In this video, guitarist Alex Chadwick gives us “A Brief History of Rock ‘n’ Roll,” taking twelve minutes to go through 100 classic guitar riffs. He begins with a memorable riff from “Mr. Sandman” by Chet Atkins, goes through bands like the Beatles and Aerosmith, finishing with “Cruel” by St. Vincent. The name of the song shows up on the screen when he plays each riff, but if you want a list of all the riffs, check out Open Culture. The music store Chicago Music Exchange sponsors the video. Check it out.
What is your favorite guitar riff of all time? Leave your two cents in the comments.
At around 5 a.m. on April 19, 1775, approximately 700 British troops marched toward Lexington, Massachusetts. Their plan was to seize weapons and Patriot leaders Samuel Adams and John Hancock.
As the soldiers approached Lexington, they encountered 77 minutemen with arms. During the encounter, “the shot heard ’round the world” was fired by an unidentified musket, and the Patriots were routed. Eight Colonists died from the battle. Ten more were wounded, with one British solder injured.
But that as not the end of the fight. Due to warnings by Patriots Paul Revere and William Dawes, the British encountered more Patriots on their journey through Lexington and Concord. The result was 300 British casualties by the time they returned to Boston. The American Revolution had begun, and the world would never be the same.
The Beatles’ “Revolution”
Another revolution with both American and British connections is the song, “Revolution,” written by John Lennon and performed by the Beatles. The song was a reaction to political protests occurring in early 1968.
The Beatles released the rock version of the song that you usually hear as a B-side to “Hey Jude” on August 26, 1968. That version, which Rolling Stone ranks as the thirteenth greatest Beatles song, appears at the end of this post.
The Beatles recorded another slower version of the song first. They called this slower version “Revolution 1.” That version appeared on the 1968 double album The Beatles (aka “The White Album“). The band recorded “Revolution 1” before “Revolution,” remaking the song for the single release. Below is the original slow “Revolution 1.”
The White Album also included the experimental “Revolution 9.” The Beatles created this song out of parts of what was originally in “Revolution 1.”
Although the rock “Revolution” did not have quite the same impact as the American Revolution, it did cause some controversy. Many focused on the line, “But when you talk about destruction / Don’t you know that you can count me out.” Some on the far left saw the “out” as a betrayal. And those on the other end questioned the ambiguity of the “Revolution 1” version which stated the line as “count me out . . . in.”
Most agree though that “Revolution” preached a different kind of revolution than the violent American Revolution. The song was still causing controversy in 1987. That year, many Beatles fans hated to see the music they loved being commercialized when “Revolution become the first Beatles song licensed for a commercial (for Nike).
But the legacy of the song is that it will come up anytime someone talks about a revolution. It is the first song you think of when you think about revolutionary changes.
The opening scream of “Revolution” is the revolution heard round the world.
BONUS TRIVIA: The live television performance above appears to be from The Smothers Brothers Show in 1968. Although you see Paul McCartney doing the scream at the beginning of the performance above, on the record Lennon’s voice does the scream. McCartney does the scream in the live video because Lennon could not do the scream and be ready to sing the first line. Finally, do you know how many times does the word “revolution” appear in “Revolution”? Answer will appear in the comments.
What do you think of “Revolution”? Leave your two cents in the comments.
On March 25 in 2006, Buck Owens, who was born Alvis Edgar Owens Jr., passed away. When I was a kid, I thought Buck Owens was just a goofy guy who wore his overalls backwards and joked around on Hee Haw with Roy Clark (see comments below for further discussion about the backwards overalls). But as I grew up and learned more about classic country music, I discovered that Owens was a legend who made great music with his band, The Buckaroos.
Along with Merle Haggard, Owens was one of the first to stand up against the slick Nashville music to help create and popularize a rock-influenced honky tonk music called “the Bakersfield sound.” That music influenced and continues to influence many great country artists like Brad Paisley.
For example, in the clip below, Owens and his long-time legendary guitarist Don Rich performed “Love’s Gonna Live Here” in 1966 on the Jimmy Dean Show.
One of the artists touched by Owens is Dwight Yoakam. After Owens lost his friend and guitarist Don Rich in a motorcycle accident in 1974, Owens drifted out of the spotlight and eventually stopped recording music. In 1988, though, Dwight Yoakam helped bring Owens back to popularity when the two recorded a new version of Owens’s 1973 hit written by Homer Joy, “Streets of Bakersfield.”
The collaboration between Yoakam and Owens on “Streets of Bakersfield” gave Owens his first number one song in sixteen years. I love this song.
A Buck Owens biography portrayed Owens, who was married several times as sort of a jerk at times. But like he asks in “Streets of Bakersfield” about walking in another person’s shoes (or overalls), “[H]ow many of you that sit and judge me / Have ever walked the streets of Bakersfield?”
Country musicians were not the only ones who recognized the talent of Buck Owens and the great Bakersfield sound. In “Far Away Eyes” from Some Girls (1978), the Rolling Stones lyrics described driving through Bakersfield on the country sounding song. Creedence Clearwater Revival mentioned Owens in “Lookin’ Out My Back Door” (“Dinosaur Victrola, Listenin’ to Buck Owens”) on Cosmos Factory (1970).
Even more famously, in 1965 the Beatles covered one of Owens’s songs, “Act Naturally,” on Help! with Ringo Starr singing lead. Years later, Buck and Ringo joined their humor and musical skills to record a new version of “Act Naturally.”
When Owens passed away in 2006, he was sleeping in his bed. Hours earlier he was not feeling well and considered canceling a performance until he heard some fans had traveled from Oregon to California to hear him perform.
So he stood on stage at his Crystal Palace club and restaurant, singing one last time in Bakersfield.
One of the highlights of this year’s Grammy Awards was Paul McCartney closing the show by singing the Beatles’ classic “Golden Slumbers”/”Carry That Weight”/”The End” set from Abbey Road (1969). Sir Paul also had some help on vocals and guitar from some other great artists, including Joe Walsh, Bruce Springsteen, and Grammy-winning Foo Fighter Dave Grohl.
The guitar work at the end is a treat, but the best part is the final strains of the lyrics where Grohl is standing behind McCartney singing. Grohl has no microphone, but with a smile on his face he sings anyway for the joy of it, the way many of us have done in our bedrooms as kids listening to the album. But Grohl gets to do it onstage with a look on his face that shows he is thinking, “I can’t believe I’m playing with Paul McCartney!” On a night tinged with sad tributes to Whitney Houston and Glen Campbell (who gave his final Grammy performance on stage as he succombs to Alzheimer’s disease), that image of Grohl captures perfectly the point that host LL Cool J made at the opening of the show: It’s all about the music.
“And in the end, the love you take is equal to the love you make.”
[February 2013 Update: The entire performance is no longer available.]
What did you think of last night’s Grammy Awards show and this closing set? Leave your two cents in the comments.
On February 7 in 1964, the Beatles landed at New York’s Kennedy airport, arriving in the United States for the first time and taking the country by storm. Two days later, on February 9, Paul McCartney (21), Ringo Starr (23), John Lennon (23), and George Harrison (20) appeared on The Ed Sullivan Showin front of screaming fans.
The four continued on a short American tour before returning to England on February 22. In the next few months, they had several hits in the U.S. and released their film, A Hard Days Night (1964). And then they returned to the U.S. in August to play sold-out arenas.
On their first appearance on The Ed Sullivan Show, during the first half of the show, the Beatles performed “All My Loving,” “Till There Was You,” and “She Loves You.” They returned later in the program to sing “I Saw Her Standing There” and “I Want To Hold Your Hand.”
Before the last two songs, Sullivan announced that Elvis Presley and Colonel Tom Parker had sent the group a congratulations telegram.
The video below features the Beatles performing “I Want to Hold Your Hand” at this appearance. So, remember when rock was young while watching The Beatles play during their first appearance on The Ed Sullivan Show around a half century ago.
What do you think of the performance? Leave your two cents in the comments.
“). The band recorded “Revolution 1” before “Revolution,” remaking the song for the single release. Below is the original slow “Revolution 1.”
