“Roll Columbia” Captures Spirit of Woody Guthrie (Album Review)

Woody Guthrie
Roll Columbia: Woody Guthrie’s 26 Northwest Songs will make you feel like you are sitting in a bar in Oregon listening to singers capture the spirit of Guthrie.  The album, released by Smithsonian Folkways in early 2017, pays tribute to the 26 songs Guthrie wrote in 30 days while working for the Bonneville Power Administration (BPA).

Guthrie began his work for the BPA in May 1941, documenting what he saw in the Pacific Northwest.  During his month there, he was paid $267.  And in that short time he produced a number of songs used for a BPA movie soundtrack that later would be abandoned.  Guthrie only recorded 17 of the songs, but researchers discovered the other nine songs in the 1980s.

Folklorist Bill Murlin and Joe Seamons worked together to create Roll Columbia, an album putting together Guthrie’s BPA songs.  What makes the album special is that the artists on the album all currently live in the Pacific Northwest.  So, their connection to the place brings an added immediacy and timelessness to the songs.

You will recognize some of the songs on the album, such as one of Guthrie’s greatest songs, “Roll On, Columbia, Roll On.”  Other songs you may know include versions of “Jackhammer John” and “Hard Travelin’.”  But one of the joys of the collection is hearing new songs, or old songs interpreted in new ways.  One of my favorites is “Eleckatricity and All,” recorded by Annalisa Tornfelt, Emily Dalafolet, and Kristin Tornfelt.

The producers asked each artist on the album to record two songs from the BPA collection.  Some artists stayed very close to Guthrie’s melodies and styles, while some took slightly different approaches.  But they all still capture Guthrie’s spirit.  The performances would not be out of place in a small Northwest bar or club.

The liner notes for Roll Columbia are wonderful.  They not only tell the history of Guthrie’s songs.  They also provide additional information about the specific recordings and artists for each song.

Artists on the album include: Carl Allen, Kristin Andreassen, Peter Buck, Darrin Craig, Steve Einhorn, Chris Funk, Tony Furtado, David Grisman, Tracy Grisman, Ben Hunter, Michael Hurley, Al James, Orville Johnson, Scott McCaughey, John Moen, Cahalen Morrison, Bill Murlin and Fine Company, Jon Neufeld, Kate Power, George Rezendes, Pharis and Jason Romero, Caitlin Belem Romtvedt, David Romtvedt, Joe Seamons, Martha Scanlan, Timberbound, and Annalisa Tornfelt and the Tornfelt Sisters.

Interestingly, the producers also recognize the complex politics underlying the songs.  They realize how our views about dams have changed over time.  Thus, it is interesting to speculate about how Guthrie today might have approached some of these songs.  How would knowledge about the environmental impact of dams affect his approach?

Overall, Roll Columbia: Woody Guthrie’s 26 Northwest Songs is a highly enjoyable collection, providing an album you will want to put on and listen to several times.  You’ll enjoy the music on its own.  And you may also enjoy the stories behind the creation of the songs and the historical context.

For more on the story of how Guthrie came to write these songs, check out the book 26 Songs in 30 Days: Woody Guthrie & the Planned Promised Land by Greg Vandy. This short video shows a little more about Guthrie’s work for the BPA film.



Leave your two cents in the comments.

  • Bonnie “Prince” Billy’s Cover of Bob Dylan’s “Brownsville Girl”
  • You and Me and Cisco Know
  • They’re Selling Postcards of the Hanging: The Real Lynching in Dylan’s “Desolation Row”
  • New Jayhawks Album: “Paging Mr. Proust”
  • Lucinda Williams Explores “Just the Working Life”
  • Songs About Homelessness
  • (Some related Chimesfreedom posts.)

    Dylan’s Late-Career Classics: Not Dark Yet

    Shelby Lynne Allison Moorer

    In previous posts, we have discussed some of the classics song written by Bob Dylan late in his career. Recently, two of our favorite artists covered one such classic song when sisters Allison Moorer and Shelby Lynne recorded Dylan’s “Not Dark Yet.”

    “Not Dark Yet” first appeared on Dylan’s Time Out of Mind album in 1997, and it later appeared on the soundtrack for Wonder Boys (2000) (which featured another Dylan gem, “Things Have Changed”). On an album with themes of aging and death, “Not Dark Yet” stands out as a great song tackling those issues.

    Sometimes my burden seems more than I can bear;
    It’s not dark yet, but it’s getting there.

    The song did not make the top 5 songs about death discussed in the movie High Fidelity (2000). But an alternate scene filmed for the movie did have John Cusack’s character Rob adding Dylan’s song to the list created by Jack Black’s character.

    Allison Moorer and Shelby Lynne have chosen “Not Dark Yet” as the title track of their first album together. The CD features mostly covers, and “Not Dark Yet” does a great job of displaying the harmonies of the two sisters.

    Their harmonies combined with an organ create a foundation for the song in gospel, a bit unlike Dylan’s more bluesy version. As NPR notes, the Moorer-Lynne collaboration give the song a “more searching sound.”

    You can love both versions, and I do. Check out “Not Dark Yet” recorded by Moorer and Lynne.

    The album Not Dark Yet hits stores and the Internet on August 18.

    Check out our other posts on Dylan’s late-career classics. What is your favorite of Dylan’s late-career classics? Leave your two cents in the comments.

  • Shelby Lynne Sings “Down Here” For Kids Facing Discrimination
  • Dylan’s Late-Career Classics: Mississippi
  • Dylan’s Late Career Classics: Make You Feel My Love
  • YouTube Covers: Bob Dylan’s “Red River Shore” Edition
  • One Degree of Separation Between Bob Dylan & Twilight Zone: Bonnie Beecher & “Come Wander With Me”
  • Sheila Atim Peforming “Tight Connection to My Heart” (Great Bob Dylan Covers)
  • (Some related Chimesfreedom posts.)

    “All You Need Is Love” Worldwide Broadcast

    Beatles Our World
    On June 25, 1967, the first live, world-wide satellite program was broadcast to an estimated 350 million people around the world. The “Our World” global broadcast ran for a little more than two hours and featured representatives from around the world.  Fourteen countries provided material (after the Soviet Union and six other Eastern Bloc countries pulled out apparently in response to Western nations’ response to the Six Day War).

    “All You Need is Love”

    The Beatles, the biggest music act of the time, represented Great Britain and the BBC.  The band performed “All You Need Is Love” with a little help from some friends.

    The song was written specifically for the “Our World” broadcast.  After the Beatles signed the contract in May for the show, John Lennon wrote “All You Need Is Love” for the broadcast.  Then, the band recorded a rhythm track and some backing vocals. The song was especially powerful considering the Vietnam War was a major issue at the time.

    The Beatles performance of “All You Need Is Love” from Studio Two at Abbey Road Studio included The Rolling Stones, Eric Clapton, Graham Nash, and Marianne Faithfull singing along in the audience. According to The Beatles Bible website, Lennon recorded additional vocals after the broadcast.

    The entire Beatles performance of “All You Need is Love’ is not currently available on YouTube, but you may check out a portion of the Beatles segment below.

    The original broadcast appeared in black and white, but the above video is from 1995’s The Beatles Anthology special, which colorized parts of this segment, using color photographs taken at the event.

    Playing for Change

    The “Our World” performance is not the only time “All You Need Is Love” went around the world. Although not done with the technological marvel of a live broadcast, Playing for Change put together kids from around the world singing the song about love and harmony.

    Check out the Playing for Change version of “All You Need is Love.”


    What is your favorite part of “All You Need Is Love”? Leave your two cents in the comments.

  • New Beatles ‘A Day in the Life’ Video
  • The Latest and Last Beatles Song: “Now and Then”
  • Ringo Starr Records a John Lennon Song (with a little help from Paul McCartney)
  • Sgt Pepper Documentary
  • The Silly Girl of The Beatles’ “Martha My Dear” Was a Dog
  • “A Really Big Shock”: McCartney on Hearing of Lennon’s Death
  • (Some related Chimesfreedom posts.)

    Little Steven and Bruce Springsteen: “It’s Been a Long Time”

    It's Been a Long Time
    When Little Steven kicked off his tour in New Jersey to promote his new album Soulfire, it may not have been a big surprise that Bruce Springsteen joined him on stage.  But it was still pretty awesome for the two to perform “It’s Been a Long Time” together.  They look like they’re having a lot of fun with Steve as the front man too.

    The song originally appeared on the 1991 album by Southside Johnny & the Ashbury Jukes, Better Days.  The wonderful album is worth tracking down. The album includes songs by Steven Van Zandt, a.k.a. Little Steven (and Miami Steve), as well as vocal contributions by both him and Springsteen.

    The original “It’s Been a Long Time” recording featured Springsteen, Van Zandt, and Southside Johnny. It was the perfect song for the three, reflecting on their youth at the Jersey shore: “We lived in a time and a world of our own,/ Making up the rules as we went along.”  Van Zandt, who wrote the song, features it on his new album Soulfire.

    Some of the lines in the chorus about lost comrades seem even more poignant now that Clarence Clemons and Danny Federici of the E Street Band have passed away. But the song remains a celebration of both the past and the future.

    It’s been a long time since we laughed together;
    It’s been a long time since we cried;
    Raise your glass for the comrades we’ve lost;
    My friend it’s been a long, long time.

    The performance of Springsteen and Little Steven with the Disciples of Soul is from May 27, 2017 at the Count Basie Theatre in Red Bank, New Jersey.

    Leave your two cents in the comments.

  • New E Street Band Sax Player: Eddie Manion?
  • Little Steven is Releasing “Soulfire”
  • Nelson Mandela, Sun City, and Changing Times
  • Paul McCartney & Bruce Springsteen: “I Saw Her Standing There”
  • Southside Johnny and Springsteen Don’t Wanna Go Home at Benefit
  • Super Bowl Songs: I Am a Patriot
  • (Some related Chimesfreedom posts.)

    Slaid Cleaves Releasing “Ghost On The Car Radio”

    Ghost On The Car Radio

    Singer-songwriter Slaid Cleaves is releasing a new album, Ghost on the Car Radio. Cleaves last released an album in 2013 with Still Fighting the War.

    The Texan has created some wonderful songs through his career.  He often captures the sadness of life while also showing a good sense of humor.  Rolling Stone says that the songs on the new album “reinforce Cleaves’ reputation as a master storyteller, one influenced not by the shine of pop-culture but by the dirt of real life.”

    Ghost on the Car Radio includes the song “Drunken Barber’s Hand,” which Cleaves co-wrote with Rod Picott.  The singer in the song has seen a lot of the world, having had good and bad fortune: “I’ve drowned in the pull of young love / Known the high and the hurt.”  But at the end, he knows there is something wrong with the world.

    I don’t need to read the papers,
    Or the tea leaves to understand,
    That this world’s been shaved,
    By a drunken barber’s hand.

    The pessimism and the drunken barber reference connects to the political situation of the world. Rolling Stone has noted the song alludes to W.B. Yeats’ “The Second Coming” (“Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world.”).

    Below is the video for “Drunken Barber’s Hand.”

    Another song on the album is “Primer Gray.”  Here, Cleaves performs the song at Southgate House Revival in Newport, Kentucky on October 18, 2016.

    Ghost on The Car Radio hits the Internet on June 23, 2017.

    What is your favorite Slaid Cleaves song? Leave your two cents in the comments.

  • Album of the Day: Dan Blakeslee “Tatnic Tales”
  • Slaid Cleaves Reminds Us We Are “Still Fighting the War”
  • Andrew Combs Need Not Be A “Worried Man” (CD Review)
  • It’s New Year’s Day Just Like the Day Before
  • Woody Guthrie’s “Peace Call”
  • (Some related Chimesfreedom posts.)