Fathers, Birth, and Rebirth In Springsteen Songs

Phoenix For Father’s Day weekend, we discuss two of Bruce Springsteen’s songs about adult life, fatherhood, rebirth, and birth: “Long Time Comin'” and “Living Proof.” Early in his career in songs like “Independence Day,” Springsteen explored the relationship between sons and fathers with a focus on his experience as a son. But later in his life, some of his songs, like the two discussed below, focused on the joys and fears of being a father.

“Long Time Comin'” and “Living Proof” explore some similar themes connecting the singer’s rebirth to the birth of a child. But although they were written less than five years apart, the singer’s perspective changes significantly between the two songs.

“Living Proof,” which appeared on Springsteen’s 1992 Lucky Town album, is about the joy and the celebration of starting a family. The singer tells us about his own struggles in life and about “crawling deep into some kind of darkness.” Through that, he sought some type of rebirth: “I went down into the desert city / Just tryin’ so hard to shed my skin.” Ultimately, he found faith and hope in his lover and the child she gave him.

Well now on a summer night in a dusky room,
Come a little piece of the Lord’s undying light,
Crying like he swallowed the fiery moon;
In his mother’s arms it was all the beauty I could take,
Like the missing words to some prayer that I could never make;
In a world so hard and dirty so fouled and confused,
Searching for a little bit of God’s mercy;
I found living proof.

“Living Proof” was written after Springsteen’s future wife Patti Scialfa gave birth to the couple’s first child, a son, on July 25, 1990. As such, it reflects the happiness Springsteen was feeling at finding a happy family life following a period that included a divorce in 1988.

“Long Time Comin'” officially first appeared on Springsteen’s 2005 solo album Devils & Dust. But Springsteen wrote the song much earlier around the time of his 1995 album, The Ghost of Tom Joad. Thus, he wrote “Long Time Comin'” within five years of the birth of his first son and around the time of the birth of his third child. Springsteen and Scialfa had a daughter born in December 1991 and a second son born in January 1994.

“Long Time Comin'” is set somewhere in the Western United States (“The wind in the mesquite comes rushin’ over the hilltops”) out under the open sky. The singer in “Long Time Comin’,” like the singer in “Living Proof” is seeking rebirth: “Tonight I’m gonna get birth naked and bury my old soul / And dance on its grave.”

Unlike “Living Proof,” the father in “Long Time Comin'” focuses more on the future of his children, and he fears what his children may face. The singer is happy, but he worries that he will transfer his own failings to his children.

Thus, with a few more years with experience being a father, the songwriter of “Long Time Comin'” creates a character who wonders about his own abilities as a father. It is a weariness earned by experience.

Well now down below and pullin’ on my shirt,
Yeah I got some kids of my own;
Well if I had one wish for you in this God forsaken world, kid,
It’d be that your mistakes will be your own,
That your sins will be your own.

The lyrics written by Springsteen-the-father contrast with the lyrics written by Springsteen-the-son in his earlier song “Adam Raised a Cain,” which appeared on Darkness on the Edge of Town (1978). In the song from Springsteen’s early years, the singer concluded, “You’re born into this life paying,/ For the sins of somebody else’s past.” Additionally, recalling his father’s pain, the singer warned, “You inherit the sins, you inherit the flames.” That son’s understanding of his own father’s burdens resulted in the son’s hope not to pass on those sins and flames.

In the end, the father of “Long Time Comin'” looks at his two kids in sleeping bags, and then he looks at his pregnant wife, promising that he will do better this time around (even using the f-word for the first time on a Springsteen record). It’s one of the most touching and honest moments in the singer-songwriter’s expansive catalog of songs full of honesty and faith.

Image of rebirth of Phoenix via public domain. What are your favorite songs of birth and rebirth? Leave your two cents in the comments.

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    Where Are You Now My Handsome Billy?

    One of the sweetest songs about losing someone comes from Bruce Springsteen’s “The Last Carnival.”

    one candle The shooting early this morning in an Orlando nightclub became the deadliest single-day mass shooting in the history of the United States. There are no words for the tragedy, even while the media tries to sort through the gunman’s motivations when he singled out the Florida gay nightclub for his horrible act.

    The politicians will have many words in the upcoming weeks, connecting the shooting to their issues, rightly or wrongly. We will hear more about the shooter’s affiliations and we will again debate a killer’s ability to gain access to weapons. And most likely, they will fail to agree on a solution.

    At times like this one, it can sometimes be helpful to turn off the TVs and seek comfort in music. Maybe eventually there will be some hope that will lead us to songs like Sam Cooke’s “A Change Is Gonna Come.” But today, we can only think about the victims.

    Along those lines, one of the sweetest songs about losing someone comes from Bruce Springsteen’s “The Last Carnival.” While the song was written about the loss of E Street Band member Danny Federici, it still seems appropriate for a wider meaning.

    Moon rise, moon rise, the light that was in your eyes is gone away;
    Daybreak, daybreak, the thing in you that made me ache has gone to stay;
    We’ll be riding the train without you tonight,
    The train that keeps on moving.

    It’s black smoke scorching the evening sky;
    A million stars shining above us like every soul living and dead
    Has been gathered together by God to sing a hymn
    Over the old bones.

    Photo by Chimesfreedom. What is your favorite song of comfort? Leave your two cents in the comments.

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    Springsteen and Bono Sing “Because the Night” in Dublin

    Bono Springsteen

    On Sunday, May 29, 2016, U2’s Bono joined Bruce Springsteen and the E Street Band for a rousing rendition of “Because the Night.” The duet occurred while Springsteen and the E Street Band were in Dublin for part of The River Tour at the city’s Croke Park.

    “Because the Night,” which was written by Springsteen and Patti Smith, first appeared on the Patti Smith Group album Easter and was released as a single in 1978. Springsteen earlier began working on the song for his album Darkness on the Edge of Town, although his recordings of the song would not appear on official albums until the 1986 box set Live/1975–85 and the compilation CD The Promise (2010).

    The recent Dublin performance by Springsteen and Bono is not the first time the two men have performed the song in public together. In 2003, they sang “Because the Night” at a Springsteen show in Miami, and then they teamed up again on the song during U2’s portion at the 25th Anniversary Rock and Roll Hall of Fame Concert at New York’s Madison Square Garden in 2009.

    What song would you like to hear Bono and Springsteen sing together? Leave your two cents in the comments.

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    Bruce Springsteen & the E Street Band: “Purple Rain”

    E Street Band Prince

    In tribute to Prince, on Saturday night Bruce Springsteen and the E Street Band opened with “Purple Rain.” The band entered the stage covered in purple light and then lit into the classic Prince song.

    As regular readers know, we are big Springsteen fans. But I have to admit that Springsteen’s version of “Purple Rain” was much better than I expected. And Nils Lofgren’s guitar solo did the Purple One justice. Check out the performance at Brooklyn’s Barclays Center on April 23, 2016.

    At least for now, Springsteen is offering the audio of the performance of “Purple Rain” as a free download on his website.

    Leave your two cents in the comments.

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    Bob Seger and Bruce Springsteen “Shout” In Their Third Performance Together

    Shout Springsteen Seger

    Bob Seger recently joined Bruce Springsteen and the E Street Band on stage in Detroit during Springsteen’s current The River tour, which is promoting the release of The Ties That Bind: The River Collection. After playing some joyous tambourine on “10th Avenue Freeze-Out,” Seger also joined in on a performance of The Isley Brothers’ “Shout.” Although Seger-Springsteen collaborations are rare, it was not the first time Seger and Springsteen have performed together.

    Seger had first performed with Springsteen during the opening night of the original The River tour back in 1980, when Seger helped out on “Thunder Road.” Below is the audio of that performance.

    Although Rolling Stone reports that the two are good friends, after the 1980 concert Seger and Springsteen did not appear onstage together until December 2011 when Springsteen joined Seger’s concert for Seger’s “Old Time Rock and Roll.” Check it out.

    That brings us to the most recent collaboration on April 14, 2016. From the energy of the performance this week, it was worth the four-and-a-half-year wait to see the two together on “Tenth Avenue Freeze-Out” and “Shout.” Hopefully we will see them together again soon.

    Although Bob Seger’s Ride Out Tour with the Silver Bullet Band ended in March 2015, Springsteen still has work to do. The current U.S. leg of The River tour ends April 25 in Brooklyn before heading overseas to Europe for the summer.

    What song would you like Seger and Springsteen to do together? Leave your two cents in the comments.

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