On Marty Stuart’s latest album, Way Out West, the country singer-songwriter finds inspiration in the western United States. But it is not an album of old cowboy songs. Stuart’s songs find their sources in a more modern West.
These are the sounds of electric guitars, not harmonica and an acoustic guitar. The music of California plays a larger role in the album than a cowboy campfire, with songs inspired by the sounds of surf-rock or the Byrds or mariachi or spaghetti Westerns — with a little dash of visions of psychedelic aliens. Maybe this is what Gram Parsons meant by Cosmic American Music.
The album features Stuart’s long-time band the Fabulous Superlatives, which includes Kenny Vaughan (guitar), Harry Stinson (drums) and new member Chris Scruggs (bass). And Mike Campbell, the guitarist with Tom Petty’s Heartbreakers, produced Way Out West.
Stuart’s website boasts: “The new album, with its atmospheric production and primal rock & roll energy, evokes classics like Marty Robbins’ Gunfighter Ballads and Trail Songs and Cash’s The Fabulous Johnny Cash, one of the first albums Stuart ever owned.”
Check out the title track of Way Out West, which gives you an idea of the atmospheric sound of much of the album, which also features several instrumentals.
One of my favorites on the album is what sounds like a country road song. So, check out the first single, “Whole Lotta Highway (With a Million Miles to Go).”
Marty Stuart continues to work as an artist exploring new sounds and concepts, not staying stuck in any one place. He has made some great concept albums during the last several decades, including The Pilgrim (1999). So it is cool to see him creating new sounds with a concept that ties together the whole album. It is more of an atmospheric ride or a late-night soundtrack than a collection of catchy songs, but that is okay. It is a fun ride out West.
Way Out West hits the Internet on March 10, 2017.
What is your favorite Marty Stuart album? Leave your two cents in the comments.
On March 7, 1974, singer Pearl Bailey invited President Richard Nixon to join her on stage at a White House dinner for the Midwinter Governors’ Conference. Nixon joined Bailey onstage at the piano, playing “Home on the Range.”
The Washington Post called it “the impromptu ‘Dick and Pearl Show.'” The two then went into “Wild Irish Rose.” The audience loved the duo. California Governor Ronald Reagan later said that the evening was “absolutely tops.”
But on the same week as this performance, a grand jury had named the president as an unindicted co-conspirator in the growing Watergate scandal. It had also issued criminal indictments against six former officials in Nixon’s administration and a lawyer for his reelection campaign.
There was talk of the possible impeachment of the president. And the country also faced an energy crisis, trouble in the Middle East, and economic woes. In five months on August 8, Nixon would announce his resignation.
But for a few moments on March 7, the president must have felt a little respite as his mind was taken off his troubles. For a brief time, with the weight of world about to crash upon him, he had a few laughs with Pearl Bailey.
From a description of the evening, the video below appears to be from that night on March 7, 1974. Check it out.
Leave your two cents in the comments. Photo image via YouTube.
I have at least sixteen versions of the classic song “Stagger Lee” on my iPod. Yet, I only recently discovered this version that I love recorded by Lloyd Price.
Lloyd Price’s version of “Stagger Lee” topped the pop and R&B charts in 1958, and it also made the top 10 in the U.K singles charts. The folk song about Stagger Lee killing Billy Lyons, however, has been around since at least 1911 when it was first published.
Price was born on March 9, 1933, and he is from Kenner, Louisiana. The town has a street named after him and celebrates an annual Lloyd Price Day.
Although his first hit – “Lawdy Miss Clawdy” — was in 1952, many still recognized his legacy. He gave this interview in 2013.
Price, who was nicknamed “Mr. Personality,” was inducted into the Rock & Roll Hall of Fame in 1998. In 2004, Rolling Stoneranked his version of “Stagger Lee” as among the top 500 greatest songs of all time (although the song dropped out of the top 500 in the 2010 ranking). 2021 Update: Price passed away at the age of 88 on May 9, 2021.
Buddy Holly opened shows on his final tour in 1959 with “Gotta Travel On” a song that was not one of his originals. Crickets drummer Jerry Allison once was asked why Holly performed the song so much. He explained, “Because Buddy liked it.”
I’ve laid around and played around, This old town too long; Summer’s almost gone, Yes, winter’s comin’ on; I’ve laid around and played around, This old town too long, And I feel like I gotta travel on.
Tommy Allsup, who played guitar for Holly on The Winter Dance Party Tour, also has noted that Holly liked “Gotta Travel On” as the opener on that tour. There are no recordings of Holly singing the song, but here the late Tommy Allsup plays the song in 2015 in tribute to Holly.
Bob Dylan also had a fondness for the song. He recorded “Gotta Travel On,” which appears on his Self-Portrait (1970) album.
And, perhaps because as a 17-year-old he had seen Holly perform the song on The Winter Dance Party Tour, Dylan also often closed with the song during his Rolling Thunder Revue tour in 1976. Additionally, The Seekers, Bobby Bare, Jimmy Dean, The Limeliters, Chet Atkins, Roy Acuff, Jerry Lee Lewis, Peggy Lee, Boxcar Willie, and others have covered the song.
So, where did Buddy Holly’s opening song come from?
Origins of “Gotta Travel On”
“Gotta Travel On” is credited as being written by David Lazar, Larry Ehrlich, Paul Clayton and Tom Six. But the song goes back quite a ways.
The first time one hears the song, a listener may think the song is just about an adventurous person off to see the world. But upon closer listen, there is a darker undercurrent. There is a reason the person must be traveling on: The singer has been gambling (“played around too long”), perhaps fraudulently. And the singer also notes,”High sheriff and police riding after me.” And Johnnie (the singer’s brother?) has “been on the chain gang too long.”
The song has been traced to a song called “Yonder Comes the High Sherif” in 1891, although it also was called “I’ve Laid Around and Played Around.” Ollis Martin made the first official recording of the song in August 6, 1927, with his version called “Police & High Sheriff Come.”
The melody appears in different songs with different lyrics. One song that uses the same tune is “Long Journey Home,” as in this version by The Delmore Brothers.
A number of years passed before a variation of the original version of “Gotta Travel On” appeared through Sanga Music Inc. obtaining copyright in early 1959. The composers were listed as folksinger Paul Clayton, Larry Ehrlich, David Lazar, and Tom Six.
Clayton was an important figure in the Folk Revival in the 1950s and 1960s. In addition to his work on writing “Gotta Travel On,” he was a fine singer and scholar of folk songs. He influenced a number of more famous artists, such as Bob Dylan, and also loosely inspired a character or characters in the film Inside Llewyn Davis. [Thanks to @pangurdubh3 for the additional information on Clayton.]
The three latter names listed as writers were pseudonyms for members of The Weavers. Ehrlich was a pseudonym for Lee Hays, Six was a pseudonym for Fred Hellerman, and Lazar was a pseudonym for Pete Seeger.
On February 22, 1958, The Weavers performed the song with the title “Done Laid Around” live at Carnegie Hall (appearing on their album Hootenanny at Carnegie Hall).
But it would take another singer to make it a massive hit.
The Hit Recording of “Gotta Travel On”
Billy Grammer — who was born on August 28, 1925 — took “Gotta Travel On” to near the top of both the pop and country charts in 1959.
After the success of the song, Grammer became a regular member on the Grand Ole Opry. Regarding his recording career, Grammer is largely known for “Gotta Travel On,” his one big hit. But he had an interesting life.
Billy Grammer’s Life
In 1963, Grammer also was the first to chart with the “I Wanna Go Home.” The song later was a much bigger hit as “Detroit City” for Bobby Bare. Below is Grammer’s version.
In the 1960s, Grammer formed a guitar company, RG&G Company, which after a sale was renamed Grammer Guitar, Inc. Today, many collectors and musicians seek out Grammer guitars. The first one made is on exhibit at the Country Music Hall of Fame. Grammer was interviewed about his guitar for the NAMM Oral History Project in 2010.
Finally, Grammer and his band, “The Travel On Boys,” attended an infamous event in American history. They performed at the rally in Laurel, Maryland where Alabama governor and presidential candidate George Wallace was shot and paralyzed on May 15, 1972.
Grammer, who became blind in later life, passed away on August 10, 2011, after a long-term illness and an earlier heart attack. He was 85.
Although Grammer was not in the news toward the end of his life, many still remembered his work. The Grand Ole Opry honored Grammer for his 50 years of membership in February 27, 2009. He was interviewed about his guitar for the NAMM Oral History Project in 2010.
In this video from later in life with Grammer’s wife Ruth, Grammer tells the story behind another song of his and plays, “I’m Letting You Go, Goodbye.”
Jim Steinman is best known for songs he wrote for artists like Meat Loaf and Celine Dion, but he did once record his own wonderful album.
Today’s song of the day is Jim Steinman’s “Rock and Roll Dreams Come Through.” The song is one of my favorite pop songs of the early 1980s, although it has a bit of a tortured history.
After Jim Steinman found success writing the songs for Meat Loaf’s album Bat Out of Hell, the two planned to team up again. But the plan encountered various problems, including Meat Loaf’s injured vocal cords. So, Steinman set out to record the follow-up album himself.
Bad for Good
In 1981, Steinman released Bad For Good, an album that I love largely for nostalgia’s sake. Many admire the songwriting for the album, believing that if Meat Loaf had recorded the songs, it would have been a worthy follow-up to Bat Out of Hell.
But Steinman’s straining vocals cannot match the power of Meat Loaf’s voice. Meat Loaf’s voice perfectly suits the bombast of Steinman’s songs. Yet, I still find Steinman’s struggles on the songs make them more vulnerable and, well. . . human. I wish Steinman — who was born November 1, 1947 — would record another album with him singing his songs.
When I bought the record album back in 1981, the album came with a small record that had two additional songs. One song was an instrumental and on the flip side was “Rock and Roll Dreams Come Through.”
“Rock and Roll Dreams Come Through”
“Rock and Roll Dreams Come Through” clearly appeared as a song added for radio play. It was a more typical pop song than the over-blown songs on the record, lacking some of Steinman’s teenage-style humor.
Still, “Rock and Roll Dreams” stands out on the album. I loved it. The song went to Number 32 on the Billboard Hot 100.
But something was different about Steinman’s voice. I wondered how producers got Steinman’s voice to sound so much better on “Rock and Roll Dreams Come Through.” Many years later, though, I learned that it was not Steinman singing the song, even though it was credited to him. The singer was Rory Dodd.
Here is Steinman’s video for the song, where he is lip syncing over Dodd’s voice.
Dodd was a Canadian singer who sang backup on many of Meat Loaf’s songs through the years. He also is the voice singing “Turn Around Bright Eyes” on Bonnie Tyler’s mega-hit recording of another Steinman classic, “Total Eclipse of the Heart.” One may wonder what might have happened with everyone’s careers had Steinman handed over the whole album for Dodd to record.
Critics and fans never complained about Steinman’s singer deception the way people became upset about Milli Vanilli at the end of the decade. Perhaps fans did not care because Steinman’s real voice appeared on the album, or perhaps they just enjoyed the song.
Steinman even appeared on television to lip sync and promote “Rock and Roll Dreams Come Through,” featuring an interesting ballet dance accompaniment to distract from his mouth movements.
Meat Loaf eventually recorded his version of “Rock and Roll Dreams Come Through” for his album Bat out of Hell II: Back into Hell (1993). His version is pretty good too.
I’m still partial to the Steinman/Dodd version. But Meat Loaf’s video also features a young Angelina Jolie.
{Update} Jim Steinman passed away on April 19, 2021. For his great contributions to rock music, I hope he is up where “the angels had guitars even before they had wings.”
What is your favorite Jim Steinman song? Leave your two cents in the comments.
(1970) album.
Today’s song of the day is Jim Steinman’s “Rock and Roll Dreams Come Through.” The song is one of my favorite pop songs of the early 1980s, although it has a bit of a tortured history.
, an album that I love largely for nostalgia’s sake. Many admire the songwriting for the album, believing that if Meat Loaf had recorded the songs, it would have been a worthy follow-up to Bat Out of Hell.
(1993). His version is pretty good too.