Top 10 Coen Brothers Movies

The Writing-Producing-Directing team of Joel and Ethan Coen have had another success with True Grit. It is difficult to think of another team that has produced so many high quality movies. Many of their movies are made from various combinations of of humor, action (often involving murders), and witty dialogue. In honor of their most recent release, Chimesfreedom ranks the top ten Coen Brothers movies so far.

(1) Fargo (1996)
Fargo is the best representative movie of the Coen canon. It is a perfect balance of the three Coen factors of humor, action, and witty dialogue. At the center of the movie is perhaps the biggest heart of any of the Coen films: Frances McDormand as Marge Olmstead Gunderson, the pregnant chief of police in Brainerd, Minnesota. Fargo’s final scene of the couple in bed discussing stamps is one of the most touching scenes filmed by the Coens.
Famous Quote: “You Betcha!”

(2) O Brother, Where Art Thou? (2000)
O Brother, Where Art Thou?, which is loosely based on Homer’s Odyssey, is one of the Coen films that is heavier on the humor and witty dialogue than on the action and violence. But the pitch-perfect soundtrack boosts this movie into the number two spot, along with George Clooney’s funniest role.
Famous Quote: “We thought you was a toad.”

Raising Arizona(3) Raising Arizona (1987)
One could easily argue for any of these top three movies to be in the number one spot. All of the Coen movies have memorable great dialogue, but Raising Arizona probably tops them all. The long opening sequence that sets the story before the title appears is one of the funniest and best openings of any movie.
Famous Quote: “Give me that baby, you warthog from hell!”

(4) No Country for Old Men (2007)
No Country for Old Men won the Best Picture Academy Award for the Coens, and contains excellent scenery and acting. It has some similarities to Fargo in that the Coens perfectly capture the Texas landscape here as they did with the Minnesota winter landscape in Fargo. Also, Tommy Lee Jones as Sheriff Ed Tom Bell evokes the heart-in-the-middle-of-chaos as Marge Gunderson did in Fargo. But we are ranking this one in fourth place for not featuring as much of the humor as Fargo, but it is still a great movie illustrating the randomness and unfairness of life, a theme the Coens would revisit two years later in A Serious Man.
Famous Quote: “What’s the most you ever lost on a coin toss?”

Miller's Crossing, Coen Brothers(5) Miller’s Crossing (1990)
Miller’s Crossing is a beautiful movie about the battle between two Prohibition-era crime bosses with underling Gabrielle Byrne as Tom Reagan providing the heart and soul throughout a complicated double-double-cross. Although today the film is well-regarded, it was a box office dud when released. And what is the meaning of the hats? Is the hat some sort of MacGuffin? Worth repeated viewings.
Famous Quote: “What is this, the high hat?”

(6) The Big Lebowski (1998)
Many might place The Big Lebowski higher on the list, and if you are talking about the movie with the most rabid fan base, then it would have to be this one. While it is full of clever dialogue and a great performance by Jeff Bridges, the above movies have more elements making them greater movies. The Big Lebowski, though, is still wonderful.
Famous Quote: “The Dude abides.”

(7) True Grit (2010)
Chimesfreedom recently wrote about True Grit, comparing it to the original version of the movie. The Coen’s version is excellent, but the movie here is ranked lower than it might otherwise be because we already had the John Wayne original.
Famous Quote: “I thought you gonna say the sun was in your eyes. That is to say, your Eye.”

(8) A Serious Man (2009)
A Serious Man grows on one upon repeated viewings. While the action element is nonexistent, there is great humor and dialogue in this movie, which raises important themes in its retelling of the Biblical story of Job with Larry Gopnik in 1967 Minnesota.
Famous Quote: “When the truth is found. To be lies. And all the hope. Within you dies. Then what?” (Rabbi Marshak quoting Jefferson Airplane)

(9) Blood Simple (1984)
Many people love this neo-noir, perhaps because it was the Coens directorial debut, so we are including it in the top ten. Blood Simple features many of the elements that would appear in better form in later movies, but it was an excellent start.
Famous Quote: “If you point a gun at someone, you’d better make sure you shoot him, and if you shoot him you’d better make sure he’s dead, because if he isn’t then he’s gonna get up and try to kill you.”

(10) The Hudsucker Proxy (1994)
The Coen Brothers’ attempt at a classic screwball comedy with The Hudsucker Proxy bombed at the box office. It may have failed partly due to the fact that the movie was not what many expected. But it is an excellent homage to classic movies, and Tim Robbins as the unlikely rising business star is pretty funny.
Famous Quote: “You know, for kids.”

Hon. Mention: Barton Fink (1991), The Man Who Wasn’t There (2001), Burn After Reading (2008).

Better Left Unmentioned: Intolerable Cruelty (2003), and The Ladykillers (2004).

Which Coen Brothers movie is your favorite? Leave a comment.

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    Beware of Black Swan Hype (Short Review)

    One of the main purposes of Chimesfreedom is to write about things we enjoy and to spread the word about good movies and music and their connections to our history.  I do not want to waste time writing about things that are not enjoyable.  But because Black Swan is getting such raves from most critics, it seems worthwhile to sound a brief dissent.  Yes, there are positive aspects of the film, such as that Natalie Portman does an excellent job in the ballet scenes.  And maybe we are not the target audience for this film or maybe our expectations were too high because of the positive reviews.  You may love the film . . . but how do we keep our general positive spin while still sounding a warning that some may not enjoy Black Swan ?  Here’s our attempt.

    Review of Black Swan:  If you:  (1) like movies with cutting, blood, and disturbing scenes; (2) think that a one-note performance of looking confused all of the time is great acting; and (3) enjoy predictable stories that feature caricatures instead of portrayals of real human beings. . . you will love Black Swan

    End of review.

    True Grit ’10 vs. True Grit ’69

    True Grit 2010

    I first learned that there was going to be a remake of True Grit when I saw the preview for the new movie. My initial reaction was, “Why would anyone remake a classic John Wayne western?” As the preview rolled on, I noticed that Jeff Bridges was in the movie, and he is one of my favorite actors. Then, in the preview, there was Matt Damon playing the Glenn Campbell role, which looked good. Finally, at the end of the preview it said that the movie was created by the Coen Brothers. I was on board.

    True Grit 1969The movie lives up to expectations. The new True Grit (TG2010) is a faithful tribute to the John Wayne classic from 1969 (TG1969) as well as to the novel upon which both movies are based. The acting is excellent. Although the stars Bridges and Damon do a great job as always, the movie depends on the role of Mattie, played by 13-year-old Hailee Steinfeld. Steinfeld carries much of the movie on her shoulders well. The original role of 14-year-old Mattie was played by the 21-year-old Kim Darby, who did a good job but is not quite believable as a child for today’s viewers.

    Unfortunately, movies often portray the bad guys as brilliant pure evil characters. Such portrayals are unrealistic, as real-life criminals are generally less intelligent than movie portrayals, and instead of pure evil spirits, they are human beings (and often mentally disturbed as appears in the recent Arizona shootings of Rep. Gabrielle Giffords and others by Jared Lee Loughner). Although the villains in TG2010 have little screen time, the Coen brothers add some complexity to roles that others may have portrayed as caricatures. Here, the villains are played as characters with limited intelligence or with realistic conflicting qualities. Barry Pepper does an excellent job in the role originally portrayed by Robert DuVall. TG2010 is a little more violent than TG1969, but the Coen Brothers used violence in a realistic way without raising the violence to a level they have done in some of their other movies like No Country for Old Men and Fargo.

    The Coen Brothers also give some complexity to the three main heroes. Although I like the final scene from the original True Grit, the Coens ended the movie in a way that was both faithful to their vision and more faithful to the novel, both in changing the coda as well as changing the fates, to varying degrees, of the three main characters.

    Westerns, by their nature, are often elegiac in nature, and True Grit 2010 is no exception. The American Heritage Dictionary defines “elegiac” as “of, relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past.” The movie seems elegiac for both its portrayal of a western past and for its version of how we saw movies in the past.

    One of the haunting elements of the movie is its use of a limited musical score, often allowing us to hear the silence and the wind blowing on the plains. Throughout the movie, the ongoing musical theme is the spiritual “Leaning on the Everlasting Arms,” which also played a key part in the movie, Night of the Hunter (addressed in a previous post). The musical connection is appropriate, as True Grit and the Robert Mitchum movie both feature the fellowship of good people triumphing over outside threats. When True Grit ends and the credits role, we are given the song once again, this time with Iris DeMent providing the vocals. The words from a specially written song would not fit True Grit’s portrayal of the three-person fellowship better: “Oh, how sweet to walk in this pilgrim way,/Leaning on the everlasting arms.”

    Conclusion? True Grit 2010 is a worthwhile remake of a good movie, tweaking the original without obliterating the memory of the first movie. The character studies, the sparkling dialogue, the scenery, and the action make it an entertaining adventure. How does it compare to the 1969 movie? I missed John Wayne’s charm, but overall the 2010 movie has a more believable cast with some nice realistic story twists. Watch and enjoy both.

    Bonus “Listen to this Song Instead of Watching the Trailer Advice”(above):  Although I loved the preview for True Grit 2010, if you are going to see the movie, you do not need to see the trailer (or you may find it easily on YouTube). The trailer’s focus on retribution is misleading, and it shows a few good lines and scenes that are better left to your movie viewing, especially if you have never seen the 1969 movie. What might help you enjoy the movie is familiarity with the beautiful musical theme of the movie, so instead of the preview, above is Iris DeMent’s version of “Leaning on the Everlasting Arms.”

    Bonus Reviews (1/13/11 update): If you would like to read more about the plot, check out this review from Cinema Viewfinder, which reminded me that the Coens had echoed Night of the Hunter in Raising Arizona too (with the “Hate” and “Love” tattoos on the outlaw biker).  Here is another review that is much more critical of the original True Grit, but it has a nice discussion of Night of the Hunter, noting that the line, “The Dude abides” from The Big Lebowski was also inspired by the Robert Mitchum movie.

    What did you think of the movie? Leave a comment.

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    The Birds

    Two-thousand birds and 100,000 fish died in Arkansas about 100 miles apart, and so far nobody knows the reason.  The media is all over the story.  Such news gives us a little fear because it seems like the beginning of a horror movie or an end-of-the world movie.  Animals start dying for no reason, and then. . . .? For example, in Alfred Hitchock’s The Birds, a character in the movie refers to a real-life mystifying incident where birds in a California town started hitting buildings and dying, implying a connection to the later horror in the fictional story.

    Hopefully, the scientists will figure out the causes.  They at least partly solved the mystery of some of the honey bee deaths in recent years.  Some scientists discovered the bees were dying from a combination of a fungus and a virus, even as the bee population continues to decline. But, if scientists do not discover the causes for the recent Arkansas fish and foul deaths, it is not such a bad thing for us to be bewildered for awhile. It sparks the imagination.

    I have not watched The Birds in a long time. It was one of the first scary movies I saw as a child, so it carries disturbing baggage for me. The special effects seem unreal today, but the movie is still spooky. One of the best parts of the movie is that they never explain why the birds are attacking. Why are the birds suddenly attacking people? Does it have something to do with the lead character’s past? Alfred Hitchcock was a genius to not explain the attacks. By contrast, M. Night Shyamalan might have made The Happening a better movie had he learned that lesson. Unanswered dark questions terrify us more than the beaks and claws.

    In honor of fallen feathered and gilled friends, check out the movie The Birds.

    Bonus Byrds Explanation: For those of you who believe there must be a reason for the bird deaths, here are some Byrds who agree that everything has a time to every purpose under heaven.
    Bonus Update (1/8/11): Google Maps now has a world map showing where the latest mass animal deaths have occurred.

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    The King’s Speech (short review)

    The King’s Speech (2010), about King George VI, is one of the best movies of the year. It is entertaining, interesting, and an excellent mix of drama, humor, and history.

    King George VI

    Do not be deceived about the “king” in the title and be turned off or expect a story focusing on royalty. Although the movie does give great insight into the life of the royals, it is mainly a movie about human beings. The movie begins with the future king as the Duke of York, known to his friends as “Bertie.” He is second in line to the crown behind his father and older brother, but events beyond his control will later propel him toward the throne. In carrying out is royal duties, he sometimes has to give speeches, and his speaking is hindered by a severe stammer. After various experts failed to help him with his stammer, Bertie’s wife (Helena Bonham Carter) encourages Bertie to try one more expert, Lionel Logue, played by Geoffrey Rush.

    When Rush enters the movie, it really takes off in its study of the relationship between the commoner and the future king. Rush is outstanding in the role, and Colin Firth is also exceptional in making the viewer come to understand the imperfect person underneath the king. The acting all around is excellent, including Carter and including Guy Pearce as King Edward VIII. Timothy Spall’s portrayal of Winston Churchill was the only weak point in the cast. But the problem may have been in the difficulty of portraying someone as recognizable as Churchill without slipping into caricature.

    [This paragraph reveals small potential spoilers.] The title’s reference to “The King’s Speech” refers both to Bertiie’s difficulties in speaking and to the climactic speech at the end where he addresses the nation. While the focus on the former is compelling, the shift to the focus on the latter fell a little flat for a movie climax. Because of the tone throughout the movie, as well as maybe from previews, there was no suspense about whether the final speech would succeed. Plus, the uplifting movie’s ending foreshadows some dark clouds with the images of Hitler near the end and the introduction of Neville Chamberlain, who after the movie ends will have a policy of appeasement to the Nazis. So, the movie did not quite convince me of the speech’s importance, although it was important. It is hard to fault the movie for the climax, though, when it portrays true events and is not responsible for our knowledge of the upcoming events. But it is too bad that his speech alone could not have immediately defeated the Germans, in both the movie and in real life.

    Conclusion? The story, acting, and movie are excellent. In a year of few great movies, The King’s Speech is near the top of the crop.

    If you have not seen the movie, stop reading here and go see it. If you have seen the movie, you might enjoy hearing the actual speech from King George VI featured at the end of the movie here:

    Leave your two cents in the comments.

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