This Land Is Your Land: The Angry Protest Song That Became an American Standard

Woody Guthrie wrote the classic song “This Land Is Your Land” as a response to Irving Berlin’s “God Bless America.”

This Land Is Your Land

On October 6, 2008 at Eastern Michigan University, as the U.S. faced a deep financial crisis, one of the country’s biggest living rock stars took the stage to sing on behalf of a United States presidential candidate. As Bruce Springsteen began strumming his guitar, the candidate stood in a tent behind the scenes with his family. The candidate, who would be elected the country’s first African-American president a month later, sang to his children and danced to the chorus of “This Land Is Your Land.”

“This Land Is Your Land,” along with “America the Beautiful,” is an unofficial national anthem. But this song that presidents sing — and that sometimes is sung in response to presidents’ actions — began as something different.  It was written by a non-conforming down-and-out American troubadour more than seventy-five years earlier.

The Origins of “This Land Is Your Land”

Before “This Land Is Your Land” became a beloved American standard, it was a protest song. According to Joe Klein’s book Woody Guthrie: A Life, the 27-year-old Woody Guthrie began writing the song in 1940 out of anger and frustration.

At the time, Guthrie was living alone in a run-down hotel called Hanover House near Times Square in New York.  He had moved there after wearing out his welcome as a house guest with singer-actor Will Geer and his wife Herta.

Having seen the struggles of common people across America, Guthrie turned his frustration on Irving Berlin’s portrayal of a perfect America in “God Bless America.” Radio disc jockeys repeatedly played Berlin’s song on the radio in the 1930s. In response, Guthrie began writing a song with the sarcastic title “God Blessed America”:

this land is your land woody guthrie This land is your land, this land is my land,
From California to Staten Island,
From the Redwood Forest, to the Gulf Stream waters,
God Blessed America for Me.

Guthrie wrote five more verses ending with the refrain “God Blessed America for me.” And one verse reported on the men and women standing in lines for food.

One bright sunny morning in the shadow of the steeple,
By the relief office I saw my people —
As they stood there hungry,
I stood there wondering if
God blessed America for me.

Guthrie continued to work on the song.  He soon changed “Staten Island” in the refrain to “New York Island.”

The Music of “This Land Is Your Land”

As many folk singers did, Guthrie found the music for his words from existing songs.  As he wrote the lyrics, he put them to the tune of the Carter Family’s “Little Darlin’, Pal of Mine.”

The Carter Family, though, did not originally write the music.  They took the tune of “Little Darlin’, Pal of Mine” from an African-American spiritual and Baptist hymn they also performed.

The song, “Oh My Lovin’ Brother” is also known as “Hide Me Over in the Rock of Ages” and also “O My Lovin’ Brother When the World’s On Fire.” The hymn, which has been around so long there is no known author, is a warning the end of the world when worldly treasures will pass away and “poor lost sinners will be crying.”

The Creation of the Song We Know

After Guthrie finished “God Blessed America for Me” on February 23, 1940, he put the song away. The song then sat untouched for several years.  According to Guthrie’s biographer Joe Klein, Guthrie forgot about the song and did not do anything with it for a long time.

Then, in April 1944, Guthrie began recording a large number of songs for record executive Moe Asch.  During the last recording session that month, Guthrie pulled out the old protest song.  By now, it had a new tag line and a new title, “This Land Is Your Land.”

The recorded version of “This Land Is Your Land” did not include the verse about the relief office. One may speculate about the reasons, but Guthrie may have made the changes for a nation at war.  Or perhaps he no longer saw a need to respond to “God Bless America.”

The artist and the producers did not treat “This Land Is Your Land” any differently than the other songs recorded at the sessions. Asch did not have the money to release any of the songs.  So, once again the song sat in limbo. Asch, however, later claimed he recognized something important in the song. (p. 285.)

By December of that year, Guthrie had started using “This Land” as the theme song for his weekly radio show on WNEW. And the Weavers recorded the song too.

Most early recordings by Guthrie and other artists omitted another controversial verse.  The verse criticized capitalism and private property.  It evoked a time when Guthrie and other Okies were turned away at the California border:

There was a big high wall there that tried to stop me;
Sign was painted, it said private property;
But on the back side it didn’t say nothing;
This land was made for you and me.

Versions of “This Land Is Your Land”

Since Guthrie wrote the song, many artists have covered it.  The song has been sung by artists such as Johnny Cash, Steve Earle, Billy Bragg, Sharon Jones, The Seekers, Renée Zellweger, Bob Dylan, Tom Morello, Tennessee Ernie Ford, Marc Scibilia.

For example, below is a 1989 collaboration between Los Lobos with Bob Weir and Jerry Garcia of the Grateful Dead.

Below, watch a recording of “This Land Is Your Land” that features several major artists.  The singers include Bono, Emmylou Harris, and Little Richard.  This version appeared in the documentary A Vision Shared: Tribute to Woody Guthrie & Leadbelly.  A different version appears on the album of the same name.

I like the way this version starts with Woody, and then it transitions into his son Arlo Guthrie and other singers.  The song stays understated before becoming a joyous hoedown with John Mellencamp.

Bruce Springsteen has performed “This Land Is Your Land” for decades.  He included it on his Live 1975-1985 box set. And he also performed it with Guthrie’s friend Pete Seeger at a special concert in Washington to celebrate Pres. Barack Obama’s inauguration in 2009.

More recently, on February 5, 2017, Lada Gaga included “This Land Is Your Land” in her Super Bowl halftime performance. As the country seemed divided in recent weeks following the inauguration of Donald Trump as president, Lady Gaga began with “God Bless America” and then went into “This Land Is Your Land.” Knowing that Guthrie wrote his song in response to “God Bless America” gives one a deeper understanding of Lady Gaga’s message about America.

Yet, I suspect many people who came of age around the 1960s first heard “This Land Is Your Land” sung by Peter, Paul & Mary. The trio, like many other artists, recognized that the song works best when everyone sings along.

The Legacy of “This Land Is Your Land”

“This Land is Your Land” took on a life of its own.  And it no longer belongs to one person. For example, it can be used for discussion and criticized for its failure to connect the land to the Native Americans (although other artists have altered the song to do so).  As noted in previous posts on Woody Guthrie, his work and his songs remain relevant today.  Like Guthrie’s other songs, his most famous and timeless song, “This Land Is Your Land,” remains relevant too.

If Woody Guthrie had done nothing else besides write “This Land Is Your Land,” we would still honor him. “This Land Is Your Land” is the first song you think of when you think of the singer-songwriter. It is the song that ends every Guthrie tribute show. “This Land Is Your Land” is the song that David Carradine sings on top of a box car in the final scene of the Guthrie bio-pic Bound for Glory (1976). Also, it is the first song listed in Guthrie’s Wikipedia entry.

Additionally, “This Land Is Your Land” is the first Guthrie song you learned in school.  And it is the song that Presidents dance to.

It all started with a relatively unknown drifter in the 1940s venting his anger and frustration in his lonely fleabag room.  In that room, thinking about what he had seen traveling from California to the New York Island, Woody Guthrie wrote one of the country’s most beautiful songs.

{Woody at 100 is our continuing series celebrating the 100th Anniversary of the birth of American singer-songwriter Woody Guthrie on July 14, 1912. Check out our other posts on Guthrie and the Woody Guthrie Centennial too. }

What is your favorite version of “This Land is Your Land”? Leave your two cents in the comments. Photo via public domain.

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    Tribute to Guy Clark CD is “Stuff That Works”

    This One's For Him: A Tribute to Guy Clark

    One of my favorite recent CD purchases is This One’s For Him: A Tribute to Guy Clark (2011), which I have had on repeat play since I got it in December. This One’s for Him is a solid 2-CD collection of songs by the wonderful Texas singer-songwriter Guy Clark. Although tribute albums often are hit-and-miss affairs with an uneven collection of interpretations by various artists, this one maintains a nice consistency throughout. One reason the CDs work so well is the consistency of Guy Clark’s writing, although tribute albums usually consist of well-written songs. Another reason that the listening experience is like listening to a CD by one artist is because the producers recorded live with the band and a limited number of overdubs, giving consistency throughout. Finally, the great collection holds up due to the group of artists assembled for the project. Although there are some famous singers on the collection, the producers clearly opted for talented musicians who love Clark’s music instead of just seeking big names, and the love comes through the music.

    It is hard to choose a favorite song, but one of mine is Jack Ingram’s version of “Stuff that Works.” In a video no longer available on YouTube, Jack Ingram talked about his love of Guy Clark’s music, noting that the music feels “like the Truth.” The great thing about Clark’s songs is that he writes beautiful words to go with his beautiful music.

    Stuff that works, stuff that holds up;
    The kind of stuff you don’t hang on the wall;
    Stuff that’s real, stuff you feel;
    The kind of stuff you reach for when you fall.

    Artists on the CD include a who’s who of great singers and songwriters: Rodney Crowell, Willie Nelson, Jerry Jeff Walker, Steve Earle, Emmylou Harris, Patty Griffin, Kris Kristofferson, Robert Earl Keen, Ray Wylie Hubbard, John Prine, and many more. [UPDATE: In a promotional video no longer on YouTube, Hayes Carll, who sings “Worry B Gone” on the tribute CD, talked about hanging out with Clark.]

    If you are already a fan of Guy Clark’s music, you will love the CD. But if you are new to his music, the tribute CD is a great place to start. One of my favorite songs of all-time is Guy Clark’s “LA Freeway.” Radney Foster does an excellent job covering the song on the CD. I could not find his version on Youtube, so here is the songwriter’s version. He does a pretty good job too.

    If I can just get off of this LA freeway,
    Without getting killed or caught;
    I’d be down that road in a cloud of smoke,
    For some land that I ain’t bought — bought — bought.

    “LA Freeway” captures the common longing for running off and being free. Even if you cannot make that kind of escape, you might come a little closer if while you’re on the road you pop in this CD.

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    I Ain’t Never Seen Nothin’ Like a Galway Girl

    Galway As regular readers of Chimesfreedom know, I am a Steve Earle fan. So you might imagine my delight a few years ago while visiting a shop in Galway on my first trip to Ireland, on the radio I heard Steve Earle’s “Galway Girl” from Transcendental Blues (2000), one of my favorite CDs. In this day and age of worldwide communications and travel, it should not be surprising that an artist is popular around the world. And Earle often has talked about his love of the country and Galway, in particular, explaining that he finds “poetry in the rocks of Ireland.” Still, hearing the familiar song contributed to making the island inhabited by some of my ancestors seem even more like home.

    In the performance above, Earle is joined by Sharon Shannon, a fiddle and button accordion player who recorded the song with Earle on her own CD, Diamond Mountain Sessions (2001). In the video above, she plays the accordion, and she plays with a number of artists in different versions including the below version with Mundy. Her recording with Mundy became a national hit, and you can see why this rousing version is so popular.

    Mundy and others have performed the song in the Irish Gaelic language. I found one version without much description, so here are “Kevin Mundy and Keith” (neither apparently related to the Mundy from the above video) performing “Cailín na Gaillimhe.”

    With Earle’s song becoming an Irish classic, it shows that a great song is not limited by borders. Have a safe and happy St. Patrick’s Day.

    What is your favorite Irish tune? Leave your two cents in the comments.

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    The “Other” Wrecking Ball: Emmylou Harris

    emmylou harris wrecking ball bruce springsteen wrecking ball In the last few weeks, many have focused on Bruce Springsteen’s new album, Wrecking Ball. All of the news reminds me that there was already a great album with same name from when Emmylou Harris released her Wrecking Ball in 1995. The Daniel Lanois production and the atmospheric sound of the album created a career-changing sound for Harris. Allmusic argued that the album might have been the culmination of all of Harris’s work up until then, calling it “a leftfield masterpiece, the most wide-ranging, innovative, and daring record in a career built on such notions.” I fell in love with the album immediately, and seeing Harris perform the songs in New Orleans sealed it for me. Just consider three great songs from that CD.

    First, the opening song on the album sets the stage for the Lanois production touch with one of his songs, “Where Will I Be.” The question asked in the song — “Oh where oh where will I be. . . when that trumpets sounds” — reflects a theme running through many songs on the album of trying to find one’s place in the world and the universe, whether it be with love, family, or something spiritual.

    Later on the album, Harris showed her great taste in music by covering one of Steve Earle’s most heartbreaking songs, “Goodbye” from his Train A Comin’ (1995) album. I love Earle’s version but Harris is the only cover I have heard that captures the aching in the song. On the album, Earle loaned his guitar playing to aid Harris’s voice in creating a great version of the song with one of the greatest lines of all time about a past love, “I can’t remember if we said goodbye.”

    Finally, the album also features her cover of Bob Dylan’s religious masterpiece, “Every Grain of Sand” from his Shot of Love (1981) album. In 2003, Harris performed the song at Johnny Cash’s funeral with Sheryl Crow. This video is from San Francisco’s Hardly Strictly Bluegrass Festival in 2010. Even though the camera is a little shaky, it captures Harris in fine form with Buddy Miller helping out on guitar (on the CD, Steve Earle played guitar on this song too).

    And those are only three songs on Wrecking Ball, which in addition to Steve Earle, included guest appearances by Lucinda Williams and Neil Young with songs by those two artists as well as a beautiful cover of Gillian Welch’s “Orphan Girl.” I will not dare to say which Wrecking Ball album is the best, but there is certainly room on you iPod for both of these Wrecking Balls.

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    (Daylight Savings) Time Has Come Today

    melting clock Happy Daylight Savings Time! As you set your clocks an hour ahead, you might consider the history of the day as well as an appropriate song. On February 9, 1942, a law passed by Congress pushed ahead all U.S. clocks by one hour for the upcoming years. President Franklin Roosevelt advocated the year-round Daylight Savings Time, which was called “war time,” as a way to save fuel for the Allied war efforts. The law remained in effect until September 30, 1945 when Congress repealed it. A similar national law that turned back the clocks for seven months of the year had been in effect during World War I. But after both World War I and after World War II, the wars’ ends meant that states could once again regulate their own standard times.

    Eventually, in 1966, Congress passed the Uniform Time Act imposing a uniform standard for states to follow Daylight Savings Time, although allowing state legislatures to vote for an exemption. In the 1970s and 1980s Congress made additional changes to the law, including setting the time and date for when Daylight Savings Time begins. A 2005 law extended the Daylight Savings Time ending date from October to November, so now Daylight Savings Time begins at 2:00 a.m. on the second Sunday of March and ends at 2:00 a.m. on the first Sunday of November.

    An appropriate song for Daylight Savings Time is the 1967 release “Time Has Come Today” by the Chambers Brothers.

    The song has been covered by a number of people, including Joan Jett, the Ramones, and Steve Earle (with Sheryl Crow). The song seems to be loved by some great film directors. Hal Ashby used it in a key scene in Coming Home (1978); Brian De Palma used it in Casualties of War (1989); Oliver Stone used it in The Doors (1991); and Spike Lee used it in Crooklyn (1991). The song appears in several other films too, including Remember the Titans (2000), The Zodiac (2006) and many others according to Wikipedia.

    In 2012, though, the use of the song was back in the news. Lester Chambers, the lead singer of the Chambers Brothers reached out to fans because he and the band often did not receive royalties for the use of their songs. Chambers explained that he is living on $1,200 a month and relying upon money from a musician’s charity when all he wants is what is rightly his. The campaign has attracted the support of Yoko Ono and others.

    The law can change the clock, but can it turn back time to give justice to Lester Chambers? March 2013 Update: Through help from Sweet Relief Musicians Fund, Reddit, Kickstarter and attention through various media outlets, Lester Chambers — who had faced homelessness and health issues — began doing better and once again making music. He survived when someone attacked him during a performance in 2013 after he dedicated a song to Trayvon Martin. In 2014, Chambers was playing with Lester Chambers and the Mud Stompers. As of 2023, he continues to perform and was performing with Moonalice.

    What do you think if Daylight Savings Time? What do you think of Lester Chambers’s campaign? Leave your two cents in the comments.

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