This Week in Pop Culture Roundup (Nov. 5, 2011)

While you were too absorbed wondering whether or not Kim Kardashian’s wedding was a sham and in pondering the prospects of Herman Cain in light of the sexual harassment allegations, here are some of the pop culture stories you might have missed this week. Check out the links below.

Movies

FDR
"An army without leaders is like a foot without a big toe." -- Stripes

John Goodman and Justin Timberlake are in cast of upcoming Coen Brothers film about the 1960s folk scene, Inside Llewyn Davis.

We have nothing to fear but . . . Bill Murray is playing Franklin D. Roosevelt in an upcoming film.

Albert Brooks turned down roles in Dead Poets Society, Big, Pretty Woman, and Boogie Nights. Regarding the latter, he was up for the Burt Reynolds role, not the Mark Wahlberg role.

What’s the story of Terrence Malick’s upcoming untitled film with Ben Affleck (in editing now)?

The new James Bond film, featuring Javier Bardem as the villain, will be called “Skyfall.” I wonder if Bardem will flip a coin. I also wonder why the New York Daily News story at the link still has Bardem’s name misspelled in the headline a day after posting the story.

James Franco plans to communicate with Tennessee Williams via Ouija Board.

New movie “Tower Heist” make use of anger at Wall Street.

In more serious film news, an Iranian appeals court overturned a sentence of prison and 90 lashes for actress Marzieh Vafamehr for appearing in a film.

Music

Director David Lynch is releasing his first music CD. Hear it on NPR.

Writer-critic Chuck Klosterman wrote an article about the new Metallica and Lou Reed album . . . and how it relates to quarterback Tim Tebow.

The official version of “Smile” from the Beach Boys was finally released. Also, here and you can stream all 40 tracks. (via @ThatEricAlper)

Fallon spoofs Bieber. It’s not my baby, baby, baby. . .

Liz Anderson, writer of several hit country songs for Merle Haggard and others, passed away. She co-wrote “I am a Lonesome Fugitive.”

Television

60 Minutes
commentator Andy Rooney passed away on Friday in New York City. Embedding is disabled, but you may watch his final regular appearance on 60 Minutes here.

Ellen DeGeneres talked about her experience on American Idol in a new interview.

Conan O’Brien officiated a gay wedding on his late-night show.

The U.S. State Department is employing a secret weapon to teach tolerance in Pakistan: Sesame Street. But Elmo leaves Big Bird in U.S.

What’s the deal with this missing Regis guy?” Jerry Seinfeld will be first guest host on Live! with Kelly.

What was your favorite story this week? Leave your two cents in the comments.

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    A Coen Brothers Movie About Dave Van Ronk?

    Dave Von Ronk Mayor of MacDougal Street
    Reports are going around, including from the Los Angeles Times, that the Coen Brothers plan to make a movie loosely based on 1950s-1960s folk-singer Dave Van Ronk and the New York folk scene. It will be great to see the Coens creating another movie based around great music like O Brother Where Art Thou?

    If you watched Martin Sorsese’s documentary about Bob Dylan, No Direction Home, you might recall that one of the most interesting interviewees in the movie was Dave Van Ronk. Van Ronk was a folk singer in Greenwich Village during the 1960s, and he was a friend and supporter to many of the singers who would go on to more fame than he achieved, such as Dylan, Joni Mitchell, and Ramblin’ Jack Elliott. Van Ronk passed away in 2002 while he was working on a memoir, which was then completed by his collaborator Elijah Wald. The book, which will be used by the Coens, is titled after one of Van Ronk’s nicknames, The Mayor Of MacDougal Street.

    One of Van Ronk’s classic recordings is of the song ‘Green Rocky Road.”

    When I go by Baltimore,
    Ain’t no carpet on the floor.
    Come along and follow me;
    Must go down to Galilee,
    Singin’ green, green rocky road,
    Promenade in’ green;
    Tell me who ya love,
    Tell me who ya love.

    [UPDATE:  The movie became Inside Llewyn Davis (2013).]

    What do you think about the plans of the Coen Brothers? Who should play the Van Ronk character in the movie? Leave a comment.

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    Top 10 Coen Brothers Movies

    The Writing-Producing-Directing team of Joel and Ethan Coen have had another success with True Grit. It is difficult to think of another team that has produced so many high quality movies. Many of their movies are made from various combinations of of humor, action (often involving murders), and witty dialogue. In honor of their most recent release, Chimesfreedom ranks the top ten Coen Brothers movies so far.

    (1) Fargo (1996)
    Fargo is the best representative movie of the Coen canon. It is a perfect balance of the three Coen factors of humor, action, and witty dialogue. At the center of the movie is perhaps the biggest heart of any of the Coen films: Frances McDormand as Marge Olmstead Gunderson, the pregnant chief of police in Brainerd, Minnesota. Fargo’s final scene of the couple in bed discussing stamps is one of the most touching scenes filmed by the Coens.
    Famous Quote: “You Betcha!”

    (2) O Brother, Where Art Thou? (2000)
    O Brother, Where Art Thou?, which is loosely based on Homer’s Odyssey, is one of the Coen films that is heavier on the humor and witty dialogue than on the action and violence. But the pitch-perfect soundtrack boosts this movie into the number two spot, along with George Clooney’s funniest role.
    Famous Quote: “We thought you was a toad.”

    Raising Arizona(3) Raising Arizona (1987)
    One could easily argue for any of these top three movies to be in the number one spot. All of the Coen movies have memorable great dialogue, but Raising Arizona probably tops them all. The long opening sequence that sets the story before the title appears is one of the funniest and best openings of any movie.
    Famous Quote: “Give me that baby, you warthog from hell!”

    (4) No Country for Old Men (2007)
    No Country for Old Men won the Best Picture Academy Award for the Coens, and contains excellent scenery and acting. It has some similarities to Fargo in that the Coens perfectly capture the Texas landscape here as they did with the Minnesota winter landscape in Fargo. Also, Tommy Lee Jones as Sheriff Ed Tom Bell evokes the heart-in-the-middle-of-chaos as Marge Gunderson did in Fargo. But we are ranking this one in fourth place for not featuring as much of the humor as Fargo, but it is still a great movie illustrating the randomness and unfairness of life, a theme the Coens would revisit two years later in A Serious Man.
    Famous Quote: “What’s the most you ever lost on a coin toss?”

    Miller's Crossing, Coen Brothers(5) Miller’s Crossing (1990)
    Miller’s Crossing is a beautiful movie about the battle between two Prohibition-era crime bosses with underling Gabrielle Byrne as Tom Reagan providing the heart and soul throughout a complicated double-double-cross. Although today the film is well-regarded, it was a box office dud when released. And what is the meaning of the hats? Is the hat some sort of MacGuffin? Worth repeated viewings.
    Famous Quote: “What is this, the high hat?”

    (6) The Big Lebowski (1998)
    Many might place The Big Lebowski higher on the list, and if you are talking about the movie with the most rabid fan base, then it would have to be this one. While it is full of clever dialogue and a great performance by Jeff Bridges, the above movies have more elements making them greater movies. The Big Lebowski, though, is still wonderful.
    Famous Quote: “The Dude abides.”

    (7) True Grit (2010)
    Chimesfreedom recently wrote about True Grit, comparing it to the original version of the movie. The Coen’s version is excellent, but the movie here is ranked lower than it might otherwise be because we already had the John Wayne original.
    Famous Quote: “I thought you gonna say the sun was in your eyes. That is to say, your Eye.”

    (8) A Serious Man (2009)
    A Serious Man grows on one upon repeated viewings. While the action element is nonexistent, there is great humor and dialogue in this movie, which raises important themes in its retelling of the Biblical story of Job with Larry Gopnik in 1967 Minnesota.
    Famous Quote: “When the truth is found. To be lies. And all the hope. Within you dies. Then what?” (Rabbi Marshak quoting Jefferson Airplane)

    (9) Blood Simple (1984)
    Many people love this neo-noir, perhaps because it was the Coens directorial debut, so we are including it in the top ten. Blood Simple features many of the elements that would appear in better form in later movies, but it was an excellent start.
    Famous Quote: “If you point a gun at someone, you’d better make sure you shoot him, and if you shoot him you’d better make sure he’s dead, because if he isn’t then he’s gonna get up and try to kill you.”

    (10) The Hudsucker Proxy (1994)
    The Coen Brothers’ attempt at a classic screwball comedy with The Hudsucker Proxy bombed at the box office. It may have failed partly due to the fact that the movie was not what many expected. But it is an excellent homage to classic movies, and Tim Robbins as the unlikely rising business star is pretty funny.
    Famous Quote: “You know, for kids.”

    Hon. Mention: Barton Fink (1991), The Man Who Wasn’t There (2001), Burn After Reading (2008).

    Better Left Unmentioned: Intolerable Cruelty (2003), and The Ladykillers (2004).

    Which Coen Brothers movie is your favorite? Leave a comment.

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    Bonus Coen Brothers Ranking from the Washington Post: Is here.

    True Grit ’10 vs. True Grit ’69

    True Grit 2010

    I first learned that there was going to be a remake of True Grit when I saw the preview for the new movie. My initial reaction was, “Why would anyone remake a classic John Wayne western?” As the preview rolled on, I noticed that Jeff Bridges was in the movie, and he is one of my favorite actors. Then, in the preview, there was Matt Damon playing the Glenn Campbell role, which looked good. Finally, at the end of the preview it said that the movie was created by the Coen Brothers. I was on board.

    True Grit 1969The movie lives up to expectations. The new True Grit (TG2010) is a faithful tribute to the John Wayne classic from 1969 (TG1969) as well as to the novel upon which both movies are based. The acting is excellent. Although the stars Bridges and Damon do a great job as always, the movie depends on the role of Mattie, played by 13-year-old Hailee Steinfeld. Steinfeld carries much of the movie on her shoulders well. The original role of 14-year-old Mattie was played by the 21-year-old Kim Darby, who did a good job but is not quite believable as a child for today’s viewers.

    Unfortunately, movies often portray the bad guys as brilliant pure evil characters. Such portrayals are unrealistic, as real-life criminals are generally less intelligent than movie portrayals, and instead of pure evil spirits, they are human beings (and often mentally disturbed as appears in the recent Arizona shootings of Rep. Gabrielle Giffords and others by Jared Lee Loughner). Although the villains in TG2010 have little screen time, the Coen brothers add some complexity to roles that others may have portrayed as caricatures. Here, the villains are played as characters with limited intelligence or with realistic conflicting qualities. Barry Pepper does an excellent job in the role originally portrayed by Robert DuVall. TG2010 is a little more violent than TG1969, but the Coen Brothers used violence in a realistic way without raising the violence to a level they have done in some of their other movies like No Country for Old Men and Fargo.

    The Coen Brothers also give some complexity to the three main heroes. Although I like the final scene from the original True Grit, the Coens ended the movie in a way that was both faithful to their vision and more faithful to the novel, both in changing the coda as well as changing the fates, to varying degrees, of the three main characters.

    Westerns, by their nature, are often elegiac in nature, and True Grit 2010 is no exception. The American Heritage Dictionary defines “elegiac” as “of, relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past.” The movie seems elegiac for both its portrayal of a western past and for its version of how we saw movies in the past.

    One of the haunting elements of the movie is its use of a limited musical score, often allowing us to hear the silence and the wind blowing on the plains. Throughout the movie, the ongoing musical theme is the spiritual “Leaning on the Everlasting Arms,” which also played a key part in the movie, Night of the Hunter (addressed in a previous post). The musical connection is appropriate, as True Grit and the Robert Mitchum movie both feature the fellowship of good people triumphing over outside threats. When True Grit ends and the credits role, we are given the song once again, this time with Iris DeMent providing the vocals. The words from a specially written song would not fit True Grit’s portrayal of the three-person fellowship better: “Oh, how sweet to walk in this pilgrim way,/Leaning on the everlasting arms.”

    Conclusion? True Grit 2010 is a worthwhile remake of a good movie, tweaking the original without obliterating the memory of the first movie. The character studies, the sparkling dialogue, the scenery, and the action make it an entertaining adventure. How does it compare to the 1969 movie? I missed John Wayne’s charm, but overall the 2010 movie has a more believable cast with some nice realistic story twists. Watch and enjoy both.

    Bonus “Listen to this Song Instead of Watching the Trailer Advice”(above):  Although I loved the preview for True Grit 2010, if you are going to see the movie, you do not need to see the trailer (or you may find it easily on YouTube). The trailer’s focus on retribution is misleading, and it shows a few good lines and scenes that are better left to your movie viewing, especially if you have never seen the 1969 movie. What might help you enjoy the movie is familiarity with the beautiful musical theme of the movie, so instead of the preview, above is Iris DeMent’s version of “Leaning on the Everlasting Arms.”

    Bonus Reviews (1/13/11 update): If you would like to read more about the plot, check out this review from Cinema Viewfinder, which reminded me that the Coens had echoed Night of the Hunter in Raising Arizona too (with the “Hate” and “Love” tattoos on the outlaw biker).  Here is another review that is much more critical of the original True Grit, but it has a nice discussion of Night of the Hunter, noting that the line, “The Dude abides” from The Big Lebowski was also inspired by the Robert Mitchum movie.

    What did you think of the movie? Leave a comment.

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