Frank Black & Marty Brown: “Dirty Old Town”

Dirty Old Town On Frank Black’s 2006 Nashville album Fast Man Raider Man, a hidden gem features singer-songwriter Marty Brown joining Black on Ewan MacColl‘s classic “Dirty Old Town.” The duet combines two singers known for different types of music.  But the rock sound of the former front man of the Pixies blends well with the Kentucky twang of Marty Brown on the English song.

MacColl originally wrote “Dirty Old Town” for a 1949 play Landscape with Chimneys. Yet, the song about Salford, Greater Manchester, England, has become something of a standard in its own right. In addition to MacColl’s own recording, the song has been covered by such folks as the Dubliners, the Pogues, Rod Stewart, and Townes Van Zandt.

The gritty recording of “Dirty Old Town” by Frank Black and Marty Brown makes me wish they had done more work together.  Brown contributed in other ways to Black’s album Fast Man Raider Man, where Brown also played bass and provided backing vocals. They could have named their band “Black & Brown.”

Frank Black, who also plays under the name Black Francis and with the group Frank Black and the Catholics, continues to make music. Marty Brown, who made a comeback on America’s Got Talent, recently recorded Bob Dylan’s “Make You Feel My Love” and performed at the Grand Ole Opry.

Ewan MacColl, the folk singer and songwriter behind “Dirty Old Town,” wrote a number of songs including “The First Time I Ever Saw Your Face.” He passed away in October 1989.  But the song about his dirty old home town lives on.

What is your favorite version of “Dirty Old Town”? Leave your two cents in the comments.

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    Max Yasgur, the Farmer Behind Woodstock

    Woodstock Farmer

    One of the important people of the rock era, Max Yasgur, was born to Jewish immigrants from Russia on December 15 in 1919. Yasgur’s place in rock history came nearly five decades later. He was the owner of the dairy farm that hosted the Woodstock Music and Art Fair, which was held between August 15 and August 18, 1969.

    After other towns in upstate New York rejected the idea of hosting the festival, Yasgur leased a field in Bethel, New York to the concert organizers. The 49-year-old farmer was paid for the lease. But he also proved his generosity.

    When Yasgur saw that such a large number of kids showed up for the concert, he worked to make sure there was enough free water. Also, he told his own kids to give away all of his milk and dairy products to feed the concert-goers.

    At one point during the concert, Yasgur addressed the crowd. He began by saying “I am a farmer.” Then, he explained he did not know how to address a crowd of young people. But as you may see in the video below, he did.

    Many of Yasgur’s neighbors were angry at him for allowing his land to be used for the concert. Some of them sued him. And his own land suffered damage from the concert.

    In 1971, Yasgur sold his land and moved to Florida. A year and a half later on February 9, 1973, he died due to a heart condition. But as Brian Doyle recently wrote in “The Sudden City” in the April 2016 issue of The Sun magazine, “Max had a great heart.” Doyle uses Yasgur’s acts of generosity to remind us in today’s cynical world that there are people everywhere doing good things to help others.

    Yasgur’s kindness reminds us to be nice to others. On top of that, he also helped set the table for a concert that emerged as a symbol of people coming together in peace and love.

    There was great music. But as Doyle writes, “perhaps the deeper story, the better story, the more substantive story, is how a sudden city of young Americans arose briefly on a hillside for one summer weekend, and no one got beaten up, and hundreds of people . . . handed out water and sandwiches and blankets.”

    Leave your two cents in the comments.

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    John Prine Releasing New Album, “For Better, For Worse”

    John Prine Album John Prine is releasing a new album of duets called For Better, For Worse (2016).  On the upcoming album, Prine covers a number of country classics with some help from female singers like Iris DeMent, Alison Krauss, Miranda Lambert, Kathy Mattea, Kacey Musgraves, Fiona Prine, Amanda Shires, Morgane Stapleton, Susan Tedeschi, Holly Williams, and Lee Ann Womack.

    The Album

    For Better, For Worse is a follow-up of sorts to Prine’s 1999 album of similar duets, In Spite of Ourselves.   Jim Rooney helped produce the 1999 CD, and he is on board again for the new album.

    Prine explained to NPR that he was “kinda tricked” into recording his first full-length CD in five years.  His wife and his son-manager suggested he record a handful of songs to fill the last side of a vinyl version of In Spite of Ourselves.  Once he got started, they encouraged him to round out a new album.

    Although we long for a new album of original material from Prine, this one sounds pretty good so far. He chooses some great songs originally performed by artists like Hank Williams, George Jones, Ernest Tubb, and Buck Owens.

    “Who’s Gonna Take the Garbage Out”

    On the new album, Iris DeMent joins Prine on “Who’s Gonna Take the Garbage Out,” which you may hear below.

    Johnny Tillotson and Teddy Wilburn wrote “Who’s Gonna Take the Garbage Out.” The song was originally recorded by Loretta Lynn and Ernest Tubb in 1969. Check out their version below.

    For Better, Or Worse hits the Internet on September 30, 2016.

    What is your favorite John Prine album? Leave your two cents in the comments.

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    Melissa Etheridge: “Hold On, I’m Coming”

    Etheridge Memphis Rock and Soul

    Melissa Etheridge is releasing a new album of covers of classic songs from Stax Records, MEmphis Rock and Soul (2016).  One of the songs on the new album is “Hold On, I’m Coming,” made famous by Sam & Dave.

    “Hold On, I’m Coming” was written by Isaac Hayes and David Porter and first appeared on the self-titled 1966 debut album by Sam & Dave.  Some folks may remember the song from its appearance in the 1980 film The Blues Brothers.

    On her upcoming album Etheridge plays the song with a full band, and below performs “Hold On, I’m Coming” live.

    MEmphis Rock and Soul hits the Internet and stores on October 7, 2016. The album also includes classic Stax songs such as I’ve Been Loving You Too Long (to Stop Now),” “Who’s Making Love,” “Dreams to Remember,” and a reworked version of “Respect Yourself.” The album is available for pre-order at PledgeMusic.

    Leave your two cents in the comments.

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    Ramblin’ Jack and “Don’t Think Twice”

    Don't Think Twice Elliot Charles Adnopoz was born in Brooklyn, New York on August 1, 1931. Although his birth name and location are not generally associated with cowboys, the boy became fascinated with cowboys and at the age of 15 ran away from home to join a rodeo. Eventually, he would achieve a more cowboy-like handle, Ramblin’ Jack Elliott.

    Ramblin’ Jack

    The folksinger reportedly got his nickname from Odetta’s mother commenting on how Ramblin’ Jack tells rambling stories. But it is as an interpreter of folk songs that we recognize the man, who was largely influenced by his connections with Woody Guthrie.

    Elliott’s daughter made an excellent documentary about Ramblin’ Jack’s career and their relationship. It is worth tracking down the 2000 film, The Ballad of Ramblin’ Jack.

    “Don’t Think Twice”

    When thinking about Ramblin’ Jack’s songs, it is difficult to pick a favorite. But it is hard to top his interpretation of Bob Dylan’s “Don’t Think Twice.”

    Elliott tells a story about being snowbound, stuck in a cabin for three days after his wife ran off with another man. In the cabin, he had firewood, a bottle of whiskey, and a Bob Dylan record. So, in his pain, he listened to “Don’t Think Twice” for three days.

    Finally, the snow melted and Elliott drove to New York City and went to the Gaslight, where it was open mic night. There, Elliott began playing the Dylan song he had learned in the cabin. Suddenly, in the dark audience, a man stood up. It was Dylan, who yelled, “I relinquish it to you, Jack!” Elliott finished the song, and he has played it ever since.

    Elliott provides a weariness to “Don’t Think Twice.” Instead of interpreting it as an angry breakup song, he gives voice to an older man looking back through some years with regret. “Don’t Think Twice” is a great song when Dylan sings it; but it is a different great song with Elliott’s voice.

    Below, Elliott plays “Don’t Think Twice” in 2008. Check it out.

    Ramblin’ Jack remains an American treasure. Earlier this year, Folk Alliance honored him with its Lifetime Achievement Award.

    What is your favorite Ramblin’ Jack Elliott song? Leave your two cents in the comments.

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