Charlie Haden’s “Spiritual”

haden The great jazz bassist Charlie Haden has passed away at the age of 76 after a prolonged illness. Haden had a long and influential career, including being a part of the Ornette Coleman Quartet starting in the late 1950s and a part of the Liberation Music Orchestra starting in the late 1960s. Haden made the world a better place in other ways too, as a teacher and as an advocate for social justice.

As a teenager, Haden lost his singing voice from bulbar polio while he was playing in a family country band, so he turned his focus to playing bass. The country influence stayed with the Iowa-born Haden on much of his music, including 2008’s Rambling Boy album, even as he became a groundbreaker in a number of genres.

One of my favorite albums is the Grammy-winning Beyond The Missouri Sky (Short Stories) (1996), where Haden and guitarist Pat Metheny created some of the most haunting and beautiful country-infused jazz music ever recorded. “Spiritual,” one of the tracks on the album was written by Haden’s son Josh Haden. Although I also would later fall in love with the Johny Cash version that included the lyrics, this instrumental version still breaks my heart every time I hear it.

The same disease that took away Haden’s voice and forced him to turn to the bass eventually affected his playing. In 2010, due to post-polio syndrome, Haden stopped performing in public even though he continued to play at home and with friends. The disease, however, could never take away the beautiful recordings that Haden made during his lifetime. For more on Haden’s life, check out these articles from Variety and the New York Times. RIP.

Photo via Geert Vandepoele (Creative Commons).What is your favorite Charlie Haden track? Leave your two cents in the comments.

Buy from Amazon

  • Best Gospel Songs by Pop Stars (Part 5): Cash & Byrds
  • Take Five Dave Brubeck
  • Joe Ely’s “She Never Spoke Spanish to Me” (Song of the Day)
  • Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”
  • Is Kris Kristofferson’s Greatest Song “Sunday Mornin’ Comin’ Down”?
  • Clarence Ashley: “The Cuckoo” & “Little Sadie”
  • (Some related Chimesfreedom posts.)

    E. B. White, The Beatles, and “Piggies”

    e. b. white piggies On July 11, 1899, Elwyn Brooks White was born in Mount Vernon, New York. White became the famous writer we know as “E. B. White.”

    As a young man, White joined The New Yorker in its early years and helped shape the magazine. In 1959, White reworked William Strunk Jr.’s The Elements of Style, creating one of my favorite handbooks on writing that is now commonly referred to as “Strunk & White.” But most of us first encounter White’s work as children.

    Charlotte’s Web

    White’s classic children’s books include Stuart Little (1945) and The Trumpet of the Swan (1970). His most famous book, though, may be the story of a pig named Wilbur who becomes friends with a spider named Charlotte, Charlotte’s Web (1952).

    Several years ago, Publisher’s Weekly listed Charlotte’s Web as the best-selling children’s book of all time. Wilbur is certainly one of the most famous pig characters in popular culture, along with Babe, Arnold (Green Acres), and Porky.

    The Beatles and “Piggies”

    There are not many famous songs about pigs.  The most famous may be “Piggies” by the Beatles, even though the song is not really about four-legged porkers.

    “Piggies” was written by George Harrison and appeared on The Beatles album, also known as “The White Album,” in 1968. As recounted in Steve Turner’s book, A Hard Day’s Write: The Stories Behind Every Beatles Song, Harrison described the song making fun of the middle class as “as social comment.”

    The lyrics are not very complex.  The song refers to people as “piggies.” And the song also notes that things are “getting worse” for the little piggies while the bigger piggies “[a]lways have clean shirts to play around in.”

    Although “Piggies” is not on anybody’s list of top Beatles songs, the effectiveness of the song lies in its simplicity.  The song captures the sound of a classical nursery rhyme.

    Charles Manson

    Unfortunately, “Piggies” is another song like “Revolution” that got hijacked by Charles Manson. Reportedly, the crazy man liked the line about the piggies needing “a damn good whacking.”  Also, variations on the word “pig” were written on the walls in blood at the site of Manson family murders.

    Understandably, Harrison was appalled with Manson’s foolish interpretation of the song. The “damn good whacking” line was only added to the lyrics after Harrison’s mom suggested it as something to rhyme with “backing” and “lacking.”

    E.B. White and Death

    It was unfortunate that “Piggies,” designed as a short commentary, ended up associated with horrible deaths. But E. B. White, who wrote about the death of a real pig in a 1948 essay and passed away in 1985, understood that death is everywhere.

    In White’s book about a pig and a spider, he wrote, “After all, what’s a life, anyway? We’re born, we live a little while, we die.” The best we can do is try to live a worthwhile life.  That is not a bad lesson coming from a spider and a pig.

    Leave your two cents in the comments.

  • George Harrison and Paul Simon Performing on “Saturday Night Live” (Duet of the Day)
  • The Latest and Last Beatles Song: “Now and Then”
  • Ringo Starr Records a John Lennon Song (with a little help from Paul McCartney)
  • Performance of the Day: “While My Guitar Gently Weeps”
  • Video of the Day: George Harrison’s “What Is Life”
  • October 1992: They Were So Much Older Then
  • (Some related Chimesfreedom posts.)

    Springsteen Short Film for “Hunter of Invisible Game”

    springsteen hunter film
    This week, Bruce Springsteen released the short film (i.e., long music video) by him and Thom Zimny for “Hunter of Invisible Game,” a song off Springsteen’s most recent album, High Hopes (2014). The video is set in a post-apocalyptic world, with the Springsteen character remembering better times with his family while travelling through the woods. The video seems inspired by shows like The Walking Dead (without the zombies). But as Rolling Stone reports, the song “Hunter of Invisible Game” came from Springsteen reading some post-apocalyptic literature. Springsteen, who says that the song is one of his favorites on the album, explained, “The idea of these travellers in the wasteland, and what’s the guy trying to do? He’s trying to hold onto their humanness, their humanity in all of this ruin.”

    Until I saw the video, I had not connected the song to a post-apocalyptic world, but the lyrics do make sense now that I have seen the video: “There were empty cities and burnin’ plains.” Despite the desolation of much of the song, Springsteen still offers some hope at the end.

    When the hour of deliverance comes on us all,
    When our hope and faith and courage and trust
    Can rise or vanish like dust into dust,
    There’s a kingdom of love waiting to be reclaimed;
    I am the hunter of invisible game.

    The short film premiered on Springsteen’s website, which also features some behind-the-scenes photos, and now you may watch the film below. As Blogness on the Edge of Town points out, the film features some cool introductory music before it gets to the song. Check it out.

    What do you think of “Hunter of Invisible Game”? Leave your two cents in the comments.

  • Springsteen & Family Rock Raleigh (Guest Post)
  • Springsteen Video for The Saints Cover “Just Like Fire Would”
  • Springsteen Discusses His “High Hopes”
  • Springsteen’s Tribute to Walter Cichon and “The Wall”
  • New Springsteen Video: “Dream Baby Dream”
  • Bruce Springsteen Releases New Protest Song About ICE Protests: “Streets of Minneapolis”
  • (Some related Chimesfreedom posts.)

    The Unfinished Films of Stanley Kubrick

    This 20-minuted documentary Lost Kubrick: The Unfinished Films of Stanley Kubrick, narrated by Malcolm McDowell, provides an overview of some of the film projects that director Stanley Kubrick did not complete before his death. Some of the projects may be familiar to film fans — like A.I. Artificial Intelligence and Napoleon — but some of the other ones are more obscure projects, like The German Lieutenant. The documentary features Jack Nicholson, Sydney Pollack, Kubrick’s producer Jan Harlan, and others. Check it out.

    Steven Spielberg, who completed AI, will be bringing a version of Napoleon as a miniseries to HBO. For more on Kubrick’s unfinished works, head over to The Playlist for “The Lost & Unmade Projects Of Stanley Kubrick.”

    What is your favorite Stanley Kubrick project? Leave your two cents in the comments.

  • Stanley Kubrick: A Life in Pictures (short review)
  • Laugh of the Day: Shining Trailer Parody
  • Predetermination and Kubrick’s “The Shining”
  • Aretha Franklin 1972 Performance Will Be Released: “Amazing Grace”
  • Pres. Kennedy Advises U.S. to Start Digging
  • Godzilla Versus Ida (Short Reviews)
  • (Some related Chimesfreedom posts.)

    Marty Brown in Middletown, NY (Concert Review)

    Marty Brown New York As a long-time fan of country singer-songwriter Marty Brown, I was happy to finally see him sing live with a relaxed intimate performance at Brian’s Backyard BBQ & Blues in Middletown, New York on Saturday, July 5. And I was not disappointed.

    Brown performed his main set solo with an acoustic Gibson guitar, and he also sang several songs with the opening act, country rock band Blanco Diablo. The different accompaniments allowed the singer to show his versatility and his voice that still hits the same broad range from his younger days. One minute with the band he had the crowd clapping along on Johnny Cash’s “Folsom Prison Blues.” Then, a little while later, one could hear a pin drop when he gave a moving solo acoustic rendition of Hank Williams Jr.’s “Blues Man.”

    Brown, who released several albums in the 1990s and had a career resurgence after several appearances last year on America’s Got Talent, gives a show that any fan of classic country music should check out. He covered songs like Willie Nelson’s “Whiskey River” and George Jones’s “He Stopped Loving Her Today.” He performed Merle Haggard’s “Sing Me Back Home,” where in the closing verse he tacked on the similarly themed “Green, Green Grass of Home.” His wife Shellie Brown joined the singer on stage for a few songs, including an excellent version of the Cash-Carter staple “Jackson.” Brown also put his own stamp on a few non-country songs, getting the crowd to join in on Don McLean’s “American Pie.” And, of course, he sang the song that started his run on America’s Got Talent, “Make You Feel My Love,” explaining in the introduction that he had just recorded the Bob Dylan song for upcoming release.

    Marty Brown BannerBecause I own every Marty Brown album, my highlights occurred when Brown performed his own songs (or put his stamp on something obscure). Brown is a great songwriter, so I would have liked to have heard even more songs from his own pen as well as other songs from his own albums. The songs he performed near the end of the show, including his composition “Jackpot Lucky,” created the most memorable moments for me. When he sang his recent single “Whatever Makes You Smile,” it reinforced the fact that his own songs stand up favorably even when played next to the classics.

    During the show, Brown also kept the audience entertained by telling stories and interacting with the audience. He and his wife mingled with the audience before, after, and between sets, making themselves available to fans for photos, questions, song requests, autographs, etc. Brown reveals a refreshing joy in his music and an appreciation of his fans, both qualities that are genuine, heartfelt, and rare.

    Overall, it was a great show and music fans should check out Brown if he comes to your area. His website lists upcoming shows, some of which feature his own band, in New York, Missouri, Kentucky, Tennessee, California, etc. You can find out how to order his latest CD, Country Strong, through his Facebook page. If you are unfamiliar with his music, check out this acoustic performance of “The Day the Bootlegger Died,” which appeared on his album, Here’s to the Honky Tonks (1996).

    The venue, Brian’s Backyard BBQ & Blues, provided an intimate setting for the performance, as well as some excellent barbeque. If you live anywhere near New York City, it is only a little more than an hour outside the city and worth checking out for its live music and food.

    Photo of Marty Brown performing in Middletown, NY by Chimesfreedom. Leave your two cents in the comments.

  • Marty Brown: “My Love Will Follow You”
  • Marty Brown Live in Calgary 1992
  • Marty Brown Profiled on Episode of “Kentucky Life”
  • Marty Brown’s Video for “Gonna Make It Fly”
  • How Marty Brown Wrote “Whatever Makes You Smile”
  • New Single from Marty Brown: “I’m Gonna Make It Fly”
  • (Some related Chimesfreedom posts.)