After an exciting election yesterday, congratulations to everyone who participated, including everyone who voted, all of the candidates for state offices, Gov. Mitt Romney, and Pres. Barack Obama. As the president begins his second term in office and all the elected officials begin the difficult work of governing, may we hope that all of our representatives learn a thing or two from music. Unfortunately, a song cannot be president, but what if it could? In this performance, the Ohio band Over the Rhine imagines what the world might be like.
We’d vote for a melody, Pass it around on an MP3; All our best foreign policy, Would be built on harmony.
Over the Rhine’s performance of their song “If a Song Could Be President” above is at the WUTK Radio studio where they appeared before a May 28, 2008 show in Knoxville Tennessee. I would vote for any song that imagines a better world while giving roles to John Prine, Emmylou Harris, Steve Earle, Lightnin’ Hopkins and Patsy Cline.
(Thanks to mh for reminding me of this song.) What is your favorite song about politics? Leave your two cents in the comments.
I have noted elsewhere that it is often difficult for artists to reflect on their own time and create great art about current events. Some musicians, including Bruce Springsteen and his recent album Wrecking Ball, have attempted to comment on the tough times facing many people around the world. On the new CD Little Victories (2012) singer-songwriter Chris Knight, though, may have created the angriest record about The Great Recession. It also may be the best.
The 52-year-old Kentuckian has been making great music for a long time following his initial post-college career as a mine reclamation inspector and as a miner’s consultant. I have loved his music since his self-titled debut in 1998, but surprisingly, major fame has alluded him. Perhaps he is too authentic so Nashville country radio does not play his music, and perhaps because he is too twangy so other listeners write him off. But you should not let your prejudices detour you from discovering his music. Not surprisingly, he is often compared to Steve Earle, another artist who bucked convention and makes intelligent and enthralling music.
John Prine, who joins Knight on the title track of the latest album, is another inspiration. Although I initially was surprised to learn that Knight started out by teaching himself John Prine songs, the connection makes sense when you hear the honest stories of down and out people in the music of both men.
Knight’s music has always featured honest stories about real life, and his latest album, Little Victories reflects much of the anger of the times, whether he is singing about tough times or broken hearts, as he does in this performance of “Missing You” with his band the Drunken Boaters at Fountain Square in Downtown Cincinnati on July 19, 2011.
Little Victories starts off with a hard sound on the first several songs, setting the stage for the anger of the times. Check out the opening song “In the Meantime.”
One of my favorite songs on the album, which is not available on YouTube, is “You Can’t Trust No One.” It is one of those songs that made me stop when it came on as I tried to figure out what it was about and what he was saying. My best guess is that it is some kind of sci-fi post-apocalyptic song, or a warning of where we may be going, or a prediction. Whereas Springsteen’s “We Take Care of Our Own” may give us some comfort in dark times, Knight’s characters recognize that sometimes platitudes fail, as he sings in the chorus to “You Can’t Trust No One.”
“People, won’t you come together, we’ve all got to live as one; I ain’t right sure what that means but I reckon it sounds like fun; Everybody pack your picnic lunch, and everybody pack your gun, ‘Cause you can’t trust no one.”
Later in the album, the music is less angry but the tough times are still there, as on “Nuthin’ on Me.” In “Out of this Hole” Knight contemplates the hole that many people around the world have fallen into.
The songs above give a little sense of the new album, but I am not sure you can get a sense of the darkness of the album from some performances before loud patrons in drinking establishments. In an interview some years ago, Knight explained, that he relates “to people in desperate situations doing what they got to do to get…doing what they do and then living with it. The living with it part is kind of what intrigues me.” If you also are intrigued by how people survive tough times, sit back with some bourbon and listen to Little Victories.
One time on the streets of New Orleans I saw a street performer who had a dog who would retrieve donations from audience members. A person would hold out a bill while the performer played guitar and sang, and the dog took the cash in his mouth and dropped it in the guitar case.
Initially, we were attracted to the dog’s skills. But after awhile, I noticed that the talented street performer was only playing John Prine songs. I was impressed with his taste in music and willingness to play songs that most tourists may not recognize. I guess having a talented dog gives one a little artistic freedom.
“Bruised Orange (Chain of Sorrow)”
One of my favorite John Prine songs is “Bruised Orange (Chain of Sorrow).” It is a beautiful song about anger, frustration, and accepting what we cannot change. The song, which first appeared on Prine’s Bruised Orange (1978) album, provides a valuable lesson in its chorus.
For a heart stained in anger grows weak and grows bitter; You become your own prisoner as you watch yourself sit there, Wrapped up in a trap of your very own chain of sorrow.
The True Story Behind “Bruised Orange”
A tragic true story inspired the opening tale in “Bruised Orange (Chain of Sorrow).”
Like a long ago Sunday when I walked through the alley, On a cold winter’s morning to a church house, Just to shovel some snow.
I heard sirens on the train track howl naked gettin’ nuder, An altar boy’s been hit by a local commuter, Just from walking with his back turned To the train that was coming so slow.
The John Prine Shrine website quotes Prine explaining the inspiration for the opening lines of the song. One day he was driving to do his job shoveling snow at a church:
Turns out one of the altar boys on his way to the Catholic church was walking down the train tracks. God only knows where his mind was, but a local commuter train come from behind and they had to put him in bushel baskets – what was left. I saw a group of mothers standing near the accident, not knowing whose boys it was. When they finally identified the boy, the mother broke down, and the other mothers consoled her with a great sense of relief. This story is coupled with a shattered romance, juxtaposed with a loss of innocence: “My heart’s in the ice house/Come hill or come valley.” In the following video, he tells the story of the alter boy, followed by a video of him singing the song.
Why an “Orange”?
But why the “orange” in the title? The Prine Shrine website quotes from Clay Eals’ biography of Steve Goodman Facing the Music for an explanation. (p.511)
Prine explained that he used the word “orange” for the reason that “he liked the colors of autumn and Halloween, and he ate oranges ‘by the dozen’ as a child.” He added, “‘It just came up as somethin’ that’s really sweet and delicate and gettin’ bruised just by bein’ mishandled,’ he says. In short, the orange symbolized the human heart.”
There are a number of popular songs that reference the Fourth of July and Independence Day. There are songs that take a historical approach to focus on the drafters and signers of the Declaration of Independence as in the play and movie 1776. And there are popular songs about America like the version of “America the Beautiful” by Ray Charles or the song we discussed on Chimesfreedom last year, Paul Simon’s “American Tune.” But there are also a number of songs that refer to the modern version of the holiday without singing about Jefferson, Franklin, Adams, or purple mountains majesty.
Shooter Jennings: “Fourth of July”
Shooter Jennings, son of the great Waylon Jennings, recorded an excellent song about the holiday in “Fourth of July” off his debut album, Put the O Back in Country (2005). Although the song does not mention the Declaration of Independence or our Founding Fathers, it evokes the Fourth of July that is more familiar to Americans today of having a nice holiday.
Unlike many of the other Fourth of July patriotic songs, Shooter Jennings’s song is completely about the holiday. And it is a fun song. (Unfortunately, the official video is no longer available on YouTube so below is a fan video with the lyrics. A live version is here.)
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“The Great Compromise”
John Prine invokes patriotic imagery as he remembers “a girl who was almost a lady” born on the Fourth of July in his wonderful “The Great Compromise.” The song appeared on Prine’s album Diamonds In The Rough (1971).
The girl in “The Great Compromise,” however, really represents the United States. Prine’s song about disillusionment with the country during the Vietnam War is one of the great songs about our country. [Thanks to Lucia Ferrara for reminding me about the Prine song.]
Other Singing References to the Fourth
Many other singers and songwriters have planted references to the holiday in their songs. For example, there are songs by James Taylor (“On the Fourth of July”), U2 (the instrumental “4th of July”), Elliott Smith (“Independence Day”), X (“4th of July”), Ariel Abshire (“Fourth of July”), and Aimee Mann (“4th of July”).
Tom Waits mentions the holiday in “This One From the Heart.” So does Chicago in “Saturday in the Park” but the band was not completely sure about the day: “Saturday in the park/ I think it was the Fourth of July.”
And Lucinda Williams sang about a “Metal Firecracker,” although the song title referred to a tour bus. PopMatters has a good list of July Fourth songs, and check out the comments below for some more additions.
What is your favorite Fourth of July song? Let us know in the comments. And have a happy and safe Fourth of July.
One of my favorite recent CD purchases is This One’s For Him: A Tribute to Guy Clark (2011), which I have had on repeat play since I got it in December. This One’s for Him is a solid 2-CD collection of songs by the wonderful Texas singer-songwriter Guy Clark. Although tribute albums often are hit-and-miss affairs with an uneven collection of interpretations by various artists, this one maintains a nice consistency throughout. One reason the CDs work so well is the consistency of Guy Clark’s writing, although tribute albums usually consist of well-written songs. Another reason that the listening experience is like listening to a CD by one artist is because the producers recorded live with the band and a limited number of overdubs, giving consistency throughout. Finally, the great collection holds up due to the group of artists assembled for the project. Although there are some famous singers on the collection, the producers clearly opted for talented musicians who love Clark’s music instead of just seeking big names, and the love comes through the music.
It is hard to choose a favorite song, but one of mine is Jack Ingram’s version of “Stuff that Works.” In a video no longer available on YouTube, Jack Ingram talked about his love of Guy Clark’s music, noting that the music feels “like the Truth.” The great thing about Clark’s songs is that he writes beautiful words to go with his beautiful music. Stuff that works, stuff that holds up; The kind of stuff you don’t hang on the wall; Stuff that’s real, stuff you feel; The kind of stuff you reach for when you fall.
Artists on the CD include a who’s who of great singers and songwriters: Rodney Crowell, Willie Nelson, Jerry Jeff Walker, Steve Earle, Emmylou Harris, Patty Griffin, Kris Kristofferson, Robert Earl Keen, Ray Wylie Hubbard, John Prine, and many more. [UPDATE: In a promotional video no longer on YouTube, Hayes Carll, who sings “Worry B Gone” on the tribute CD, talked about hanging out with Clark.]
If you are already a fan of Guy Clark’s music, you will love the CD. But if you are new to his music, the tribute CD is a great place to start. One of my favorite songs of all-time is Guy Clark’s “LA Freeway.” Radney Foster does an excellent job covering the song on the CD. I could not find his version on Youtube, so here is the songwriter’s version. He does a pretty good job too.
If I can just get off of this LA freeway, Without getting killed or caught; I’d be down that road in a cloud of smoke, For some land that I ain’t bought — bought — bought.
“LA Freeway” captures the common longing for running off and being free. Even if you cannot make that kind of escape, you might come a little closer if while you’re on the road you pop in this CD.
(1971).
