Garth Hudson Returns to Big Pink

Big Pink

Rolling Stone magazine recently visited the legendary Big Pink with The Band’s Garth Hudson, returning to the house for the first time since he moved out. In the video, Hudson talks about his experiences at Big Pink with The Band and with Bob Dylan, explaining more about the recording of the famous Basement Tapes.

The video coincides with Bob Dylan’s recent release of The Basement Tapes Complete: The Bootleg Series Vol. 11. Check out the video of Garth Hudson visiting Big Pink once again, concluding with him playing the piano in the basement.

For more on Big Pink, you may head over to Mashable to check out a short video showing the trip from New York City to Big Pink, narrated by Jeff Bridges.

Leave your two cents in the comments.

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    The Dude Abides (Really)

    Big Lebowski A new documentary short follows Jeff Dowd, the inspiration for the Jeff Bridges character in The Big Lebowski. The short documentary The Dude (Director’s Cut) (2012) is directed by Jeff Feuerzeig — who directed one of my favorite recent documentaries, The Devil and Daniel Johnston. On the video’s website, Feuerzeig explains that he met Dowd, who works on film projects and has been executive producer for some films, way back in 1986.

    In the new film, Dowd recounts some of the stories that inspired the Coen Brothers. And the film follows Dowd to a Lebowski Fest, providing some insight into the Jeff “The Dude” Lebowski character. The film does not allow embedding, but you may watch the film on Vimeo.

    In writing this story, for the first time I made the connection between Jeff Dowd’s last name and its similarity to “Dude.” I have never heard there is a connection, but now it seems obvious to me. Other fans, i.e., Achievers, may know whether the connection is intentional. Anyway, check out the short film and see what you think.

    What do you think of The Dude (Director’s Cut)? Leave your two cents in the comments.

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    True Grit ’10 vs. True Grit ’69

    True Grit 2010

    I first learned that there was going to be a remake of True Grit when I saw the preview for the new movie. My initial reaction was, “Why would anyone remake a classic John Wayne western?” As the preview rolled on, I noticed that Jeff Bridges was in the movie, and he is one of my favorite actors. Then, in the preview, there was Matt Damon playing the Glenn Campbell role, which looked good. Finally, at the end of the preview it said that the movie was created by the Coen Brothers. I was on board.

    True Grit 1969The movie lives up to expectations. The new True Grit (TG2010) is a faithful tribute to the John Wayne classic from 1969 (TG1969) as well as to the novel upon which both movies are based. The acting is excellent. Although the stars Bridges and Damon do a great job as always, the movie depends on the role of Mattie, played by 13-year-old Hailee Steinfeld. Steinfeld carries much of the movie on her shoulders well. The original role of 14-year-old Mattie was played by the 21-year-old Kim Darby, who did a good job but is not quite believable as a child for today’s viewers.

    Unfortunately, movies often portray the bad guys as brilliant pure evil characters. Such portrayals are unrealistic, as real-life criminals are generally less intelligent than movie portrayals, and instead of pure evil spirits, they are human beings (and often mentally disturbed as appears in the recent Arizona shootings of Rep. Gabrielle Giffords and others by Jared Lee Loughner). Although the villains in TG2010 have little screen time, the Coen brothers add some complexity to roles that others may have portrayed as caricatures. Here, the villains are played as characters with limited intelligence or with realistic conflicting qualities. Barry Pepper does an excellent job in the role originally portrayed by Robert DuVall. TG2010 is a little more violent than TG1969, but the Coen Brothers used violence in a realistic way without raising the violence to a level they have done in some of their other movies like No Country for Old Men and Fargo.

    The Coen Brothers also give some complexity to the three main heroes. Although I like the final scene from the original True Grit, the Coens ended the movie in a way that was both faithful to their vision and more faithful to the novel, both in changing the coda as well as changing the fates, to varying degrees, of the three main characters.

    Westerns, by their nature, are often elegiac in nature, and True Grit 2010 is no exception. The American Heritage Dictionary defines “elegiac” as “of, relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past.” The movie seems elegiac for both its portrayal of a western past and for its version of how we saw movies in the past.

    One of the haunting elements of the movie is its use of a limited musical score, often allowing us to hear the silence and the wind blowing on the plains. Throughout the movie, the ongoing musical theme is the spiritual “Leaning on the Everlasting Arms,” which also played a key part in the movie, Night of the Hunter (addressed in a previous post). The musical connection is appropriate, as True Grit and the Robert Mitchum movie both feature the fellowship of good people triumphing over outside threats. When True Grit ends and the credits role, we are given the song once again, this time with Iris DeMent providing the vocals. The words from a specially written song would not fit True Grit’s portrayal of the three-person fellowship better: “Oh, how sweet to walk in this pilgrim way,/Leaning on the everlasting arms.”

    Conclusion? True Grit 2010 is a worthwhile remake of a good movie, tweaking the original without obliterating the memory of the first movie. The character studies, the sparkling dialogue, the scenery, and the action make it an entertaining adventure. How does it compare to the 1969 movie? I missed John Wayne’s charm, but overall the 2010 movie has a more believable cast with some nice realistic story twists. Watch and enjoy both.

    Bonus “Listen to this Song Instead of Watching the Trailer Advice”(above):  Although I loved the preview for True Grit 2010, if you are going to see the movie, you do not need to see the trailer (or you may find it easily on YouTube). The trailer’s focus on retribution is misleading, and it shows a few good lines and scenes that are better left to your movie viewing, especially if you have never seen the 1969 movie. What might help you enjoy the movie is familiarity with the beautiful musical theme of the movie, so instead of the preview, above is Iris DeMent’s version of “Leaning on the Everlasting Arms.”

    Bonus Reviews (1/13/11 update): If you would like to read more about the plot, check out this review from Cinema Viewfinder, which reminded me that the Coens had echoed Night of the Hunter in Raising Arizona too (with the “Hate” and “Love” tattoos on the outlaw biker).  Here is another review that is much more critical of the original True Grit, but it has a nice discussion of Night of the Hunter, noting that the line, “The Dude abides” from The Big Lebowski was also inspired by the Robert Mitchum movie.

    What did you think of the movie? Leave a comment.

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