Singer-songwriter Jim Boggia has three studio albums and several recordings of his own, and he has worked with many other artists during his music career over the last few decades. But currently, he is focusing on the songs of Bruce Springsteen, reinterpreting the Boss’s songs on his ukulele.
After putting his version of “Thunder Road” on YouTube and receiving positive responses, Boggia decided to create a complete show of Springsteen’s music. So currently he is bringing his ukulele and voice to “Bruce Off Broadway” as a tribute to Springsteen’s music.
There are a lot of covers of Springsteen’s songs out there. But Boggia’s wonderful voice and skill at playing the ukulele make the classic Springsteen songs sound new and refreshing. Watch his interpretation of “Thunder Road” below.
NJArts has described Boggia as a “dynamic performer” who does different things with the ukulele at his Springsteen tribute. For more on Boggia’s “Bruce Off Broadway” shows around the country, check out his website.
And, finally, here is Boggia’s moving version of “Born in the U.S.A.”
Hall-of-Fame baseball player Roberto Clemente was born in Puerto Rico on August 18, 1934. He grew up into one of the greatest players of all time, completing eighteen seasons with the Pittsburgh Pirates before his untimely death. In addition to his greatness on the field, Clemente is also remembered for his humanitarian work.
Clemente did charity work during the off-season in Caribbean and Latin American countries. And he died on December 31, 1972 in a plane crash when he was traveling to help earthquake victims in Nicaragua.
At the time of his death, Clemente had exactly 3,000 hits. He was wonderful in all aspects of the game and a joy to watch. Clemente had a lifetime career batting average of .317 and 240 home runs. And many remember his speed and defensive play in right field, as he won the Golden Glove for twelve seasons. He helped the Pirates win two championships, in 1960 and in 1971, winning the World Series MVP Award in the 1971 series.
Posthumous Honors
In addition to his induction into the MLB Hall of Fame, Clemente received many honors during his lifetime and after his death. A statue of him that once at Three Rivers Stadium now stands outside the Pirates’ current home PNC Park, and a bridge near the ball park is named after him. As an additional honor for the player who wore number 21, the right field fence at PNC Park stands at twenty-one feet tall.
Major League Baseball honors Clemente’s work each year by giving the Roberto Clemente Award to the player who “best exemplifies the game of baseball, sportsmanship, community involvement and the individual’s contribution to his team.” And finally, reportedly a feature film based on the book Clemente: The Passion and Grace of Baseball’s Last Hero by David Maranissis in the works.
Leave your two cents in the comments. Photo via public domain.
One of the greatest singers of all time (if not the greatest), Aretha Franklin, passed away on Thursday, August 16, 2018. The singer of songs such as “Respect,” “(You Make Me Feel) Like a Natural Woman,” and “Think” leaves a lasting impact on anyone who loves music.
Below is a full performance from March 7, 1971, where the Queen of Soul performs at Fillmore West. Check it out and bask in the joy she brought to the world.
What is your favorite song by Aretha? Leave your two cents in the comments.
Folksinger Gilbert Vandine “Cisco” Houston was born in Wilmington, Delaware on August 18, 1918. Houston is probably best-known for his work with Woody Guthrie, but he also performed with artists like Lead Belly and the Almanac Singers.
Houston had a great voice and was a wonderful interpreter of traditional songs and folk songs written by others. But he also wrote some songs and worked for good causes with Guthrie, touring migrant camps and supporting workers’ rights.
Houston died at a relatively young age from stomach cancer in California on April 29, 1961. Below Houston sings “The Preacher and the Slave (Pie in the Sky),” a song written by activist and songwriter Joe Hill.
Although Cisco Houston is not remembered as well as some of his contemporaries, he has always been respected by other folk singers.
Houston is referenced in a number of songs, including Steve Earle’s “Christmas in Washington (Come Back Woody Guthrie).” In that song, Earle laments, “To listen to the radio / You’d think that all was well / But you and me and Cisco know / It’s going straight to hell.”
American Graffiti opened in the United States on August 11, 1973. The movie, directed and co-written by George Lucas, captured a nostalgia for a summer in 1962. I can hardly believe that now we are more than four times as much removed in time from the movie as the movie was removed from its characters.
American Graffitifollows two recent high school grads played by Ron Howard and Richard Dreyfus. The two are spending their last night in town before they are scheduled to leave for college the next day. During the evening and night, their stories intertwine with a number of other young men and women cruising in cars around town. The movie not only captures a time and a place (and hot rods!), but it also reveals some of what it is like to be in high school.
The coming-of-age movie featured a number of stars and future stars, including Paul Le Mat, Harrison Ford, Charles Martin Smith, Cindy Williams, Mackenzie Phillips, Candy Clark, and Suzanne Somers. Also, radio DJ Wolfman Jack makes a special appearance. The film also contained a lot of great music from the period and a wonderful soundtrack.
Reception
Critics and viewers generally loved American Graffiti. The movie was nominated for five Academy Awards, including Best Director, Best Original Screenplay, and Best Picture. The movie failed to win any Oscars and lost the Best Picture award to The Sting. But the film set in Modesto, California became a beloved classic. It also aided the careers of many involved in the movie. And it helped spawn a nostalgia for the 1950s and early 1960s.
American Graffiti ends with title cards reporting what happened to all of the characters, even though Lucas’s co-writers did not like such an ending, which was largely depressing. That, however, did not prevent an interesting but mediocre sequel in 1979, More American Graffiti.
When I was in high school, a few years after the movie was released, one of my teachers showed us the movie on a TV in class. We were studying the period around the 1950s. Our class was in the days before DVDs and VHS, so it was a big deal to see a commercial movie in class back then. So, I will always have a special fondness for the movie.
In the clip below, Roger Ebert and Gene Siskel discuss American Graffiti for the film’s debut on television (starting at the 16:30 mark). Check it out.
What do you think of “American Graffiti”? Leave your two cents in the comments.