Goodness Gracious Great Balls of Fire!

Jerry Lee Lewis Great Balls of Fire

After much debate on on Oct. 8, 1957, Jerry Lee Lewis poured his divided soul into recording “Great Balls of Fire” at Sun Studio in Memphis, Tennessee. The song was released on November 11 of that year, and it went on to enter the top ten on the U.S. country, pop, and R&B charts, as well as number one on the U.K. pop charts.

A “Blasphemous” Song?

But Lewis initially refused to record the song. Lewis grew up in the Assemblies of God church and had attended Southwest Bible College in Texas before getting expelled for playing rock and roll music.

Lewis was tortured about whether or not to record this song. Many in the church considered the southern expression “Great Balls of Fire” to be blasphemous, as it refers to the Holy Spirit appearing as fire.

Argument with Sam Phillips

Before the recording of the song in October 1957, Lewis argued with Sun Studio’s Sam Phillips about whether or not he could bring himself to record the song. Phillips encouraged Lewis, telling him that he could save souls.

Lewis responded, “How can the devil save souls?…I got the devil in me!” The tape was rolling during the argument, so you may hear Lewis and Phillips discussing the song in the clip below:

Jerry Lee Lewis & Sam Phillips Argue

The argument continued in a dialogue that appears somewhat disjointed. But after awhile, Lewis came around and recorded the song.

After the Recording of “Great Balls of Fire”

Lewis, who is cousins with preacher Jimmy Swaggart, would continue to be tortured by the divide between his upbringing and his rock and roll lifestyle. As recounted in a book and movie about his life, after his rise to fame, audiences deserted him because he married his 13-year-old cousin. Lewis’s career would be resurrected eventually, and he continues to record and perform.

Lewis must have found peace with the blasphemous song, which he continued to perform. But he could not have predicted in 1957 that he would become so associated with the phrase “Great Balls of Fire.” It would become the title for his biography and the movie about his life, starring Dennis Quaid in an interesting, over-the-top performance.


What do you think of the song and the movie “Great Balls of Fire”? Leave a comment.

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    Best Gospel Songs by Pop Singers 3: Ready, Walk, Great

    Marty Stuart Soul's ChapelTo those who celebrate Easter, Happy Easter! This post concludes for now the Chimesfreedom series on Best Gospel Songs by Pop Singers. Today, we feature a timeless pop hit, a relatively new country gospel song, and one of the most powerful performances ever recorded on film.

    People Get Ready, The Impressions

    “People Get Ready” was written by Curtis Mayfield. Mayfield performed the song well, as have others like Al Green, Eva Cassidy, Rod Stewart, Alicia Keys, Crystal Bowersox, and Bob Dylan. But the original version by the Impressions, with Mayfield on guitar, is what sticks in one’s mind when you think of the timeless song.

    “People Get Ready” was released in 1965, and we associate the call for change with the social and Civil Rights movements. Indeed, the song was inspired by the 1963 March on Washington. But Mayfield’s music is straight from gospel, and the lyrics are also a testament to faith: “Faith is the key / Open the doors / and board them / There’s room for all / Among the loved and lost.”

    In a Curtis Mayfield biography, Peter Burns described “People Get Ready” as “a song of faith really, a faith that transcends any racial barrier and welcomes everyone onto the train. The train that takes everyone to the promised land, really.”

    The Impressions and Mayfield also performed something of a miracle in creating a hit record that also became a gospel standard covered by so many artists. Bob Marley incorporated the guitar riff and some of the lyrics into “One Love.” And Bruce Springsteen incorporated part of “People Get Ready” into his moving “Land of Hope and Dreams.”

    Rolling Stone Magazine ranked the song as the twenty-fourth greatest song of all time. And one cannot really argue with that.

    Can’t Even Walk, Marty Stuart

    Marty Stuart has an interesting position in country music. He stands between the generations of authentic classic country music and the newer pop country music. As he has aged, he has generally chosen to reside in the former, paying tribute to the talented old guard of country, like Johnny Cash, while many other modern country singers try to emulate Billy Joel more than the Louvin Brothers.

    Marty Stuart has recorded some excellent concept albums in recent years that are mostly overlooked. “Can’t Even Walk” is a beautiful song off his album of gospel songs, Souls’ Chapel (2005).

    I thought that I could do a lot on my own;
    I thought I, I thought I could make it all alone;
    I thought, I thought of myself
    As a mighty, mighty big man;
    But I realize I can’t even walk
    Without You holding my hand

    Unfortunately, there is only the above amateur video of Marty Stuart’s “Can’t Even Walk,” but give it a listen. Also, if you like the song, check out this very sweet version of the song sung by what appears to be a talented grandmother and grandson [2016 Update: Unfortunately, the video is no longer available]. I love it and would have posted it here, but it would not be fair to put them adjacent to the next powerful professional performance. . .

    How Great Thou Art, by Elvis Presley

    Critics often give bad reviews to In Concert (1977), the album of Elvis Presley’s June 1977 performances recorded for a TV special. The recording of one of Elvis’s final performances may not be the quality of his earlier work when he was healthy, but the CD is worth it just for the recording of “How Great Thou Art.”

    Here is Elvis, two months before he died. Overweight, sweating, with a body about to give out on him, but he still gave his gospel performances his all. The glitter on his jumpsuit seems inconsistent with the message of the song, and Elvis’s faith could not save him from his fated death.

    But in his performance he finds something deep within himself to cry out for help in an incredible despairing voice. Starting at around 2:20, he builds to a note that will send chills down your spine. If you only watch one video in this series, watch this one.

    There is nothing more to say after that.

    Check out our other posts in the series, Gospel Songs by Pop Artists.

    What are your favorite gospel recordings by popular artists? Leave a comment.

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    Best Gospel Songs by Pop Singers 2: Gold, Blessed & Sweet

    Church Chimesfreedom

    This post continues the Chimesfreedom discussion of Best Gospel Songs by Pop Singers. In this series, we consider some great recording of gospel songs that were made by popular singers. This post includes songs recorded by Patty Griffin, Aretha Franklin, and George Harrison.

    House of Gold, Patty Griffin (& Hank Williams)

    I finally got around to buying Patty Griffin’s CD of gospel music, Downtown Church. She has one of the best singing voices, and it shows on my favorite song off this CD.

    “House of Gold” was originally written and performed by Hank Williams. The song works here because her voice echos above the restrained instrumentation. And the song has some of the best gospel lyrics ever:

    I’d rather be in a deep, dark grave
    And know that my poor soul was saved
    Than to live in this world in a house of gold
    And deny my God and doom my soul

    Blessed Assurance, Aretha Franklin

    Like Sam Cooke, Aretha Franklin has many great Gospel recordings, including the album, Amazing Grace: The Complete Recordings. She has recorded some excellent versions of “Amazing Grace,” “You’ve Got a Friend,” and “How I Got Over,” but here is a beautifully restrained version of “Blessed Assurance.”

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    My Sweet Lord, George Harrison

    “My Sweet Lord” may not technically qualify as a gospel song (and some Christians have objected to the “Hare Krishna” chants).  But it is a beautiful song about one’s relationship with God, so it qualifies for me.

    George Harrison originally wrote the song for Billy Preston but ended up having a big hit with it on his own as part of his first post-Beatles album, All Things Must Pass. Unfortunately, he lost a lawsuit for subconsciously copying the Chiffons’ hit, “He’s So Fine.” Under today’s laws that are more lenient toward sampling, etc., though, he likely would have won.

    But Harrison managed to come out ahead anyway, eventually buying the rights to “He’s So Fine.”

    Check out other posts in our series of Best Gospel Songs by Pop Singers.

    Photo of church (Ireland) by Chimesfreedom.  What are your favorite gospel recordings by popular artists? Leave a comment.

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    Best Gospel Songs By Pop Singers (Part 1): Nearer & Pressing

    Bob Dylan Slow Train Coming It has been awhile since I spent a Sunday in church, and the last time I visited, the preacher spent more time talking about politics than about faith. But I do love to hear beautiful gospel songs. You do not need to be religious to open yourself up to these songs, which at the heart, are really love songs. In this three-part series, we are discussing the Best Gospel Songs by Pop Singers. We start off with songs by Sam Cooke and Bob Dylan.

    Nearer to Thee, Sam Cooke

    Yes, I’m cheating. The Soul Stirrers were a gospel group.  But this song is featured because their lead singer Sam Cooke, who is one of my favorite singers, went on to popular secular success on his own.

    The song builds gradually with the hypnotic background vocals and Cooke’s fantastic voice. On this recording you can hear Cooke gradually working up the crowd, slowly, slowly, building . . . building . . . building . . . toward release and salvation. Beautiful.

    Although Cooke recorded many great popular songs as a secular artist, few reached the intensity of “Nearer to Thee.” The one secular song that reaches a similar frenzy is his live version of “Bring It On Home to Me,” available on One Night Stand: Live at the Harlem Square Club 63.

    Pressing On, Bob Dylan

    I was too young to notice when Bob Dylan first became a phenomenon, but I do remember when everyone was surprised that he became a born-again Christian in the late 1970s. His music from this period includes a number of outstanding original gospel songs, including “Gotta Serve Somebody.”

    One song from this period that is less well-known than some others is “Pressing On.” As Sam Cooke did in “Nearer to Thee,” Dylan effectively uses repetition. He repeats “I’m pressing on” throughout the song to provide a hypnotic quality not unlike a moving church service.

    Here is the version of “Pressing On” by John Doe that was featured in the very good movie “about” Bob Dylan, I’m Not There (2007). Doe, founder of the punk bank X, does an excellent cover.

    In this scene, Christian Bale does a great job of playing the singing Dylan and capturing the hypnotic nature of the song. Critic Greil Marcus wrote that the Doe-Bale combination is the place where the song found its voice. (“Themes from a Summer Place,” New West, July 28, 1980).

    Another great gospel song by Bob Dylan, and perhaps his greatest, is “Every Grain of Sand.” For other great gospel songs by popular artists, check out upcoming posts in this series of Best Gospel Songs by Pop Singers. ..

    What are your favorite gospel recordings by popular artists? Leave a comment.

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