One is tempted to compare Rocket Science (2007) to other quirky adolescent comedies like Rushmore (1998) and Napoleon Dynamite (2004). Rocket Science writer-director Jeffrey Blitz does appear influenced by Rushmore, using music that would not feel out of place in that movie, and he features a young hero, played by Reece Thompson, who looks a bit like Jason Schwartzman, the star of Rushmore. But Rocket Science is its own movie and one worth seeking out.
Rocket Science tells the story of the 15-year-old Hal Hefner (Thompson), who has a bad stutter but joins the high school debate team to be near the team’s star, played by Anna Kendrick, who has gone on to star in other films like Up in the Air (2009). It took me awhile before I warmed to Rocket Science, but the film slowly draws you in. Despite featuring some cliche’s of this genre, like “the obnoxious brother,” the movie does not go for easy or predictable resolutions.
At the 2007 Sundance Film Festival, Blitz won the Dramatic Directing Award, and the movie garnered some attention but not as much as other similar movies. I am tempted to say, “if you liked Rushmore, you’ll like Rocket Science,” but actually, if you go in looking for something like Director Wes Anderson’s Rushmore you will probably be disappointed.
But if you are looking for a different kind of coming-of-age film that maintains a fair amount of realism, this film that is based in part on Blitz’s own adolescence is worth the rental. And at least for now, the full film is on YouTube, while the trailer is below.
Other Reviews Because Why Should You Trust Me?: Rotten Tomatoes gives Rocket Science an 84% Critics Rating and a 71% Audience Rating. (Rushmore has a similar Critics Rating at 87% but a much higher audience rating at 91%.) Margaret Pomeranz from Australia’sAt the Movies said the film is “wryly funny in parts, poignant, interesting, frustrating, but never less than really engaging.” On the other hand, David Cornelius at DVDTalk praises the cast but said the film “toss[es] us attention-grabbing nuttiness that never once feels earned, or needed, or true.”
{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}
What did you think of Rocket Science? Leave your two cents in the comments.
There are numerous songs about being in love. And there are almost as many songs about being hurt or angry at the end of a relationship, like No Doubt’s “Don’t Speak,” Coldplay’s “The Scientist,” Adele’s “Someone Like You,” Justin Timberlake’s “Cry Me a River,” and Alanis Morissette’s “You Oughta Know.” There are also songs about leaving a loved one, like Lynyrd Skynyrd’s classic “Free Bird” and Dolly Parton’s and Whitney Houston’s “I Will Always Love You.” But few songs focus on the personal healing process when the post-relationship hurt and anger start to drift away. There are some such songs, and artists like Willy Porter and the Cowboy Junkies have addressed the slow process of recovery after a relationship’s end.
Heartbreak Recovery & Heartbreak
There are a number of reasons why few songs capture this post-relationship self-discovery state. That stage is not as exciting as love or anger, and not everyone goes through it. One may skip or block out that stage or maybe never fully reach that level of forgiveness necessary to be at peace.
But the post-relationship self-discovery stage is a wonderful step in one’s growth. It is just as important as other emotions because this step is about coming to terms with finding oneself as someone no longer defined by the former love/anger/hate.
A few popular songs come close to addressing this relationship stage without fully addressing it. For example, Kelly Clarkson has made her career on relationship ending songs like “Don’t Waste Your Time.” But her pop songs often focus on the anger.
Similarly, some of the lyrics of Fleetwood Mac’s “Landslide” seem to be about this stage (“Well, I’ve been afraid of changing / Because I, I built my life around you”). But Stevie Nicks has explained the song is more about career and life directions. In “Missing You,” John Waite protests that he does not miss his love, but it is clear that the singer is still heartbroken and has a ways to go.
A major difference between the heartbreak recovery songs and heartbreak songs is the focus of the song. The songs written about the immediate end of a relationship focus on the other person, often having “you” in their title (“Since You’ve Been Gone,” etc.). The songs about healing and recovery are more about the singer, i.e., “I” or “me.”
“I’m Alive”
Jackson Browne captures this healing process in “I’m Alive.” The song appeared on his 1993 break-up album of the same name that was released after the end of a relationship.
Browne’s “I’m Alive” only covers the start of the transition from anger and hurt to the recognition of being alive (“I’m gonna have to block it out somehow to survive / ’cause those dreams are dead / And I’m alive.” It is one of my favorite Jackson Browne songs.
“Angry Words”
Two other songs go even deeper into end-of-relationship healing, including one by Willy Porter, a singer-songwriter from Wisconsin. Willy Porter’s “Angry Words,” from Dog-Eared Dream (1994), does an excellent job of capturing that feeling of relief where, after a relationship has ended, one wakes up one morning realizing life goes on.
I have cursed your name a thousand times or more; Your photograph lies deep at the bottom of my drawer; But when I looked at it this morning, I had no angry words to say, no angry words to say.
“Angry Words” has similarities to Gloria Gaynor’s classic “I Will Survive” and Elton John’s “I’m Still Standing.” But whereas Gaynor’s and John’s songs are about empowerment and surviving after a bad relationship, Porter’s song is about getting to that stage. Porter is not trying to prove anything to his lost love or convince himself he is fine. He is sorting through who he is and who he is going to be.
In “Angry Words,” the singer refers to “The coffee maker that you gave me it finally broke down.” The coffee maker reference shows time has passed while also symbolizing that the singer has reached a stage of breaking where he is building himself again: “I learned a little ’bout forgiveness, learned a little ’bout sin/ A little ’bout the soul of a man living within this skin.”
And that is what the stage of forgiveness is all about: learning about yourself and not letting the angry words dictate who you are.
“Sun Comes Up”
A song with a similar theme from the woman’s point of view is “Sun Comes Up, It’s Tuesday Morning” by the Cowboy Junkies with lead singer Margo Timmins. “Sun Comes Up” is a highlight from the band’s 1990 The Caution Horses album.
The singer in “Sun Comes Up” is not quite at the stage as the singer in Willy Porter’s “Angry Words.” But she struggles to find peace.
The singer in “Sun Comes Up” meets her friend Jen for lunch. She sees that her friend has been battered by a boyfriend or husband, so she remembers there are worse things than loneliness.
The singer then stops herself from calling her former lover. She reminds herself, “And anyways I’d rather listen to Coltrane / Than go through all that shit again.”
At the end, the singer is still struggling, but she realizes there are some simple benefits to being on your own, even if you miss the person you once loved.
Yeah, sure I’ll admit there are times when I miss you, Especially like now when I need someone to hold me; But there are some things that can never be forgiven; And I just gotta tell you, That I kinda like this extra few feet in my bed.
I love the line about the extra few feet in bed, because it is such a small thing. But the first step toward happiness is appreciating the small things.
After the song ends, I imagine some more time will pass, her coffee maker will break down, and she will end up with no angry words. And then, like the singer in “Angry Words,” she will not be “afraid of a new love that could be starting.”
The Power of Music
You know that the sophisticated and mature people in these songs will be okay, even as the songs provide insight to the listener too. On YouTube under one of the live videos of “Sun Comes Up, It’s Tuesday Morning,” someone confessed, “There were at least 5 years of my life that I would not have survived if it weren’t for this song.”
It is amazing what music can do for us, and I wish more songwriters would explore this stage of love. But we are lucky to have so many songs covering the stages of love. For all the lovers, the broken-hearted, and the healing hearts, may you find your song.
Check out a live version of the Cowboy Junkies’ “Sun Comes Up,” and an additional solo live version of Willy Porter’s “Angry Words” with some great guitar work. Can you think of any other songs fit this category of heartbreak recovery songs and coming to peace about lost love? Leave a comment.
As in the excellent movie Lincoln (2012), we generally picture Abraham Lincoln full-grown as the great president. So it is easy to forget that he grew up as a child living in the wilderness dealing with normal family issues. One of the struggles of the young Abraham’s life was that he and his father Thomas Lincoln were very different.
Michael Burlingame’s detailed two-volume biography, Abraham Lincoln: A Life (2008), noted that many contemporaries of the Lincolns reported that the father and son did not get along. The friction may have been partly created because Thomas lacked ambition and disdained the fact that his son sought to educate himself.
The young Abraham was not afraid to speak up around strangers to ask precocious questions, and his father would often whip the young boy for his assertiveness. One time, the young Abe received a beating for releasing a bear cub from one of his father’s traps.
As the young Abe grew into a man, he continued to dislike his father. When Lincoln became a lawyer in Springfield, Illinois, he never invited his father to visit him.
And, when Thomas was dying in 1851 and asked his son to visit him, the son refused, telling his step-brother to tell Thomas, “if we could meet now, it is doubtful whether it would be more painful than pleasant.” Lincoln did not attend Thomas’s funeral or put a tombstone on the grave. Two years later in 1853, though, Lincoln named his fourth son after his father. The beloved child would soon be nicknamed “Tad.” (Burlingame, pp. 10-11.)
Fathers and Sons in Song
It is speculation to wonder how Lincoln’s relationship with his father affected his later life. But the father-son struggle helps us humanize a man we know as an icon etched in stone. His father-son dynamic is not unusual, as sons strive to find their places in the world. And this struggle occasionally appears in films like Field of Dreams (1989), as well as in popular songs such as Harry Chapin‘s “Cats in the Cradle.”
One of the best father-son songs is by Cat Stevens, now known as Yusuf Islam. The beautiful “Father and Son,” which appeared on Tea for the Tillerman (1970). Yusuf Islam originally wrote the song for a play that was never completed.
The song is a conversation between father and son where the son tries to explain to his father why he is leaving. When Yusuf Islam recorded the song, he had only experienced being a son. But by the time he did the following performance, which appears to be from 2015, he was a grandfather, giving the song new meaning.
Bruce Springsteen has spoke openly about his own difficulties with his father Douglas “Dutch” Springsteen. He has captured that complicated relationship in songs such as “Adam Raised a Cain,” from Darkness on the Edge of Town (1978), “My Father’s House” from Nebraska (1982), and “Independence Day,” from The River (1980). The latter song, like “Father and Son,” is about a son leaving his father.
Springsteen’s “Independence Day” is slightly more bitter than “Father and Son.” The bitterness may come from the fact that Springsteen had a rockier relation with his father than Yusuf Islam did. But it is also a heavyhearted father-son conversation.
In the above video from 1980, Springsteen begins by telling the audience how the music he heard on the radio inspired him to seek a different life, just as Lincoln’s books inspired him. Similarly, as in Lincoln’s message to his dying father, the singer in “Independence Day” tells his father “Papa go to bed now, it’s late. / There’s nothing we can say can change anything now.”
As Springsteen learned as he got older, the sins of the father also makes the man that the son becomes. So, for this celebration of Abraham Lincoln’s birthday, remember the man’s first years with his father. One may look back on Thomas Lincoln for his faults in the way he treated our beloved Abraham Lincoln. But the father, struggling to carve out a place for his family in the wilderness, did something right because his son turned out pretty well.
Ultimately, the son Abraham, perhaps remembering Thomas’s lack of ambition or remembering his own beatings, carried his concerns for the suffering of others with him when he left on his own Independence Day and when he went to the White House. And although Abraham Lincoln had a long way to travel for his own education, maybe The Great Emancipator contained a little of the boy who saw a suffering bear cub and freed it, knowing he would face his father’s wrath but defying his father anyway.
{Photos via: me, taken around the 1990s. The statue is located at New Salem, Illinois. The farm is the place of Abraham Lincoln’s birth in Hodgenville, Kentucky.}
What is your favorite song about fathers and sons? Leave your two cents in the comments.
Slate recently featured an essay about an episode of NPR’s This American Life that was co-hosted by Fred Armisen of Saturday Night Live and Portlandia. I am a fan of This American Life, even though I only sporadically catch it on the radio. I also loved the short-lived TV version of the show, watching every episode on DVD.
Two years ago, Fred Armisen did an imitation of This American Life host Ira Glass on Saturday Night Live. But, you probably never saw it because it was only performed in dress rehearsal. Armisen later explained that they cut the bit because they concluded that Glass was not famous enough for an SNL segment so people would not get the humor.
I can imagine if you have never heard of This American Life, you might not find the imitation funny. But if you have listened to or watched This American Life, like me you might find yourself laughing at this segment from Saturday Night Live that never made it on the air.
Update September 2013: The Saturday Night Live video with Fred Armisen as Ira Glass is no longer available through NBC. But, you may hear Armisen imitating Glass at the beginning of the following This American Life episode on doppelgängers (FYI, the show’s link to the Armisen video takes you to NBC’s website but the video is no longer there):
Did you like Fred Armisen’s impersonation of Ira Glass? Leave your two cents in the comments.
Microsoft released a new ad to try to make Internet Explorer cool again with those Firefox, Chrome, and Safari fans. While they may not accomplish that goal, the ad does a pretty decent job of remembering the 1990s. Check it out if you are in the mood for memories and nostalgia.
What item from the 1990s would you add to the ad? Leave your two cents in the comments.
One is tempted to compare Rocket Science (2007) to other quirky adolescent comedies like Rushmore (1998) and Napoleon Dynamite (2004). Rocket Science writer-director Jeffrey Blitz does appear influenced by Rushmore, using music that would not feel out of place in that movie, and he features a young hero, played by Reece Thompson, who looks a bit like Jason Schwartzman, the star of Rushmore. But Rocket Science is its own movie and one worth seeking out.
(2008), noted that many contemporaries of the Lincolns reported that the father and son did not get along. The friction may have been partly created because Thomas lacked ambition and disdained the fact that his son sought to educate himself.
