, and Google Play (which I use). If you watched the recent Netflix Black Mirror movie Bandersnatch and wonder if you worked through all of the endings and what the interactive movie meant, there’s a good episode about the movie on Show Me the Meaning. Some other episodes I have especially enjoyed including their examination of The Dark Knight, Starship Troopers, Idiocracy, The 40-Year-Old Virgin, and each of the Matrix films.

Wisecrack has video recorded some of the episodes and posted them on YouTube. Below is their take on the Coen Brothers film Fargo.

Make sure to check out all their Show Me the Meaning! podcasts. Start out with the movies that most interest you and go from there.

What is your favorite movie podcast? Leave your two cents in the comments.

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    When a Cowboy Trades His Spurs for Wings

    Buster Scruggs Song

    During repeated viewings of the Coen Brothers’ The Ballad of Buster Scruggs (2018), I began to fall in love with the duet at the end of the first segment of the Netflix movie. This first chapter that provides the title for the film ends with a funny duet on the song, “When a Cowboy Trades His Spurs for Wings,” which I later discovered was written by two artists I admire.

    Well, it is funny on first viewing, but in subsequent viewings I found the song to be deeper and sadder, even as the tune is presented with humorous visuals. [Spoilers ahead.] In the tale, we meet Buster Scruggs (wonderfully played by Tim Blake Nelson), a quirky, funny, singing, and deadly cowboy. As in old Westerns, the character is the fastest gun until someone else comes along and kills him. Then, The Kid (played by Old Crow Medicine Show‘s Willie Watson) and Buster’s spirit engage in a duet about dying.

    Let me tell you, buddy,
    And it win’t be long,
    Till you find yourself singing
    Your last cowboy song.

    Yippee-ki-yi-yay;
    When the roundup ends;
    Yippee-ki-yi-yay;
    And the campfire dims.

    Yippee-ki-yi-yay;
    He shalt be saved,
    When a cowboy trades
    His spurs for wings.

    The wonderful musicians Gillian Welch and David Rawlings wrote “When a Cowboy Trades His Spurs for Wings.” Once I found out who wrote the song, it did not surprise me that I would fall in love with the song. It also did not surprise me that the song received an Oscar nomination for Best Original Song.

    Welch and Rawlings recorded their own version of the song. Their version takes a sweeter, more mournful approach than the humorous visuals in the Coen Brothers movie. Without Buster Scruggs, “When a Cowboy Trades His Spurs for Wings” becomes a more realistic dying cowboy’s lament. Check it out.

    What is your favorite cowboy movie song? Leave your two cents in the comments.

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    Good Ole Boys Like Me

    Good Old BoysWhile recently re-watching the movie Primary Colors (1998) for the umpteenth time, I noticed a song I had never really noticed before.  It occurs after John Travolta’s character Gov. Jack Stanton meets with Larry Hagman’s Gov. Fred Picker.  In a key scene near the end of the movie that was directed by Mike Nichols, Stanton walks away from Picker’s southern mansion singing a song.

    Stanton then says how he loves the song, in particular a line about the Williams boys, Hank and Tennessee.   He expounds, “The picture ain’t never complete without old Tennessee.”  The song is “Good Ole Boys Like Me.”

    I can still hear the soft southern winds in the live oak trees
    And those Williams boys, they still mean a lot to me
    Hank and Tennessee
    I guess we’re all gonna be what we’re gonna be
    So, what do you do with good ole boys like me?

    The song captures the charm of Travolta’s character, who is based upon Bill Clinton during his race for the presidency.  It also shows the politician’s embrace of Southern culture.

    The Song

    Bob McDill wrote “Good Ole Boys Like Me,” a song that stacks together images of Southern culture.  The images range from a Civil War general to great American novelists like Thomas Wolfe.

    McDill initially offered the song to Kenny Rogers, who found it too literary.  So, Don Williams recorded the song and created a classic.

    Other people mentioned in the song are DJ’s like Wolfman Jack and John R., the latter of whom McDill listened to as a kid on WLAC radio out of Nashville.  McDill found inspiration to write the song with images of Southern culture while reading the novel A Place to Come To, by Robert Penn Warren.

    McDill tells more about the story behind the song in the video below.  Check it out.

    Leave your two cents in the comments.

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    “First Reformed” Is a Movie For Our Time

    Ethan Hawke MovieI became intrigued when I saw First Reformed (2018), starring Ethan Hawke, appearing on many lists of the best movies of the year. The movie rightfully belongs on such lists. Fifty years from now when someone wonders what it was like to live during our current decade, one would do well to advise them to watch First Reformed.

    The movie says nothing about our current president.  But it says a lot about the angst of our modern age. During a time when our historic foundations have been shattered, for good or for ill, we face a world with new anxieties, uncertain about our future, overwhelmed to inaction.

    First Reformed tells the story of a priest played by Ethan Hawke in one of his best performances. The priest serves at a small historic church in upstate New York that is attended by few people. The small church, though, is connected to a more popular mega-church. The priest considers what humans are doing to the environment, even as his own body is failing.  He contemplates the meaning of faith and the responsibilities of good people in a world coming apart.

    Part of the crisis of faith arises when a parishioner played by Amanda Seyfried approaches the priest and asks him to counsel her husband. Her husband is involved with environmental activists.  Her husband faces an existential crisis, wondering how he and his pregnant wife can bring a child into such a horrible world.

    The exchange between the husband and the priest is one of the best philosophical discussions on screen in awhile.  And the scene sets up many of the questions the priest struggles with throughout the film.

    The acting is powerful.  In addition to Hawke’s wonderful performance, Amanda Seyfried and Cedric the Entertainer (Cedric Kyles), among others, do a great job in supporting roles.  Kyles brings nuance to a character in charge of the mega-church.  Such a character might otherwise have been a caricature.  And Seyfried provides a strong grounded balance to the men coming unhinged in the face of existential dread.

    I will not give away more about the plot.  But I will warn viewers that the movie does contain two surreal scenes that may have you scratching your head. This film is directed and written by Paul Schrader, who also wrote such films as Taxi Driver (1976) and Raging Bull (1980). So he knows how to push his viewers to confront bleak and uncomfortable issues in a beautiful way. The movie is challenging, which may account for the high critics score on Rotten Tomatoes (93%) and mediocre audience score (69%).

    And, while the ending may puzzle you for awhile, some contemplation may make you appreciate the whole film even more. It did for me.

    First Reformed is now available for streaming on Amazon Prime.

    What did you think of First Reformed? Leave your two cents in the comments.

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    “The Ballad of Buster Scruggs” (Short Review)

    Buster Scruggs ReviewWhen it was announced that the Coen Brothers were releasing a new movie Western on Netflix called The Ballad of Buster Scruggs (2018), I was quite excited as I love both Westerns and Coen Brothers films. The movie, which is really an anthology of six stories, creates an experience like reading a book of entertaining and thoughtful short stories.

    Short stories do not have the benefit of substantial character development, as does a novel. Some of the tales in The Ballad of Buster Scruggs may leave you wishing for more. And, like a book of short stories, some of the stories are stronger than others.  But the whole seems to get stronger the longer you watch.

    Six Tales

    Without spoiling any of the stories, I would note that even if you do not love the first two stories — “The Ballad of Buster Scruggs” and “Near Algodones” — you should continue. The segment that gives the movie its title features a happy singing gunslinger played by Tim Blake Nelson. “Near Algodones,” which features James Franco, is good but goes by too fast, like eating a small bag of potato chips. But you are likely to get drawn into the odd story of the third segment, “Meal Ticket,” featuring Liam Neeson.

    The fourth and fifth tales may be the strongest. “All Gold Canyon” features singer-songwriter Tom Waits doing a great acting job as a grizzled gold prospector in what may be the happiest of all the stories. And “The Gal Who Got Rattled” features many elements of a traditional wagon train epic.  It focuses on the plight of a woman whose companion on the trip, her brother, dies. Of all the segments, it is “The Gal Who Got Rattled” that appears most like it could have been developed into a feature film on its own.

    The Ballad of Buster Scruggs ends with a story set mainly in a stagecoach, “The Mortal Remains.” This segment plays more like a coda that connects again to issues about death and the frontier that echo throughout all of the segments.

    Rotten Tomatoes currently gives the movie a 91% critics rating and a 74% audience rating. In short, The Ballad of Buster Scruggs is a worthwhile trip through various Western tropes, such as gunslingers, con men, outlaws, wagon trains, gold prospectors, stagecoaches, and death. Partly because of the anthology nature, you likely will not find it to be your favorite Coen Brothers film.  But it is extremely enjoyable and worthwhile nonetheless.

    Which tale in “The Ballad of Buster Scruggs” is your favorite? Leave your two cents in the comments.

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