You’ve Taken Away My Reason for Livin’

Rodger Penzabene, suffering his own broken heart, co-wrote two of the greatest heartbreak songs of all time, including the Temptations’ “I Could Never Love Another.”

Temptations Could Never Love

In the Temptations classic “I Could Never Love Another (After Loving You),” the singer’s lover has just told him that she is leaving and he begs her to stay, pleading he could never love another. Many sources explain that the song, and in particular the line, “You’ve taken away my reason for livin’,” were based on a true story.

The story behind the song involves young Motown songwriter Rodger Penzabene, who co-wrote “I Could Never Love Another.” He also co-wrote the similarly themed “I Wish It Would Rain” from the same album.  On those songs, his co-writers were Norman Whitfield and Barrett Strong.  Penzabene also wrote other songs of heartbreak, including co-writing “Save Me From This Misery” for the Isley Brothers.

Penzabene and his wife had met as youths at Mumford High School. But sometimes love does not last forever.

Reportedly Penzabene had taken his wife back after she had an affair, but she ended up leaving him after all. As the album with “I Could Never Love Another” climbed the charts, Penzabene killed himself by gunshot on New Year’s Eve in 1967.  He was 22.

Nothing makes the story more convincing than the anguished lead vocals on “I Could Never Love Another” by the great David Ruffin on his final lead vocal on a Temptations single (and who also died too soon from a tragic death). The way Ruffin sings the word “believe” in the first line immediately conveys the heartbreak and pain that permeates the entire song.

To the degree the song’s suicide backstory is true, though, we can never really know. Penzabene wrote the great song, and it seems he felt that heartbreak and loss. But suicide is a complicated act. If everyone who is deeply heartbroken killed herself or himself, our species would have died out long ago.

Penzabene also wrote lyrics for happy songs, such as “You’re My Everything.” He wrote that Temptations song with his friend Cornelius Grant. The two men were so close that before Penzabene killed himself, he sent Grant a telegram stating, “Rodger Penzabene is dead.” The songwriter also wrote a letter to his family and friends apologizing for the grief that would come from his death.

Of course, Penzabene’s feelings about his lost love likely contributed to his depression.  But one could probably point to other factors too that might have contributed to the final act of the young father.  At age 22, he was still almost a kid, trying to make some sense of the world and his success. And, at the time of his death, reportedly he was losing his sight due to a head injury.  Who knows what role the holiday of New Year’s Eve contributed to his feelings? Who knows what frustrations he faced in the music industry? One of his sons later noted in an online comment that Penzabene’s songs were not about heartbreak over a woman but about frustrations with the music industry and Motown in particular.

So, even if a simplified tragic love story fits with our perception of the song, there is more to the tale than that someone was heartbroken, wrote a brilliant sad song about that heartbreak, and then killed himself as the song climbed the charts.

Songwriter Rodger and his wife Helga Penzabene
Rodger and Helga Penzabene (both seated) at their wedding

At the time of the songwriter’s death, Penzabene’s wife Helga Penzabene was very young herself, caring for the couple’s two young sons, Rodger Jr. and 10-month-old Carl.  After Penzabene’s death, she tried to set the record straight by clarifying that Rodger did not kill himself over her. In 2012, she wrote in the comments to a post on Elvis Needs Boats that she was alive and well, living in Mount Clemens, Michigan. She had remarried twice, most recently divorced, and she still sang. She reported that she was working on a book about her life with Rodger.

That book was never written.  Helga passed away in 2016 from cancer.

I suspect, though, that whatever words might have been written in a book, many would still choose to believe the less complex heartbroken suicide version. We need tragic heroes, and the song is too great, the Temptations too awesome, and our own experiences of heartbreak so painful, that maybe we just want to believe that the songwriter killed himself after losing his reason for living.

Check out other posts in our series “The Story Behind the Song.” What is your favorite heartbreak song? Leave your two cents in the comments.

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    Don Henley and Dolly Parton: “When I Stop Dreaming”

    Don Henley pays tribute to the music he grew up listening to on the radio in Texas with “When I Stop Dreaming,” joined by Dolly Parton.

    Don Henley country

    On Don Henley’s upcoming deluxe album Cass Country, he pays tribute to his years growing up in Cass County, Texas and listening to the radio with his father. On one of the tracks from the album, Dolly Parton joins him on “When I Stop Dreaming.”

    The song is a classic that was recorded by the Louvin Brothers. Check out the former member of the Eagles and the legendary Dolly Parton singing “When I Stop Dreaming.”

    Henley’s album Cass County, which features covers and Henley originals, will be released on September 25. Several of the songs feature guest artists like Mick Jagger, Miranda Lambert, Merle Haggard, and Martina McBride.

    Finally, below is the Louvin Brothers version of “When I Stop Dreaming.” Check it out.

    What do you think of Henley and Parton’s version of the Louvin Brothers song? Leave your two cents in the comments.

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    Springsteen Joins U2 at Madison Square Garden

    Bono Springsteen

    On Friday, Bruce Springsteen showed up at U2’s concert at Madison Square Garden to help out the band with “I Still Haven’t Found What I’m Looking For.” Then, they followed that up with a version of Ben E. King’s classic, “Stand By Me.”

    The show was the final night of U2’s eight-show run at the Garden as part of their Innocence and Experience Tour, which will begin its second leg in Europe. So far, U2 has welcomed a number of guests on this tour, including Lady Gaga and Jimmy Fallon and the Roots. Below, check out Bono and Springsteen performing two great rock songs.

    Reportedly, the power of the Boss and Bono were enough to get everyone to stand in the audience, including Bill and Hillary Clinton.

    Leave your two cents in the comments.

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    Standing By Peaceful Waters: John Prine & the Story of “Lake Marie”

    Lake Marie Prine One of my favorite songs by John Prine is “Lake Marie,” which first appeared on Lost Dogs + Mixed Blessings (1995). The song, which is also a favorite of Prine’s, tells a love story intertwined with history, legend, murder, and heartbreak. One may interpret the song in a number of ways, but John Prine based some of the images on real people and places.

    “Lake Marie” The Song

    The tale of the peaceful waters of “Lake Marie” can be divided into three segments. First, the song begins with a story about Native Americans along the Illinois-Wisconsin border discovering two white babies. Although it is unclear how the Native Americans learn the names of the two babies, they name their Twin Lakes after the two little girls.  The smaller and less fair lake is named “Lake Marie” after the less fair baby.

    In the second part of the song, the singer tells about falling in love with a woman at Lake Marie. Many years later, the two go to Canada to try to save their crumbling marriage.

    The third part of the song tells of a crime scene, where police find two naked bodies, apparently by Lake Marie. The singer then brings this third part of the story back to his lost love: “All the love we shared between her and me was slammed / Slammed up against the banks of Old Lake Marie.”

    Below, Prine performs “Lake Marie” in 2010 at the Bonnaroo Music & Arts Festival.

    What Inspired John Prine to Write “Lake Marie”?

    There are in fact two lakes like in the song, Lake Marie and Lake Elizabeth. A John Prine fansite, the John Prine Shrine, explains how Prine came to write the song. While Prine was in Wisconsin for a show, a crew member told Prine a tale about the local Lake “Marie” (actually, it is “Lake Mary”). As the crew member told a mysterious tale about the lake, Prine decided he wanted to visit the lake. So he and the crew member drove twenty-five minutes to see the lake.

    After seeing the lake, Prine and his brother visited a library to read stories about the lake. There, Prine discovered that Lake Marie and its sister lake, Lake Elizabeth, were named after two babies discovered by a Native American tribe.

    From there, Prine began writing the song that began with the baby story. The Prine Shrine explains:

    But after that [first verse], John went into some fictional story-telling about a marriage on the rocks, and a shadowy double murder that took place in the proximity of Lake Marie. “When I was done, it was exactly what I wanted. I guess the point of the song is that if the Indians hadn’t named the lakes after a couple of white girls, they would still be peaceful waters.” (Puckett 15)

    What About the Dead Bodies?

    And then there is the crime scene in the story.  In an interview in No Depression, Prine explained that the dead bodies in the third part of the song were inspired in part by Chicago news footage he saw as a kid about a series of murders.

    Regarding the bodies in the song, though, on various discussion sites, listeners debate the relationship between the story of the narrator and the double-murder at the end. Is the narrator one of the victims of the crime along with his lover (or former lover), or is the narrator the perpetrator of a murder-suicide? Or, is the narrator just someone watching about the murder on TV?

    I lean toward the latter interpretation.  It seems that the narrator is seeing the story on television.  That explains why he is seeing it in black and white: “You know what blood looks like in a black and white video? / Shadows!”

    The TV interpretation is consistent with Prine’s statements about the song. The crime scene at the lake seems to reflect on how the land had changed since the white people came and took the land from the Native Americans.

    This TV interpretation also fits with another quote from Prine.  He reportedly said that the reference to the TV coverage of the murders was not a particular murder.  He knew it seemed like a sharp left turn in the song, “but when I got done with it, I kind of felt like it’s what the song needed right then.”

    A Great Song

    The love story and its struggles and its heartbreak, though, are what tie the song together and make it a classic, not to mention Prine’s wonderful emphasis on certain words and syllables as he talks through the lyrics.  It is a brilliant song.  Heck, it is Bob Dylan’s favorite John Prine song, which says a lot.

    As Prine explained generally about his songs in a 1970 article by movie critic Roger Ebert about the then-young singer, “In my songs, I try to look through someone else’s eyes, and I want to give the audience a feeling more than a message.”

    So enough with the analysis, and you should just enjoy the feeling here in a more recent version of “Lake Marie” on Sessions at West 54th, in a John Prine performance that one commenter called, “Arguably, the best 10 mins of music on You Tube.”

    Live versions of “Lake Marie” appear on Prine’s Live On Tour (1997), the various artist collection Austin City Limits Music Festival: 2006 (2006), and the DVD John Prine Live from Sessions at West 54th (2001).

    And that’s the story behind the song.

    What do you think “Lake Marie” is about? Leave your two cents in the comments.

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    Kasey Chambers: “Bittersweet”

    Bittersweet

    Kasey Chambers released her new album, Bittersweet (2015). The album, produced by Nick DiDia, features a range of styles, including rockers and alt-country, that touch on various topics, including love and spiritual themes. Allmusic finds the songs “unpretentiously intelligent” while dealing “with matters of the heart and soul with unrelenting honesty.”

    On the title track, the Australian singer-songwriter is joined by Bernard Fanning (former lead singer of the Australian rock band Powderfinger) in a duet about love and regret: “And I could list a thousand things / That’d make me take you back again / But I don’t really need you half as much / As I did then.” The video highlights the poignancy of new love evolving into long-term heartbreak by beginning with two young people in the role of Chambers and Fanning. Check out the official video for “Bittersweet.”

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