D.L. Menard: “The Back Door”

The Back Door Cajun music singer-songwriter D.L. Menard recently passed away on July 27, 2017. By all reports, Menard was a warm and engaging man who always had time for his fans. His most popular recordings include “Under the Oak Tree,” “Rebecca Ann,” “Bachelor’s Life,” “La Valse de Jolly Rogers,” and “She Didn’t Know I Was Married.” But his most endearing legacy may be “The Back Door” (“La Porte En Arrière”) which he wrote and performed for audiences around the world.

Menard was born Doris Leon Menard in Erath, Louisiana on April 14, 1932. He began performing music at the age of 17, and he met Hank Williams at the age of 18. Menard, who continued through his musical career to work as a craftsman, became a world-wide ambassador for Cajun music, so that he is sometimes called “The Cajun Hank Williams.”

“The Back Door” (“La Porte en Arrière”)

He wrote his biggest hit, “The Back Door,” during a shift working at a gas station. Menard’s song is about sneaking back home after a night of partying. It became a hit in 1962.  And music fans today recognize the song as one of the most popular Cajun songs of all time.

Menard talks about “The Back Door” and then performs it in the video below. Even if you do not recognize the title of the song, you might recognize it once you hear it. Either way, it will make you want to get up and two-step.

Menard drew inspiration for “The Back Door” from Hank Williams’ “Honky Tonk Blues.” In the audio recording below, Williams sings “Honky Tonk Blues” live at The Grand Ole Opry in 1952.

You may hear a connection in the liveliness of both songs.  Check out the Hank Williams song.

In 2014, Rolling Stone listed Menard’s “The Back Door” (“La Porte en Arrière”) as the 72nd greatest country song of all time. It was even ahead of that other wonderful Cajan classic, Harry Coates’ “Jole Blon,” which was at 99 (and which even Bruce Springsteen recorded with Gary U.S. Bonds).

What is your favorite D.L. Menard song? Leave your two cents in the comments.

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    Marty Brown Live in Calgary 1992

    Marty Brown Calgary

    This video gem captures country singer-songwriter Marty Brown performing several songs in 1992, long before he became a fan favorite on America’s Got Talent. The show is from an appearance at Longhorn Dance Hall in Calgary, AB, Canada.

    Brown sings songs such as “Don’t Worry Baby,” “My Wildest Dreams,” “Your Daddy’s Long Gone,” Hank Williams’s “Honky Tonkin’,” and “Honey I Ain’t No Fool” (one of my favorites, starting at the 13:26 mark).

    [2018 Update: Unfortunately, the Calgary show is no longer available on YouTube. So, below is a clip from the same year of Brown singing “I Had a Dream.”]

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    The Wrong “American War”? (Book Review) (Guest Post)

    Omar El AkkadThe following book review is a Guest Post by Russ Miller, an expert on literature, film, and other things.  Russ grew up in the West and currently lives in Virginia.

    I just finished the absorbing and well-paced debut novel American War by Omar El Akkad.  It depicts a dystopian future centered on a second American civil war between the northern “blues” and the southern “reds.”  The war’s personal and national tragedy is related through the experiences of one ordinary southern family that ends up having a profound role in the conflict.

    American War’s Division

    The fissures leading to another fratricidal conflagration are mostly unexplained and unexplored.  We all know what they are – drawing as they do on the Republic’s historical, entrenched, accumulated animosities and resentments.  But the match that ignites the dry tinder this time (it is the late 21st century) is the southern states’ refusal to comply with a federal ban on the use of fossil fuels.

    The ban on fossil fuels comes too late in any case.  Global warming and the resulting rise in sea levels has left the North American continent submerged and scorched in equal measure.  Florida is already under water and the national capital has long-ago removed to Columbus, Ohio.  These conditions exacerbate the conflict.  But the cause isn’t climatic.  It is something deeper.

    American War: A novel is getting well-deserved positive reviews.  El Akkad is a Canadian-Egyptian journalist who makes terrific use of his foreigner’s objectivity towards the U.S. and the harrowing experience he’s made reporting from some of the world’s intractable conflicts.

    El Akkad brilliantly converts most of our contemporary pathologies into grist for the book’s plot:  drone wars and torture; refugee camps and foreign-supported insurrections; and the obvious nod to today’s seemingly irreconcilable hostility between “reds” and “blues.”

    Today’s Real Divide

    Still, the book’s crux – a revival of America’s north/south hostility – misses its mark.  As the last presidential election made clear, the real divide in this riven and disconsolate country centers on values and political perspectives.  The fault-line defies geography.  As Robert Kaplan reveals in his new book “Earning the Rockies,” red and blue American are not places but deeply-rooted states of mind keyed to questions of cosmopolitanism, identity-politics, and faith.  Central Mississippi now is aligned with central Pennsylvania and Central Idaho.  Similarly, New York now is aligned with Minneapolis and Lexington, Kentucky.  Mason and Dixon can’t explain Donald J. Trump’s victory, at least not as neatly as El Akkad hopes.  And besides, aren’t the northern fracking fields of Pennsylvania and North Dakota the heart of America’s new oil boom?

    To have served as a more effective critique (or cautionary parable) of our current desperate condition, El Akkad’s book would have done better to imagine a future of secular, progressive North American mega-city-states (northern and southern) that observe their own laws (Seattle may be marking the path for this) as part of a cosmopolitan, global, “blue” archipelago – a modern Hanseatic League.  The “red” rural rest should  have been portrayed as an exploited and disparaged class kept poor and at bay by brutal repression, walls, and humiliating check-points (in the way that Israel “manages” the occupied territories today).  The hinterlands would serve and resent the cities under the regressive, self-interested, and corrupt “governance” of sectarian chieftains or warlords (wouldn’t this be the Southern Baptist Convention).  Contemporary London – simply “The City” – on one hand, and present-day Syria and Iraq, on the other hand.  Those are the models for the conflict El Akkad imagines, not Charleston and Gettysburg.

    El Akkad has the right idea.  I also regret our internecine, seemingly incommensurable divisions.   But he dares too little with the truth of our current malaise.  To have seen the heart of that, El Akkad need not have traveled to Alabama.  The short trip from his home “just south of Portland, Oregon” to Oregon’s Grant County (Portland and Multnomah County were exact mirrors of Grant County in the 2016 presidential election results) – east and not south – would have done the trick.

    Leave your two cents in the comments.

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    Trailer for Guillermo Del Toro’s “The Shape of Water”

    del Toro

    Director Guillermo del Toro’s amazing visual style is on display in the trailer for his upcoming film, The Shape of Water.  The film, set during the Cold War in 1963, tells the story of a woman working at a government facility.  She discovers an intelligent sea creature that is being held for experiments.  From the trailer, it looks like a magical and suspenseful story.

    Sally Hawkins stars in the movie, which was written by del Toro and Vanessa Taylor.  Other actors in the film include Octavia Spencer, Michael Shannon, Richard Jenkins, Lauren Lee Smith, and Michael Stuhlbarg. Doug Jones, who played Abe Sapien in the Hellboy films, plays the creature in The Shape of Water.

    If you have enjoyed del Toro’s work in films like Pan’s Labyrinth (2006) and Hellboy (2004), you will not want to miss The Shape of Water.  Check out the trailer.

    The Shape of Water hits theaters on December 8, 2017.

    Leave your two cents in the comments.

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    Emmylou Harris Covers Steve Earle’s “The Pilgrim”

    Emmylou Steve Earle

    Emmylou Harris recently appeared on The Late Show With Stephen Colbert with her band The Red Dirt Boys and gave a moving performance of Steve Earle’s “The Pilgrim.” The song is my favorite from Earle’s bluegrass album The Mountain (1999), so it was great to hear Harris’s wonderful voice giving it a new interpretation and a new meaning.

    In introducing the song, Harris touched upon today’s political culture and the plight of refugees. She noted, “This song is for the over 65 million displaced persons around the world.”

    And then she began the song.

    I am just a pilgrim on this road, boys;
    This ain’t never been my home.
    Sometimes the road was rocky long the way, boys;
    But I was never travelin’ alone.

    Check it out.

    Harris and The Red Dirt Boys are touring to celebrate the 25th anniversary of her classic album Emmylou Harris and the Nash Ramblers At The Ryman, which was recently re-issued.

    What is your favorite cover of a Steve Earle song? Leave your two cents in the comments.

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