Tag: Alison Krauss

“I’ll Fly Away” and the Prisoner

Albert BrumleyOn October 9, 2013, the state of Arizona executed the 71-year-old Edward H. Schad, Jr. by lethal injection in Florence, Arizona. Schad, the oldest person on the state’s death row, had been convicted of killing a man during a robbery almost 35 years earlier.

The warden asked Schad if he had any last words. And the inmate responded, “Well, after 34 years, I’m free to fly away home. Thank you, warden. Those are my last words.”

The Song That Inspired the Last Words

Reverend Ronald Koplitz, who was Schad’s pastor and who met the prisoner in 1981 while serving as prison chaplain, explained that the last words were a reference to the hymn “I’ll Fly Away.” Rev. Koplitz had become friends with Schad and kept in touch with him after his time as prison chaplain.

Rev. Koplitz gave Schad the song “I’ll Fly Away” a few weeks before the execution.  And apparently, Schad felt a connection to the song.

“I’ll Fly Away”

The song that gave some comfort to the prisoner in his final moments before being killed goes back to 1929.  In that year, Albert E. Brumley wrote “I’ll Fly Away.” The wonderful hymn, about eternal life and flying away “to that home on God’s celestial shore,” is one of the most popular gospel songs of all time.

There are a number of great versions of “I’ll Fly Away.” The song has appeared in several movies, including in nice a version by Alison Krauss and Gillian Welch in O Brother, Where Art Thou? (2000). Doc Watson played an instrumental version of “I’ll Fly Away” in his last public performance.  And the song appeared in The Waltons.

Here is a great live version by Gillian Welch.

“The Prisoner” Inspired the Song that Inspired a Prisoner

When Schad referenced the song on the death gurney in Arizona, he likely did not know that his invocation of the song inside prison walls sort of brought the hymn home. When Brumley began writing the song while picking cotton, he was inspired by a song called “The Prisoner’s Song.”

Brumley thought about that song regarding a prisoner thinking of leaving his love behind.  And he used a brilliant analogy using prison to represent life on earth.

Brumley was inspired by specific lyrics in “The Prisoner’s Song.” The line “Now, if I had the wings of an angel,/Over these prison walls I would fly” led to Brumley’s theme about flying away.

In this video, Johnny Cash sings “The Prisoner’s Song” on a January 20, 1971 episode of his TV show.

During the introduction, Cash refers to the popularity of “The Prisoner’s Song.” Vernon Dalhart initially recorded the song in 1924 as a B-side to his version of “The Wreck of the Old 97.” “The Prisoner’s Song,” which likely was written by Dalhart’s cousin Guy Massey and/or Guy’s brother Robert Massey, became a big hit for Dalhart.

In “I’ll Fly Away,” Brumley also retained the prison theme, using it as representing life on earth: “Like a bird from these prison walls I’ll fly.” It is not hard to see how Brumley’s wonderful song might bring some comfort to someone like Schad, strapped down on the execution gurney facing certain death. Music soothes both saints and sinners.

What is your favorite version of “I’ll Fly Aawy”? Leave your two cents in the comments.

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    Best Gospel Songs by Pop Singers 4: Morning, Flying & Mystery

    O Brother Where Art Thou

    In response to popular demand, Chimesfreedom continues its periodic discussion of the best gospel songs by pop singers. In this Post, we consider one gospel song overwhelmingly identified with one pop singer, another gospel song that is recorded by many singers, and finally, a beautiful song about being an agnostic that deserves a place next to other songs of faith.

    “Morning Has Broken,” Cat Stevens.

    This song is so associated with Cat Stevens — now Yusaf Islam — that for a long time, I thought it was one of his original songs. But the Christian hymn first appeared in 1931, and the music goes back even further to the nineteenth century as a traditional Gaelic tune, “Bunessan.”

    “Morning has Broken” is a simple song with a simple message of being thankful for each day: “Praise with elation, praise every morning / God’s recreation of the new day.”


    “I’ll Fly Away,” Alison Krauss and Gillian Welch.

    Alfred E. Brumley wrote “I’ll Fly Away” in 1931. He was picking cotton when he came up with the song. As he later explained: “I was dreaming of flying away from that cotton field when I wrote I’ll Fly Away.” Many believe the song is the most-recorded gospel song of all time. If true, it is not surprising because it is a beautiful song.

    A number of country singers have recorded the song, including Johnny Cash, Hank Williams, Charley Pride, Jim Reeves, and Alan Jackson. Etta James does an uplifting version. Kanye West does an excellent version too. I especially like Alison Krauss’s version, and in particular this version with Gillian Welch from the film O Brother Where Art Thou? (2000).

    “Let the Mystery Be,” Iris DeMent.

    One might dispute including “Let the Mystery Be” from Iris DeMent’s Infamous Angel (1993) album in a discussion of Gospel songs because the song reflects DeMent’s agnosticism rather than faith in a higher power. Yet, the song only could have been written by someone who was raised in a religious environment.

    DeMent grew up in a Pentecostal family where she was not allowed to listen to non-gospel music, and the song brings out the division between her upbringing and her adult beliefs. But “letting the mystery be” takes a leap of faith too. And, as in many of the best gospel songs, it highlights a beautiful struggle in a beautiful song.

    Some say they’re goin’ to a place called Glory and I ain’t saying it ain’t a fact.
    But I’ve heard that I’m on the road to purgatory and I don’t like the sound of that.
    Well, I believe in love and I live my life accordingly.
    But I choose to let the mystery be.

    See our other posts in our series of Gospel Songs by Pops Singers.

    What is your favorite Gospel song by a pop singer? Leave your two cents in the comments.

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    Is Shane a Romantic Movie?

    Alan Ladd and Jean Arthur in Shane Many years ago, a newspaper published a list of the top romantic movies for Valentine’s Day, and the writer included Shane (1953) on the list.  At first, the choice surprised me.

    I had always thought of the movie as a great action Western.  But after reading the article, I focused more on the relationship between Shane, played by Alan Ladd, and Marian Starrett, played by Jean Arthur.  And I came to see that the author of the list was right.

    The Unusual Love Story in “Shane”

    The unrequited love between Shane and Marian is something we do not see in modern movies. The relationship is subtle, buried in hidden looks and unspoken feelings. They both are torn, as Marian still loves her husband Joe and Shane is Joe’s friend.

    There are many things to love about the film Shane. It has great scenery, Jack Palance as a villain, the gunfights, and the decent man trying to change his life. But the Shane-Mariann relationship makes the movie more complex than your usual action yarn.

    The Shane-Mariann relationship is so subtle that descriptions of the movie rarely mention it. I suspect that a modern movie version might feature a scene of the two having sex to make the same point made in Shane with a few words and glances.

    When Clint Eastwood made Pale Rider (1985), largely based on Shane, he avoided a similar relationship in his story altogether.  Instead he went for religious overtones, which was probably easier to do.

    Shane’s Ending

    {Spoiler ahead} The final scene of the movie is a classic scene in American film. Shane explains to Mariann’s son Joey: “There’s no living with a killing. There’s no goin’ back from one. Right or wrong, it’s a brand… a brand sticks. There’s no goin’ back. Now you run on home to your mother and tell her… tell her everything’s alright. And there aren’t any more guns in the valley.”

    The wounded Shane rides off into the sunset. And Joey yells after him, pleading for him to return.

    Interpreting the scene with our modern vocabulary, Joey yells the funniest line in the movie for those have picked up on the Shane-Mariann relationship: “Mother wants you. I know she does!” Although the child doe not know exactly what is going on, he has sensed some love.

    Below is the trailer for Shane, although I do not understand why the trailer maker used the final scene of the movie in the trailer.

    Jean Arthur & Alan Ladd

    Another unusual aspect of the movie compared to modern movies is that the female lead, Jean Arthur, was more than a decade older than the male lead. Nowadays, too often producers choose older men to be romantic leads with very young women. But at the time Shane was released, Alan Ladd was 40 and Jean Arthur was 53.

    Arthur had appeared in several great classic movies, including Mr. Smith Goes to Washington and Mr. Deeds Goes to Town, but she was reclusive and did not like the limelight. She had retired prior to the making of Shane, and she made an exception to return to make Shane, which was her final film and the only one where she appeared in color.

    When You Say Nothing at All

    If Chimesfreedom were in charge of music for Shane, we would add “When You Say Nothing at All” to the final credits. The words capture the unspoken relationship between Shane and Mariann.

    The smile on your face lets me know that you need me,
    There’s a truth in your eyes sayin’ you’ll never leave me,
    The touch of your hand says you’ll catch me if ever I fall;
    You say it best when you say nothing at all.

    The version above by Alison Krauss and Union Station appeared on Keith Whitley: A Tribute Album (1994) and on Now That I’ve Found You: A Collection (1995). A live version appeared on Alison Krauss & Union Station – Live.

    “When You Say Nothing at All” was written by Keith Whitley, a singer-songwriter who died at the young age of 34 from alcohol poisoning. Although Whitley only released four albums during his career, he influenced future generations of singer-songwriters.  He wrote some beautiful songs like “When You Say Nothing at All.”

    And yes, contrary to the song, Shane did leave her.

     

    What other movies feature subtle romantic relationships? What about Casablanca? Leave a comment.

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