Shawn Colvin and Steve Earle Join Forces

Shawn Colvin Steve Earle

Shawn Colvin and Steve Earle are releasing a new album, appropriately titled Colvin & Earle. To give us a taste of their new music, the duo have made available one of the songs from the album called “You’re Right (I’m Wrong).”

Colvin’s and Earle’s on-stage collaborations go back decades, and Colvin featured an excellent cover of Earle’s “Someday” on her 1994 album of covers, Cover Girl. The new album from the pair of singer-songwriters also will include them both singing Earle’s “Someday,” as well as other songs, including a cover of The Rolling Stones’ “Ruby Tuesday.”

On “You’re Right (I’m Wrong)” the two harmonize on a gritty rock song. Earle explained to Rolling Stone that the song is “the darkest piece on the record — a little scary even for Shawn and myself.” Check it out.

Colvin and Earle release Colvin & Earle on June 10, 2016.

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    Michael Stipe’s Tribute to David Bowie

    Stipe Bowie

    This week, Michael Stipe appeared on The Tonight Show Starring Jimmy Fallon to pay tribute to the late David Bowie. It was a rare recent public performance by the former lead singer of R.E.M. and a moving way to honor Bowie with a performance of “The Man Who Sold the World.”

    Accompanied only by piano, a bearded Stipe sang a haunting version of Bowie’s “The Man Who Sold The World.” Check it out. [2018 Update: The video of the performance is no longer available, but the video below contains the audio of Stipe’s appearance.]

    Stipe is also taking part in two New York City David Bowie tribute concerts this week. One will be at Carnegie Hall on Thursday, March 31 and the other will be at Radio City Music Hall on Friday, April 1. You may watch a live stream of the April 1 tribute concert at musicofdavidbowie.com with a small donation that goes to the Melodic Caring Project, a non-profit that helps bring streaming music performances to kids in hospitals.

    Leave your two cents in the comments.

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    Jeff Buckley’s Interactive Video for “Just Like a Woman”

    Buckley Just Like a Woman

    A new interactive video brings to life Jeff Buckley‘s cover of Bob Dylan’s “Just Like a Woman.” The song appears on Buckley’s recent compilation You and I, an album of songs that the late singer recorded in 1993.

    The interactive video allows you to choose different story lines that result in different music too, reportedly featuring 73 story cells with more than 16,000 possible combinations.

    The interactive video was created by the design studios of Interlude and Blind. While you watch, click on various blocks to follow the “story,” and you periodically get chances to add instrumentation to the track too. Note that you may repeatedly click on the same blocks to see the different possibilities too.

    [UPDATE:  Unfortunately, the video is no longer available]

    The new album from Jeff Buckley, who died in 1997, features eight cover songs and two originals. You And I was released March 11, 2016.

    What was your favorite part of the video’s story? Leave your two cents in the comments.

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    How a Don McLean Song (Maybe) Inspired “Killing Me Softly with His Song”

    Roberta Flack Killing Me Softly

    Roberta Flack had a number one song with “Killing Me Softly with His Song” in 1973. Two decades later, The Fugees brought the song to a new generation when they covered it on the album The Score (1996) with lead vocals by Lauryn Hill. A song being recorded two decades apart is not that unusual, but there are some other interesting aspects about the origins of “Killing Me Softly with His Song.”

    One relatively unique feature of “Killing Me Softly with His Song” is that it is a song about a song.  But that underlying song is unnamed as the singer recounts hearing another singer that deeply affects her.

    Another unique aspect of “Killing Me Softly with His Song” is that the story is somewhat true. It reportedly was inspired by another song by singer-songwriter Don McLean. But before we get to McLean’s song, below is Roberta Flack’s hit version of “Killing Me Softly with His Song.”

    Songwriter Lori Lieberman

    Although there is some debate about the origins of “Killing Me Softly with His Song,” the song was written by Charles Fox with lyrics by Norman Gimbel. Most agree, though, that Gimbel collaborated in some way with Lori Lieberman in writing the lyrics.

    Lieberman maintains that many of the lyrics were inspired by her reaction to hearing Don McLean perform one of his songs. In “Killing Me Softly,” the singer recounts an unnamed man singing a revealing song: “I felt all flushed with fever / Embarrassed by the crowd / I felt he had found my letters / And read each one out loud.”

    Strumming my pain with his fingers,
    Singing my life with his words,
    Killing me softly with his song,
    Killing me softly with his song,
    Telling my whole life with his words,
    Killing me softly with his song
    .

    Lori Lieberman recorded “Killing Me Softly with His Song” in 1971. Subsequently, Roberta Flack heard Lieberman’s recording while flying between New York and Los Angeles. When Flack heard the song, she was so moved that she immediately wanted to record it herself.

    Below, Lieberman performs “Killing Me Softly” on The Mike Douglas Show in 1973.

    Don McLean’s “Empty Chairs”

    What was the song that a singer sang as if knew the listener “in all my dark despair”? As Lieberman explains in the above video starting at around the 3:30 mark while actor Tony Curtis holds her guitar, “Killing Me Softly with His Song” was inspired by her reaction to hearing Don McLean’s song, “Empty Chairs.”

    Lieberman first heard McLean singing “Empty Chairs” at the Troubadour in Los Angeles, and it affected her deeply. McClean’s song is about a person remembering a lover who left the singer alone.

    And I wonder if you know,
    That I never understood
    That although you said you’d go,
    Until you did, I never thought you would

    Here is Don McLean performing “Empty Chairs.”

    Lieberman states that after attending a Don McLean concert, she discussed her feelings in response to the singer’s performance of “Empty Chairs.”  She explained, ” I felt exposed – as though he were singing about me and my life.”

    According to Lieberman, she then wrote a poem about her feelings and shared it with songwriter Norman Gimbel, who worked it into a song by making a variation on a title he already had, “Killing Me Softly with the Blues.” Gimbel and Lieberman discussed more about Lieberman’s experience and the lyrics.  Then, Gimbel went to the home of Charles Fox, who worked on the music for the song.

    On Don McLean’s website, the man most famous for songs like “American Pie” and “Vincent” features a 1973 Daily News article about his connection to “Killing Me Softly with His Song.” McLean is quoted about being “amazed” and “humbled” when he learned that he had inspired “Killing Me Softly with his Song.”

    Other Variations On the Story

    One of the writers of “Killing Me Softly with His Song,” however, recalls the story behind the song a little differently.  Charles Fox, who also wrote a large number of popular TV theme songs with Norman Gimbel, explains that he and Norman Gimbel wrote “Killing Me Softly with His Song” for Lori Lieberman.

    Gimbel had a book of possible song titles, and one was “Killing Me Softly with the Blues.”  Gimbel reportedly had seen the phrase in Julio Cortázar’s novel Hopscotch.

    Fox liked the first part of the suggested title, but then they came up with “Killing Me Softly with His Song” as a better title.  From there, Norman came up with the rest of the lyrics and Fox provided the music.

    When Fox and Gimbel played the song for Lieberman, according to Fox, Lieberman responded that the words reminded her of a Don McLean concert.  Thus, according to Fox, the Don McLean connection came after the song was written.

    Gimbel’s version of the creation of the song seems somewhere in the middle between Fox and Lieberman.  While like Fox he has downplayed Lieberman’s role, in an April 5, 1973 Daily News story, Gimbel recalled that Lieberman told him about the experience she had at a Don McLean concert.  He explained, “I had a notion this might make a good song so the three of us discussed it. We talked it over several times, just as we did with the rest of the numbers we wrote for the album and we all felt it had possibilities.”

    The Impact of “Killing Me Softly with His Song”

    No matter how “Killing Me Softly with His Song” was created, that song touched many listeners.  While McLean’s song “Empty Chairs” deeply affected Lieberman, it was the later song “Killing Me Softly with His Song” that resonated with a larger audience.

    Lieberman, who apparently was feeling heartbreak when she first heard McLean’s song, helped create a mysterious song indirectly about heartbreak that focused instead on her reaction to the power of music. And that mystery behind her song resonates with listeners today as it did in the 1970s and 1990s.

    In 1973, “Killing Me Softly with His Song” won Record of the Year and Song of the Year at the Grammy Awards, where Roberta Flack also won Best Pop Vocal Performance by a Female. And Rolling Stone now lists Roberta Flack’s version as one of the top 500 songs of all time at #369. Lauryn Hill’s version is pretty cool too.

    And that is the story behind the song.

    Leave your two cents in the comments.

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    Springsteen and Vedder Sing “Bobby Jean”

    Vedder Springsteen
    Smile Stevie!

    Recently, while playing in Seattle’s Key Arena on The River Tour, Bruce Springsteen brought Pearl Jam’s Eddie Vedder onstage. Backed by the E Street Band, Springsteen and Vedder let loose on “Bobby Jean” from Springsteen’s Born in the U.S.A. (1984) album.

    There are few songs that sound as joyous as “Bobby Jean,” as the singer recounts a long-lost love and the peace he has found with the separation. Vedder seems to be having a blast too as he dances around the stage. Check out the March 24, 2016 performance.

    One person who does not look happy onstage is Steven Van Zandt. Look at his face. Is he jealous that someone else is taking his place on the song that Springsteen supposedly wrote for him when he left the band for a period in the 1980s? I suspect he is just concentrating on the music or thinking about his recent appearance on American Idol as a mentor and wondering how Jennifer Lopez could forget his name. Or maybe he is just taking an emotional break while Springsteen, Vedder, and saxophonist Jake Clemons bring the joy on this song.

    Leave your two cents in the comments.

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