“American Graffiti” Opens in 1973

American GraffitiAmerican Graffiti opened in the United States on August 11, 1973.  The movie, directed and co-written by George Lucas, captured a nostalgia for a summer in 1962.  I can hardly believe that now we are more than four times as much removed in time from the movie as the movie was removed from its characters.

American Graffiti follows two recent high school grads played by Ron Howard and Richard Dreyfus.  The two are spending their last night in town  before they are scheduled to leave for college the next day.  During the evening and night, their stories intertwine with a number of other young men and women cruising in cars around town. The movie not only captures a time and a place (and hot rods!), but it also reveals some of what it is like to be in high school.

The coming-of-age movie featured a number of stars and future stars, including Paul Le Mat, Harrison Ford, Charles Martin Smith, Cindy Williams, Mackenzie Phillips, Candy Clark, and Suzanne Somers.  Also, radio DJ Wolfman Jack makes a special appearance.  The film also contained a lot of great music from the period and a wonderful soundtrack.

Reception

Critics and viewers generally loved American Graffiti. The movie was nominated for five Academy Awards, including Best Director, Best Original Screenplay, and Best Picture.  The movie failed to win any Oscars and lost the Best Picture award to The Sting. But the film set in Modesto, California became a beloved classic.  It also aided the careers of many involved in the movie.  And it helped spawn a nostalgia for the 1950s and early 1960s.

American Graffiti ends with title cards reporting what happened to all of the characters, even though Lucas’s co-writers did not like such an ending, which was largely depressing. That, however, did not prevent an interesting but mediocre sequel in 1979, More American Graffiti.

When I was in high school, a few years after the movie was released, one of my teachers showed us the movie on a TV in class.  We were studying the period around the 1950s.  Our class was in the days before DVDs and VHS, so it was a big deal to see a commercial movie in class back then.  So, I will always have a special fondness for the movie.

In the clip below, Roger Ebert and Gene Siskel discuss American Graffiti for the film’s debut on television (starting at the 16:30 mark).  Check it out.

What do you think of “American Graffiti”? Leave your two cents in the comments.

  • Movie Lovers Should Join The Important Cinema Club (Podcast Review)
  • Siskel & Ebert Go Door-to-Door
  • Roger Ebert Keeps Us Thinking
  • Happy 70th Birthday Roger Ebert!
  • The Star Wars Holiday Special 1978
  • Trailer for Roger Ebert Documentary “Life Itself”
  • (Some related Chimesfreedom posts.)

    I Brought a Comb: “Stand By Me” is 25

    Stand By Me gun This week is the twenty-fifth anniversary of the release of the movie Stand By Me. Like me, you should plan to watch it again. It is a movie that many of us connect to over and over again. For example, about a year ago, I discovered that a childhood friend had passed away. I had lost touch with the friend when we were both kids and he moved away, but I still felt close to him. The best explanation I could give to anyone at the time was a line from Stand By Me, where the writer character played by Richard Dreyfus looks back and writes, “I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?”

    Below is a clip from the film, but you should check out Will Wheaton’s new blog entry, “I was twelve going on thirteen when I made the movie that changed my life.” Wheaton, who played Gordie in the movie, discusses reuniting with the surviving cast members Corey Feldman and Jerry O’Connell. And he talks about coming to terms with the death of River Phoenix. It is a moving must-read for any fan of the movie.

    There are some other good articles about the anniversary around the web. Popdose has a thoughtful piece about the movie’s anniversary, including some discussion of the Stephen King book that was the source for the film. SlashFilm lists twenty-five lessons from the film. And NPR has an audio story that includes an interview with Wheaton that he discussed in his blog post. Few movies hold up as well as Stand By Me, which is a genuine classic about being young and growing up. As Wheaton notes in his blog post, “[M]ovies like Stand By Me come along once in a generation.” That is true, if we are lucky.

  • “American Graffiti” Opens in 1973
  • New Honest Trailer for “The Princess Bride”
  • Springsteen Joins U2 at Madison Square Garden
  • Childhood Summers In the Movies
  • River Phoenix’s Final Movie
  • The Fiscal Cliffs of Insanity