The Stanley Brothers, Bruce Springsteen, and “Rank Strangers to Me” in Our Modern Times

The famous Stanley Brothers song “Rank Strangers to Me” has a mysterious meaning that inspired Bruce Springsteen writing about the alienation of modern politics.

I wandered again,
To my home in the mountains,
Where in youth’s early dawn,
I was happy and free.
I look for my friends,
But I never could find ’em.
I found they were all
Rank strangers to me.

According to Ralph Stanley’s autobiography, in the 1950s the Stanley Brothers were on their way to a performance, driving on a Sunday through Bristol, Virginia. Listening to the radio, they heard the song, “Rank Stranger to Me.” The song, performed by the Willow Branch Quartet, immediately grabbed Ralph and his brother Carter Stanley.

In “Rank Strangers to Me” (sometimes referred to as “Rank Stranger”) the singer recounts visiting their old hometown. But as they go through the town, they do not recognize anyone and all of the people are complete (“rank”) strangers.

“The song was all about feeling a stranger in this world, even with your own family and friends and neighbors, and how the next world would make all that right,” explained Stanley. The brothers soon added the song to their act, shortening their recorded version of the song to fit on a 45 rpm record.

Initially released as a single, the song then appeared on the Stanley Brothers album Sacred Songs of the Hills. Ralph later noted that “it became the most popular song the Stanley Brothers ever sung.”

The Willow Branch Quartet was based in Bristol and included Wilda Dillon singing lead and her mother, Ettie Dillon, singing alto. As others have noted, Wilda’s soprano lead singing gave the group a unique sound along with the harmonies of a family singing together.

According to Wilda’s son Gary Combs, the group had found the song in the Stamps-Baxter gospel songbook.

 Albert E. Brumley, who lived in Missouri and wrote “I’ll Fly Away” and other songs, wrote “Rank Strangers to Me” in 1942. After the Stanley Brothers recorded their version of “Rank Strangers to Me,” a number of artists continued to cover the song, including Porter Wagoner, Freakwater, Doc Watson, Ricky Skaggs, and Crooked Still. Bob Dylan included the song on his 1988 album Down in the Groove.

Brumley, who was born in 1905 and passed away on November 15, 1977, lived to see many of his songs, including “Rank Strangers to Me,” become classics.

One may wonder too whether “Rank Strangers to Me” may have inspired a similarly themed song written by Percy Mayfield, “Stranger in My Hometown.” That song reflects the flip side of “Rank Strangers to Me,” with the singer feeling like the stranger back in their hometown. Elvis Presley recorded “Stranger in My Hometown” in 1969, releasing it on Elvis Back in Memphis.

The Meaning of Rank Strangers

“Rank Strangers to Me,” like a good episode of The Twilight Zone, can haunt you. The idea of returning to a place where you should feel at home but discovering that everyone is a stranger has a supernatural element to it. One may wonder what meaning Brumley was trying to convey with the song.

Because Brumley wrote the song as a hymn, there is a good reason to assume that Ralph Stanley’s initial impression of the song is correct, that it has a religious connotation. We are all strangers in the earthly world, only to find our true place when we go to heaven.

But what makes “Rank Strangers to Me” a great song is that it never explicitly lays out the religious meaning, leaving the song open to interpretation. Similar to other religious songs like “The Great Speckled Bird,” the spirituality of the song dwells in the mystery it presents, allowing our imagination and own interpretations to guide our feelings.

In the Stanley Brothers recording, they highlighted the mystery of the song with their arrangement. Unlike their other recordings, the song alternates between Carter’s voice on the verses and Ralph’s loud wail on the chorus. Ralph later explained, “We wanted it to be like somebody surprising you from behind. Like somebody waking you up and everything seems different and you don’t know if you’re awake or still dreaming.”

The Rank Strangers In Bruce Springsteen’s “Long Walk Home”

Bruce Springsteen has used the mysteriousness of “Rank Strangers To Me” to reference that song’s title phrase in a more political context. On his 2007 album Magic, the Stanley Brothers hymn (with perhaps a dash of Elvis’s recording of Percy Mayfield’s “Stranger in My Hometown”) provided inspiration for Springsteen’s song “Long Walk Home.”

It’s gonna be a long walk home;
Hey pretty darling, don’t wait up for me;
Gonna be a long walk home,
A long walk home
.

In town I pass Sal’s grocery;
Barber shop on South Street;
I looked in their faces,
They’re all rank strangers to me.

Springsteen’s song “Long Walk Home” begins with it’s own mystery. The singer recounts that the night before he was on his former lover’s doorstep wondering what went wrong. She slipped an unnamed item into his hand and then “was gone.” The singer sees his hometown in the distance and realizes it is going to be a long walk home.

The singer recognizes places in his home town, but as quoted above, like in “Rank Strangers to Me,” does not recognize the faces: “They’re all rank strangers to me.”

Like the Stanely brothers song, Springsteen’s song is elevated by the mysteries. What went wrong with the relationship? Why can’t the singer recognize the faces in his hometown? Who is the “pretty darling” he is asking not to wait up for him (if the night before he was going through a breakup)?

But the deeper meaning of the song is revealed by the context of the writing and the timing of the release of the song. Many of the songs on the album Magic reflect Springsteen’s frustration with American society at the time, following the reelection of President George W. Bush after the unnecessary Iraq War. Indeed, Springsteen has explained “Long Walk Home” as about a singer realizing that those “he thought he knew, whose ideals he had something in common with, are like strangers.”

The meaning of the song resonates in present day for Springsteen and many others. More recently, on November 6, 2024, following the second election of Donald J. Trump the night before, Springsteen opened his show in Toronto with “Long Walk Home” and its reference to the struggle to understand one’s fellow citizens. The song, which along with “Land of Hope and Dreams,” Springsteen called “a fighting prayer for my country,” reflected the frustration of many Americans wondering how their fellow citizens could have voted for such a man.

One may struggle with the question of how your friends could support the choices made by this president. In the year leading up to the second election of Donald Trump, I saw many posts on social media by friends and family complaining about things that Pres. Biden had allegedly done or failed to do and how Trump would do them better: fix the economy immediately, stop the Russian invasion of Ukraine, help North Carolina better recover from a disaster, protect kids, “drain the swamp,” etc. But in the months after Trump’s election, when he has done the opposite of many of those things, I have seen the same people defend Trump no matter what he does. These include defenses of cutting aid to disaster relief , taking actions that may lead to the suffering and deaths of others, random acts upsetting the economy, more corruption, etc.

Why are so many still supporting these choices they would not have supported from another president? Who are these people I thought I knew? Why did they seem to care about something one minute and then defend the opposite the next? Why are they allowing people to suffer? Of course, I’m sure that many people on the other side of the political spectrum similarly struggle to understand the “strangers” with different views than them.

I suspect this feeling of alienation is why Springsteen continues to include “Long Walk Home” in current performances. He is asking the question many of us are asking about people we once thought we knew.

And that is why, whether you agree with the politics or not, the alienating feeling of not understanding your friends and family remains with us so many years after the Stanley Brothers first heard the haunting sound of “Rank Strangers to Me” on the car radio.

Leave your two cents in the comments.

Thanksgiving with Marty Stuart: The Pilgrim

Stuart, Marty – The Pilgrim (Act I) (featuring Emmylou Harris) “The Pilgrim (Act I)” — featuring Emmylou Harris

With Thanksgiving approaching in the U.S., it seems appropriate to discuss one of my all-time favorite CDs, Marty Stuart’s The Pilgrim (1999). In another post, we discuss another Marty Stuart CD that covers the other side of the original Thanksgiving table.

Marty Stuart The Pilgrim
Click album photo to see outstanding Amazon reviews.

Although we often associate the word “pilgrim” with the English colonists who sailed on the Mayflower ship, settled in Plymouth, and dined on the first Thanksgiving meal, the word in its broader meaning applies to any traveler or more specifically, “one who embarks on a quest for something . . .sacred.”

It is in this sense that Marty Stuart’s concept album uses the word “pilgrim.”  On the album, we first hear the word in Emmylou Harris’s voice on one of the first songs on the CD (above): “I am a lonesome Pilgrim, far from home/ . . . I might be tired and weary, but I’m strong / ‘Cause pilgrims walk, but not alone.”

The True Story Inspiration

The Pilgrim is based on a true story about people Stuart knew in his hometown of Philadelphia, Mississippi. Over the years, Stuart continued to think about the tale, and after attending Bill Monroe’s funeral, he began putting the story into an album.

The Pilgrim begins with the words of a man — the Pilgrim — who is in love with a friend, Rita. But unknown to the Pilgrim, Rita was married to Norman, who was jealous of his former beauty queen wife.

In the song “Harlan County,” bluegrass legend Ralph Stanley, reveals Norman killed himself because he believed he had been betrayed. In “Reasons,” Marty Stuart recounts Norman’s suicide note, where Norman explained, “I keep looking for reasons.”

Norman’s suicide sends the Pilgrim on the road as he struggles with how his love for Rita led to Norman’s death. He drowns his troubles in alcohol (“Red, Red Wine and Cheating Songs“) and travels as a hobo, heading west for the Pacific Ocean and “trading sorrows for tomorrows,” while “Goin’ Nowhere Fast.”

During the Pilgrim’s travels, an observant crow sees the Pilgrim passing by in “Observations of a Crow”:

Take a look at that pilgrim, passing by;
He’s looking for love, I can see it in his eyes;
He’s running ’round in circles, you can take it from me;
His shadow begs for mercy of every lost and found,
In city after city, town after town,
Tortured by the memory of a love he thought was supposed to be.

Eventually, across the miles, in “The Greatest Love of All Time” and “Draggin’ Round These Chains of Love,” the Pilgrim thinks back on Rita.  He considers his love for her despite everything that has happened.

The Pilgrim visits a small graveyard where his mother is buried. At his mother’s grave, in “Redemption,” he says, “I keep hearing her and Jesus say ‘Surrender son and rest.'” The Pilgrim finally is able to forgive himself and accept his love for Rita. He returns home to marry her and raise a family.

The Music: “A Fabulous Journey”

Of course, an album would not be great with just a good story. The music on the album is wonderful too, covering a number of styles of country music, including rockabilly, a drinking song, and some excellent short bluegrass instrumentals. While the songs together tell a story, they each may stand on their own outside the story too.

Marty Stuart’s voice tells most of the tale, but a few friends show up to help out, including Ralph Stanley, Earl Scruggs, Pam Tillis, and George Jones. The music fits the Pilgrim’s tale perfectly throughout.

Unfortunately, the album did not do well in sales when it was first released, even though critics gave it good reviews.  Because of the poor sales, MCA Nashville dropped Stuart from his record deal at the time.

In retrospect, Stuart has accepted the loss well, realizing he created something worth more than a sales number.  Stuart recognizes, “But when all of those plastic things that came out around that time are gone, The Pilgrim will still be around.”

The Pilgrim is one of the great overlooked country CDs of recent decades. Johnny Cash called it “a fabulous journey.” You might discount Johnny’s statement because he was friends with Stuart.  Also, he helped with the album, as his deep booming voice provides the final words on the album, quoting Alfred Lord Tennyson’s “Sir Galahad.”

But if you do not trust Johnny’s assessment, you can trust me.

I am a lonesome Pilgrim, far from home,
And what a journey I have known.
I might be tired and weary, but I’m strong;
‘Cause pilgrims walk, but not alone.

May your journeys this Thanksgiving and throughout the holiday season all be safe and happy ones.

What do you think of The Pilgrim? Leave your two cents in the comments.

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