Lonely Street: The Sad Story Behind “Heartbreak Hotel”

On December 9, 1955, Elvis Presley performed “Heartbreak Hotel” for the first time, although he would not record the song until a month later in January 1956. The song would eventually become a hit, but many listeners did not know that the song came from a tragic story.

“It’s gonna be my first hit.”

Elvis Presley Heartbreak Hotel According to Ernst Jorgensen’s Elvis Presley: A Life in Music, the performance on Dec. 9 was at a club near Swifton, Arkansas before a full house of 250 people. The 20-year-old Elvis was already a regional star but he had yet to appear on national television. Having just moved from Sun Records to RCA, he sensed he was on the brink of something big.

That night in the Arkansas club, he played the songs he’d recorded for Sun and a few covers.  Then, he introduced the new song, “I”ve got this brand new song and it’s gonna be my first hit.”

He was right. “Heartbreak Hotel” became Elvis Presley’s first Gold Record, selling more than a million copies.  Rolling Stone Magazine has it listed as one of the greatest fifty songs of all-time. And when then presidential candidate Bill Clinton made his famous appearance on The Arsenio Hall Show in 1992, he chose “Heartbreak Hotel” to play on his sax.

There’s something joyous about the way the song sounds, despite its sad lyrics.  But there’s an even darker story underneath the inspiration for the song.

The Suicide That Inspired “Heartbreak Hotel”

Mae Boren Axton wrote the lyrics for “Heartbreak Hotel.” At the time, she was a schoolteacher and songwriter who would later be the mother of country singer and actor Hoyt Axton. The son would grow up to star in Gremlins and write “Joy the the World” (“Jeremiah was a bullfrog…”) as well as another song that Elvis would later sing, “Never Been to Spain.”

One day in 1955, Mae Axton and her friend Tommy Durden read a story in the Miami Herald about a man who had committed suicide.  The man had no identification, and he only left a note with a few words on it: “I walk a lonely street.”

Axton, inspired by the note, sat down and wrote the lyrics to “Heartbreak Hotel,” locating the hotel of heartbreak on the street where the man walked.  Tommy Durden wrote the music, and the song was complete in only one hour.

Nobody remembers the name or the life of the unfortunate man who wrote the suicide note.  And of course, he never got to see that his final act of great agony led to poetry — and to millions of people screaming joyously and dancing to his final words of despair.

I bet he would have liked to have seen it.

And that is the story behind the song.

[July 2015 Update: See the comments below about a forthcoming book featuring new research on the story behind “Heartbreak Hotel.”]

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    Bob Dylan and the Fine Line Between Love and Hate

    Idiot WindThe two Bob Dylan songs below, “Sad Eyed Lady of the Lowlands” and “Idiot Wind,” show a drastic range of human emotions.  Like several of Dylan’s songs, these two were inspired by his first wife, Sara Lownds, who is also the mother of Jakob Dylan of the Wallflowers.  The songs reflect the vast divide between being in love and being angry at one you once loved.

    The first is “Sad Eyed Lady of the Lowlands,” released as the final song on Blonde on Blonde in 1966, early in his 1965-1977 marriage to Lownds.  (“Lowlands”/Lownds, get it?)  The song is used to great effect in the movie “about” Bob Dylan, I’m Not There

    Although the lyrics are not a clear narrative, the poetry and the music convey pure affection:  “With your silhouette when the sunlight dims / Into your eyes where the moonlight swims  / And your match-book songs and your gypsy hymns.”

    The second song, is “Idiot Wind,” written almost a decade later in 1974 and released on Blood on the Tracks as the Dylan-Lownds relationship was crumbling.  The performance below from the 1976 Rolling Thunder Tour is amazing for its intensity and venom.  It’s Bob Dylan punk. 

    To Dylan’s surprise, Sara showed up at the concert, and he is performing it for her.  You can see what he is feeling.  This blog post title’s reference to “hate” is not really accurate, as I should describe it more as pain and anguish covered to seem like anger.  But one may only guess her feelings hearing this song.

    Idiot wind, blowing like a circle around my skull,
    From the Grand Coulee Dam to the Capitol.
    Idiot wind, blowing every time you move your teeth,
    You’re an idiot, babe.
    It’s a wonder that you still know how to breathe.

    There is some debate about how much of the song is really about Lownds and how much is about other things going on in Dylan’s life at the time.  Dylan being Dylan, he leaves it ambiguous, as it is for the artist to let the listeners hear for themselves. 

    Below is the angry live performance during the Rolling Thunder Tour with Lownds in the audience.  The performance, which is also available on the Hard Rain live album, is worth seeking out. If you’ve ever been angry at someone, put it on full screen and crank it up loud.

    One of the brilliant touches is the final chorus where the angry finger-pointing evolves into a more understanding and humble “we’re idiots, babe. . . .”    That line sounds more convincing in a slower and sadder version of the song he initially recorded for Blood on the Tracks before rerecording the song and replacing it with the angrier version that ended up on the album. 

    That alternate version is worth seeking out.  It is available on the first official “Bootleg” series  his record label released in 1991, and it is also available on various unofficial bootlegs of the New York City Sessions version of Blood on the Tracks. Check out this alternate slower and sadder version of “Idiot Wind” from the New York Sessions below.

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    Charley Patton: Spoonful Blues

    Patton Blues It’s difficult for the modern listener to fully appreciate what Charley Patton’s music must have meant to people who lived when it was made.  First is the problem of time.  Although we can connect to music before our time, there’s something different between being there in the moment and listening through the earpiece of time.  A young kid who today hears Elvis Presley for the first time might enjoy the music, but can the music really have the kind of meaning it must have had for a listener in 1954 hearing him for the first time?

    Charley Patton, whose birth date is unknown and who died on died April 28, 1934, is often called “The King of the Delta Blues.” He was a huge star in the South in the late 1920’s.  He’d pack any place he played, and audiences loved him.  By all accounts the 135-lb and 5-foot-5-inch man was a great guitar player and entertainer.  He was a big influence on younger blues men who would become legends themselves, like Robert Johnson and Son House.

    Another reason it’s hard for us to fully appreciate the value of his music is that there are a limited number of his songs preserved for us.  And those songs we can hear are poor quality copies of heavily played and scratched 78 rpm records.  Paramount, the recording company that made his records in 1929 and 1930 went out of business and sold the metal masters of the records as scrap metal.  The masters of the recordings of the popular and influential Patton ended up lining chicken coops.  Too bad he was born before the time when anyone can post anything on YouTube.

    Here’s one of his songs from one of the copies of those scratched up records.  Don’t worry if you can’t pick out the words in the rambling song about cocaine addiction.  Just feel the music.  Try your best to close your eyes, sway your body, and hear the music as it was heard for the first time . . . when the haunting music meant the world to those who heard it.

    Photo via. Leave your two cents in the comments.

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    Whip My Hair: Neil Young & Bruce Springsteen Cover

    In this video from last night’s show, Jimmy Fallon does his great Neil Young impression to cover the Willow Smith song, joined by a “young” Bruce Springsteen at around the 2-minute mark.  Excellent.

    Rolling Stone has the story behind the performance here.

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    The Promise

    Bruce Springsteen The Promise Today is the release date for Bruce Springsteen’s “new” CD/DVD set, The Promise.  The songs on the two-CD set mostly were recorded during sessions after 1975’s Born to Run and before 1978’s Darkness on the Edge of Town. But ultimately they were left off the latter album.  It’s interesting that the DVD documentary and the album are named after the song “The Promise,” a song never given a proper release and long one of my favorite songs.

    There are many songs about broken hearts, but there are not many great songs that are about broken dreams like “The Promise.”  A testament to the power of this song is the fact that in the new documentary, Springsteen said that he did not release the song in 1978 because he was “too close” to it.

    Many have speculated about what the song specifically means to Springsteen, tying it to his situation of being embroiled in a lawsuit with his former manager Mike Appel over control and ownership of his songs.    But like most songs that come out of a strong personal meaning for the songwriter, this one has universal themes that touch people unconnected to its origins.

    In 1998, Springsteen released Tracks, a 4-CD set of unreleased songs from throughout his career.  He miscalculated how much his fans had grown to love “The Promise” through years of bootlegging, and fans complained that the song was left off the set.  He remedied the situation by adding the song to a single CD Best of Tracks collection, making fans happy for the song but not happy to have to buy the Best of CD for a couple of bonus songs when they had already purchased the 4-CD set.  At the time, he said he did not release “The Promise” on Tracks because he was not satisfied with the versions in the vaults, so he recorded a new version with him alone at a piano for the Best of CD.

    I loved the piano version of “The Promise” that he released on Best of Tracks, and with the Internet now I’ve heard several versions of the song.  I first heard the song as a bootleg on a record album in the early 1980’s, and it immediately became one of my favorite songs.  In that version, it featured the full band.  So I have a fondness for the full band versions of the song.

    The song is about people with dreams — and in particular a person who travels to participate in car races in his car, “Challenger” — and what happens after the dreams are broken.  I like the line about how even when you win, you still feel like you carry something from those you defeated.

    I won big once and I hit the coast,
    But somehow I paid the big cost;
    Inside I felt like I was carryin’ the broken spirits
    Of all the other ones who lost.

    When the promise is broken you go on living,
    But it steals something from down in your soul;
    Like when the truth is spoken and it don’t make no difference,
    Something in your heart goes cold.

    The song has several references to “Thunder Road.” The name “Thunder Road” ertainly had various meanings for Springsteen after a song by that name appeared on his previous album and had created such high expectations and pressure for the upcoming album.

    In the different versions of “The Promise” I’ve heard, Springsteen sometimes places different emphasis on the final lines about the narrator and Billy saying they were going to “take it all and throw it all away.”  Sometimes he sings with resignation and despair, sometimes he sings with hopeless defiance.  But that’s one of the signs of a great song and a great singer, that they can convey different meanings and emotions with the same material.

    I’m glad that this song never got thrown away.

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