The Man Behind the Organ in “Like a Rolling Stone”

Organ Like a Rolling Stone

Alan Peter Kuperschmidt, who became known as musician Al Kooper, was born on February 5, 1944. Kooper played a number of important roles in the history of music, such as work as a producer and writer and for organizing Blood, Sweat & Tears. But most people know his work from a chance role he played in one of the greatest rock songs of all time, Bob Dylan’s “Like a Rolling Stone.”

On June 16, 1965, Kooper showed up for the second day of the production of “Like A Rolling Stone,” which was being produced by Tom Wilson. Kooper, who was a 21-year-old session guitarist, arrived merely as a guest of Wilson.

Initially, Kooper hoped to work his way into the session on guitar. But then he realized that guitarist Mike Bloomfield was more talented than him.

After Paul Griffin moved from playing organ on the song to playing piano, Kooper tried to get Wilson to let him play an organ part. Wilson rejected the idea. But when Wilson left the room, Kooper went into the session and took over the Hammond organ. Wilson let Kooper remain, and Kooper added the now famous organ riff to the song. When Dylan heard the playback, he reportedly asked for more organ.

The following video explains Kooper’s role in the recording of “Like a Rolling Stone,” including an interview with Kooper. Check it out.

Kooper went on to other amazing work, including playing organ for Dylan on tour and playing that instrument on the recording of “Just Like a Woman,” released in 1966.  Among his many other accomplishments, he discovered Lynyrd Skynyrd, producing and performing on their first three albums.  That’s him again on organ in “Free Bird,” even though he was officially credited under the name Roosevelt Gook.  He also played piano, organ, and French horn parts on The Rolling Stones’s “You Can’t Always Get What You Want.”

Kooper’s most recent solo album is WHITE CHOCOLATE (2008).

What is your favorite instrument on the recording of “Like a Rolling Stone”? Leave your two cents in the comments.

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    Dylan’s Late-Career Classics: Not Dark Yet

    Shelby Lynne Allison Moorer

    In previous posts, we have discussed some of the classics song written by Bob Dylan late in his career. Recently, two of our favorite artists covered one such classic song when sisters Allison Moorer and Shelby Lynne recorded Dylan’s “Not Dark Yet.”

    “Not Dark Yet” first appeared on Dylan’s Time Out of Mind album in 1997, and it later appeared on the soundtrack for Wonder Boys (2000) (which featured another Dylan gem, “Things Have Changed”). On an album with themes of aging and death, “Not Dark Yet” stands out as a great song tackling those issues.

    Sometimes my burden seems more than I can bear;
    It’s not dark yet, but it’s getting there.

    The song did not make the top 5 songs about death discussed in the movie High Fidelity (2000). But an alternate scene filmed for the movie did have John Cusack’s character Rob adding Dylan’s song to the list created by Jack Black’s character.

    Allison Moorer and Shelby Lynne have chosen “Not Dark Yet” as the title track of their first album together. The CD features mostly covers, and “Not Dark Yet” does a great job of displaying the harmonies of the two sisters.

    Their harmonies combined with an organ create a foundation for the song in gospel, a bit unlike Dylan’s more bluesy version. As NPR notes, the Moorer-Lynne collaboration give the song a “more searching sound.”

    You can love both versions, and I do. Check out “Not Dark Yet” recorded by Moorer and Lynne.

    The album Not Dark Yet hits stores and the Internet on August 18.

    Check out our other posts on Dylan’s late-career classics. What is your favorite of Dylan’s late-career classics? Leave your two cents in the comments.

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    October 1992: They Were So Much Older Then

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    Our video for the day is the performance of Bob Dylan’s “My Back Pages” at The 30th Anniversary Concert Celebration.  The concert — held at on October 16, 1992 at Madison Square Garden — celebrated Dylan’s 30 years of recording.  And this performance featured Dylan, Roger McGuinn, Tom Petty, Neil Young, Eric Clapton and George Harrison.

    It is an amazing collection of legends onstage doing on of Dylan’s great early songs.  “My Back Pages” originally appeared on his 1964 album Another Side of Bob Dylan.

    What is amazing about this performance is how at the time of the concert, the singers were already legends and they seemed old at the time.  But looking at it now, they all seem so young.  Or maybe part of that is because I am so much older now.

    Check out the video, which begins with Roger McGuinn singing the song, which he had previous recorded with The Byrds and released in 1967.  Then, the others follow until Dylan takes the lead himself.  In the meantime, one may watch Dylan’s face to make any guesses about what he is thinking as the others sing his song.

    There are various interpretations of “My Back Pages,” although most read it as Dylan’s rejection of his younger idealism.  But like many of his songs, listeners may find their own meaning and a little of their own life in the song.  And, more than two decades ago, we found a little more connection to the song through many of the rock legends of our youth.

    What is your favorite version of “My Back Pages”? Leave your two cents in the comments.

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    Bob Dylan Croons “I Could Have Told You”

    Bob Dylan, who has already released two albums of American standards in recent years, is doing it again. But this time, he is releasing a triple-album of such standards called Triplicate. Like the two previous albums, Triplicate will include a number of songs previously recorded by Frank Sinatra.

    I Could Have Told YouBob Dylan surprised some by releasing Shadows in the Night in 2015.  Then, he followed that album with another album of standards, Fallen Angels in 2016. The triple-album announcement illustrates that Dylan is going all-in on this style of music, at least for the immediate future.

    Triplicate will include a number of well-known and some lesser-known American standards. The track list includes Sinatra classics like “The Best Is Yet to Come” and “September of My Years.” Also, the set includes “As Time Goes By” and “Stormy Weather.”

    The first release from the upcoming album is “I Could Have Told You.” Carl Sigman and Jimmy Van Heusen wrote the song. And Sinatra first recorded it in December 1953 during the same sessions with Nelson Riddle where he recorded “Young at Heart.”

    Below is the new recording of “I could Have Told You” by Bob Dylan.

    Below is Sinatra’s take on “I Could Have Told You.” The first time Sinatra included the song on an album was on Look To Your Heart (1959).  That collection featured singles and B-sides that he recorded between 1953 and 1955.

    Bob Dylan’s Triplicate set will hit stores and the Internet in various forms — including a Deluxe Limited Edition LP — on March 31, 2017.

    What do you think of Dylan’s take on the standards? Leave your two cents in the comments.

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    A Famous Encounter and “Like a Rolling Pin”

    highway 61 revisited dylan amazon A “Talk of the Town” segment in The New Yorker featured a short profile of record producer Scott Litt, who had produced records by the likes of Nirvana and R.E.M. In the article, Litt told an interesting story about the first time he met Bob Dylan.

    More than a few decades ago, Litt was producing a Replacements album, working in the studio with the band. Dylan was working on his own record nearby, so he stopped by to check out the Replacements.

    When Dylan walked in the studio wearing a hoodie, it just happened to be the same time that the Replacements’ leader Paul Westerberg was singing a parody of Dylan’s hit song “Like a Rolling Stone” called “Like a Rolling Pin.”

    Westerberg did not notice Dylan standing there, and Litt failed to alert the singer, who continued with the parody. Finally, when Westerberg finished, Dylan asked, “You guys rehearse much?” Then he left.

    The lyrics to “Like a Rolling Pin” are nothing special, using phrases from Dylan’s original mixed with some small changes. I believe the song did not end up on the album at the time, appearing later with B-sides and unreleased tracks on All For Nothing/Nothing For All (1997). But the Replacements can sing the phone book and make it sound like a great song. So when they start off with a great Dylan song, one cannot complain.

    More than twenty years later, Litt finally got to work with the singer of “Like a Rolling Stone” when he was the engineer for Dylan’s 2012 album Tempest. While working with Dylan on Tempest, Litt did not mention their previous studio encounter. [Nick Paumgarten, Hello, Bobby, The New Yorker, 1 Oct. 2012: 22-23.]

    What is your favorite Bob Dylan cover? Leave your two cents in the comments.

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