The Ending of “Judgment at Nuremberg” And the Film’s Lesson for Today

The film “Judgment at Nuremberg” ends with a stunning indictment from Spencer Tracy’s character that should offer a chilling lesson for today.

The 1961 film Judgment at Nuremberg, directed by Stanley Kramer and written by Abby Mann, presents a fictionalized trial based on real events following World War II. There were twelve trials in military courts in Nuremberg, Germany regarding Nazi crimes committed during the war. The movie centers on a trial similar to the actual trial of jurists and lawyers (sometimes called “The Judges’ Trial“). [Warning: This post contains some spoilers for the movie.]

Judgment at Nuremberg features many great actors of the time, including Marlene Dietrich, Judy Garland, Richard Widmark, Montgomery Clift, Maximilian Schell (who won the Best Actor Oscar) and a young William Shatner. Much of the fim, though, centers on the characters played by Spencer Tracy and Burt Lancaster.

Spencer Tracy and Burt Lancaster

Spencer Tracy, who was 61 at the time and looked older, plays Chief Judge Dan Haywood, one of the judges overseeing the trial. Tracy’s Maine judge is in many ways the heart of the film, as we see through his eyes the war-torn streets of Germany and the moral questions surrounding the war and the atrocities.

Lancaster, plays Dr. Ernst Janning, one of the German defendants. Initially appearing defiant, Janning is troubled by what the Nazi’s did. Eventually, Janning takes the stand as a witness for the prosecution. During his testimony indicting the works of the Nazis, he confesses his own role in sentencing a Jewish man to death for having sex with a 16-year-old Gentile girl when he knew the charges were not true.

Lancaster was a great handsome movie star, and he brings his gravitas to the role, evoking sympathy from us for the guilt he feels and for his willingness among the defendants to admit the sins of the Germans. Tracy and Lancaster were long-time movie stars by this point, and we were familiar with Tracy as a trustworthy character and Lancaster as a strong man with a vulnerable heart and intense eyes.

The Final Confrontation

Janning: “Those people . . . Those millions of people. I never knew it would come to that. You must believe it. You must believe it.”

Haywood: “Herr Janning, it came to that the first time you sentenced a man to death you knew to be innocent.”

At the end of the film, we do finally get a one-on-one scene between the two heavyweight actors. After Janning and the other three defendants are found guilty and sentenced to life in prison, Janning asks Judge Haywood to visit him in his cell. And Judge Haywood agrees. Throughout the film, Tracy has played Haywood as a man conflicted about how blame may be assessed among the living for the crimes of the Nazis, and we have seen him moved by Janning’s acceptance of guilt. So, the viewer may expect that this final scene of the two men (and great actors) meeting alone, will provide some common understanding between the two judges. But that is not what happens.

The two men complement each other. Lancaster’s Janning tells Spencer’s Haywood that his decision of the court was a just one. Haywood responds that Lancaster’s testimony was what needed to be said.

Then, Burt Lancaster’s Janning turns to the reason he wanted to talk to the judge in private. He does ask for some type of understanding, if not forgiveness from Spencer Tracy’s judge, explaining he did not know the extent of the horrors and the killings of the Jewish people. He pleads, “Those people . . . Those millions of people. I never knew it would come to that. You must believe it. You must believe it.”

But Spencer Tracy’s judge does not give forgiveness or understanding, only an indictment. He replies, “Herr Janning, it came to that the first time you sentenced a man to death you knew to be innocent.” The camera captures Lancaster’s pained and haunted face as the movie ends with his prison door closing.

America’s Dilemma

That scene from Judgment at Nuremberg has always stayed with me, and I have been thinking about it a lot lately. In the news, we have read and seen about the Trump administration rounding up immigrants and sending them to an inhumane prison in El Salvador. A few years ago, it might have been hard to imagine the United States sending convicted criminals to such a place, but because these men are not citizens of the U.S. and the administration asserts they are members of the MS-13 gang, so far we have mostly accepted sending people who have been convicted of no crimes.

As we find out more about some of the men sent, we should be more troubled. There is Andry Jose Hernandez Romero, a gay makeup artist who sought asylum in the United States last year. He was sent to the prison based on a signature from a disgraced former police officer, now a private prison contractor, with a record of lying.

Merwil Gutiérrez also was sent to the El Salvador prison. The 19-year-old with no criminal record and reportedly no gang affiliation was taken from the Bronx and sent to the prison. Reportedly, he was seized after an ICE agent realized he was not who they were looking for. But another agent responded “take him anyway,” so they did. Gutiérrez’s father is still trying to get information on his son.

Ábrego García also sits in the El Salvador prison, though his case has already gone to the U.S. Supreme Court. The lawyer for the foreign-born Maryland father says he has no ties to criminal gangs. The U.S. has admitted it was a mistake to send García to El Salvador, and the Supreme Court has ordered the government to “facilitate” his return to the U.S. But the Trump administration continues to do nothing and claim both that they cannot do anything to get García back — and anyway García is still a bad guy who is not a citizen.

García’s case in particular might remind one of Spencer Tracy’s rebuke to Burt Lancaster’s character in Judgment at Nuremberg. After observing Lancaster’s sympathetic performance, like his character, we are reminded that one bore the blame for the atrocities that followed once one was complicit in the first injustice.

I don’t know if we are there yet, and of course we are not Nazi Germany. But there are lessons to be learned from history (and movies).

And many of us are surprised that more of our fellow citizens are not outraged at the thought of innocent people being sent to this inhumane foreign prison. And to have our government concede it committed a mistake that results in suffering and do nothing to correct it (even assuming anyone should be in this prison) is something out of a horror movie if you imagine what these people are going through each day.

The U.S. has never been perfect. And maybe in recent years the fact that people did not stand up to the horrors we perpetrated in the wake of 9/11 like torturing suspects and accepting the mistreatment, torture, and rapes at Abu Ghraib prison have made us immune to these atrocities committed by our country against non-citizens.

Twenty-five years ago, I would have thought that my fellow citizens would not have allowed these things to happen. Yes, some have stood up and many are fighting the administration’s cruelty and bullying today. For example, constituents showed up in Iowa at a Republican senator’s town hall to ask what was being done about getting García out of the prison where he does not belong.

Yet, how many of us will allow our government to send people to an inhumane prison without any type of due process?

Maybe like Burt Lancaster’s Janning character we will be thinking that later we will be able to claim that we never knew it would come to whatever comes next.

Find your representatives in Congress to call them athttps://www.congress.gov/members/find-your-member. Leave your two cents in the comments.

The Wizard of Oz Opens: August 25, 1939

opening wizard ozOne of the most beloved movies of all time, The Wizard of Oz, opened in theaters on August 25, 1939.  Looking back, the film was not as big of a hit as you might expect.  The movie, which cost $2.8 million to make, at first made only around $3 million at the box office.

The movie’s popularity started to soar after its initial television broadcast in November 1956 when around 45 million people tuned in to watch it.  Subsequently, from 1959 until 1991, TV showed the movie once a year.

So, of course many of us of a certain age know the movie from television and annual viewings.  I still remember when we bought our first color television set.  My most lasting memory of that TV is when we watched The Wizard of Oz, a movie we’d already seen numerous times in black and white.  But the first year when we watched it on our color TV, we were shocked when the movie changed from black and white in the Kansas scenes to glorious Technicolor in the Oz scenes.

Back in 1939, The Wizard of Oz was already on its way to becoming a classic.  The film received an Academy Award nomination for Best Picture, losing to another classic, Gone With the Wind.  Still, the movie with the munchkins won the Best Song Oscar for “Over the Rainbow.”  And Judy Garland won a special award at the Oscars for Best Juvenile Performer.

Yet, back in 1939, viewers could not have foreseen how pervasive the movie would become in our lives, or the different ways we would be able to view it.  Other generations first saw The Wizard of Oz on videotape, on DVD, on Blu-ray, and streaming on the Internet.  The film has stood the test of time even as the technology has repeatedly changed.

The movie works on a number of levels too.  On the one hand, it is a delightful musical fantasy for children.  But adults enjoy it too, both for nostalgia about their youths and to think about underlying meanings behind the story.

Symbolism in The Wizard of Oz

Of the many theories about the meaning of The Wizard of Oz, the most well-known is that L. Frank Baum’s book The Wonderful Wizard of Oz is a symbolic political story about the fall of the Populist Movement in the United States.  Under this reading, Dorothy represents the common folk, the Scarecrow represents the farmers, the Tin Man represents the industrial worker, and the Cowardly Lion represents politician William Jennings Bryan.  The Yellow Brick Road symbolizes the gold standard and the green of Oz represents the dollar.

There are competing theories too.  These include theories about religious or atheist allegories.

Additionally, in an interesting essay author Salman Rushdie has surmised that the story is really about the inadequacies of adults, and how their failures force the children to take control of their own fates.  Rushdie also did a delightful discussion of the movie in a 2008 BBC Radio 4 program with historian David Powell and The New Yorker theater critic John Lahr (the son of Burt Lahr who played the Cowardly Lion).  Unfortunately, the audio no longer seems available on the internet.

No matter theory you subscribe too, there is one certainty about The Wizard of Oz.  We will continue to watch the movie no matter how movie-viewing technology changes in the future. As long as we have a brain and a heart and courage.



Leave your two cents in the comments.

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    Classic Hollywood Meets “Uptown Funk”

    Uptown Funk Hollywood

    Nerd Fest UK recently created a mashup pairing scenes from the Golden Age of Hollywood with the song “Uptown Funk” by Mark Ronson (featuring Bruno Mars). The old-time dance moves fit pretty well with the groove of the hit song.

    The clips from various films include folks like Fred Astaire, Ginger Rogers, Gene Kelly, and Judy Garland. Check it out.

    What is your favorite scene in the video? Leave your two cents in the comments.

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