Take the Baseball Movie Quote Quiz!

Bull DurhamWith the new baseball season just getting under way, it is time to reflect on some of the great baseball movies with a quote quiz. Match the quote from a baseball movie with the correct movie. Some are easy, some are more difficult. Answers will be posted in the comments.

The Quotes:
(1.) “This field, this game, is a part of our past. It reminds us of all that once was good, and what could be again.”

(2.) “You know what we get to do today, Brooks? We get to play baseball.”

(3.) “People all say that I’ve had a bad break.”

(4.) “There’s no crying in baseball.”

(5.) “You throw the ball. You hit the ball. You catch the ball.”

(6.) “Mild thing, you make my butt sting!”

(7.) “You love the Red Sox, but have they ever loved you back?”

(8.) “You have never been this close to greatness in your short life son. And you love it.”

(9.) “I am hung over, my knees are killing me and if you’re gonna pull this shit at least you can say you’re from the Yankees.”

(10.) “I’ve been brushing up on my Spanish of late, and I think he is saying something about, you know, his being Catholic, and it’s [wearing a cup] a sin.”

(11.) “Say it ain’t so, Joe. Say it ain’t so. ”

(12.) “God, I just love baseball.”

The RookieMatch Each Quote With Correct Movie from This List:
(a) Bull Durham (1988); (b) A League of Their Own (1992); (c) Bad News Bears (1976); (d) Cobb (1994); (e) The Natural (1984); (f) Pride of the Yankees (1942); (g) Fever Pitch (2005); (h) Major League (1989); (i.) Field of Dreams (1989); (j) Eight Men Out (1988); (k) Major League II (1994); (l) The Rookie (2002).

Ratings:
0-2 correct: Little League; 3-4 correct: Single A; 5-6 correct: Triple A; 7-8 correct: Major League Rookie; 9-10 correct: Major League Starter; 11 correct: Major League All-Star; 12 correct: World Series Champ.

Answers will be posted in the comments. What is your favorite baseball movie quote?

The Lincoln Lawyer (Short Review)

The Lincoln Lawyer, based on the book by Michael Connelly and starring Matthew McConaughey, is an old-fashioned legal thriller. The story follows criminal defense attorney Mickey “Mick” Haller (McConaughey), a criminal defense attorney who does much of his work out of the back seat of a Lincoln Town Car, as he takes on a big case representing a rich client accused of assaulting a woman. The movie also features Marisa Tomei, Ryan Phillippe, William H. Macy, and John Leguizamo.

The Lincoln Lawyer Movies often depend on your expectations and mood. And if I were grumpier on the day I watched The Lincoln Lawyer or if I had high expectations, I might stress that there are some unbelievable points, and there might be easier ways for the lawyer to handle the legal ethics issues in the movie. Also, the movie features one of my pet peeves of portraying the bad guy as some sort of evil diabolical genius who would fit better in a James Bond movie than in a movie trying to be realistic.

But those are minor gripes if you just want some fun entertainment. The Lincoln Lawyer is one of those movies where you just have to decide to roll with it. The story is fun, and, as he did in Time to Kill, McConaughey makes an engaging lawyer with a very good supporting cast. While The Lincoln Lawyer is not in the same league as law movies like Anatomy of a Murder (1959), The Verdict (1982), or even Tomei’s My Cousin Vinny (1992), it is a fun and interesting ride, like one of the better movies based on books by John Grisham or Scott Turow. In a recent interview, McConaughey mentioned the possibility of sequels following the further exploits of Haller. I would see the sequel, assuming I’m in the right mood that day.

What did you think of The Lincoln Lawyer? What is your favorite lawyer movie? Leave a comment.

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    Adjustment Bureau (Short Review)

    The Adjustment BureauAdjustment Bureau (2011) has engaging actors in Matt Damon and Emily Blunt, some cool uses of New York City landmarks, and an interesting plot idea from a short story by Philip K. Dick. From the previews, I expected an intelligent movie with something to say about life and free will, with a thoughtful twist on reality as in movies like Inception and The Matrix.

    Instead, The Adjustment Bureau never reached very deep and is more of an action-romance movie, diverging from the interesting original Philip K. Dick story, “Adjustment Team.” I will not ruin the ending of the movie, but a darker ending inspired by film noir movies instead of the predictable conclusion might have made the movie more memorable. It is not a bad movie, and in some ways is like a light fantasy version of the Bourne movies on some level, so it is enjoyable. I just wanted more.

    Did you like The Adjustment Bureau? Leave a comment.

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    Elizabeth Taylor RIP

    Elizabeth Taylor National VelvetElizabeth Taylor passed away today at the age of 79. Her first movie I saw when I was a child was National Velvet, which is probably the first movie that many kids saw with her and is one of the great “horse” movies. One of the last movies I saw with her in it was Who’s Afraid of Virginia Woolf?, which features one of her best acting performances. In her later life, she did some of her greatest work for humanitarian causes such as Aids research, an issue she embraced before many others did.

    Although she was known for her glamor and beauty, one of her greatest roles played against those strengths, as seen in this scene from Who’s Afraid of Virginia Woolf? with Richard Burton. She gives a frightening performance that won her a second acting Oscar.

    She won her other acting Oscar for Butterfield 8. Also, at the 1993 Academy Awards, she received the Jean Hersholt Humanitarian Award.

    Although she will probably be more remembered for the above movies, Cat on a Hot Tin Roof, and Cleopatra for different reasons, one movie that should not be overlooked is Giant, where she starred with Rock Hudson, James Dean, and young Dennis Hopper. While far from a perfect movie, there is a lot to love in the messy epic.

    Although a CNN anchor just tried to describe Elizabeth Taylor as her day’s “Angelina Jolie,” it is not a very good comparison. For better or worse, stars were different back then. Either way, it is great that we still have her work to enjoy. Rest in peace.

    What is your favorite Elizabeth Taylor movie or scene? Leave a comment.

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    A Film Unfinished (Short Review)

    At the end of the outstanding documentary Anne Frank Remembered (1995), there is a scene that takes my breath away. It is a short clip of a home movie taken by people celebrating a wedding outside where Frank and her family lived before they had to go into hiding. The silent black and white home movie captures a window above for a few seconds, where one fleetingly sees Anne Frank as a happy girl leaning out watching the wedding celebration below. The scene is a testament to the power of video in capturing something unfathomable about the Nazi atrocities by merely showing a little girl on a balcony on a nice day.

    A Film Unfinished

    The images in the movie A Film Unfinished (2010) — released on DVD this month — are different but haunting in a similar way. So that after watching it, I felt like I had not breathed for the entire 88 minutes running time. Yael Hersonski’s documentary examines an unfinished Nazi propaganda film taken of the Warsaw Ghetto in May 1942, a few months before the people there started being sent to the Treblinka extermination camp. Although that uncompleted propaganda film, called “Das Ghetto,” was found soon after the end of World War II, another film of outtakes found in 1998 revealed how much of the propaganda film was staged. The Nazis made the Jewish people in the film participate in staged scenes to highlight a contrast between the poor and those who appeared to be more affluent.

    A Film Unfinished unveils the Nazi propaganda to reveal footage of profound suffering of people trying to survive. The footage is more disturbing knowing what awaits most people in the film in the months ahead of them. Hersonski makes wise choices about when to add explanation and when to let the scenes speak for themselves. Some of he power of the movie comes from hearing from some survivors as they watch the video (““What if I see someone I know?”).

    Most of the movies we discuss on Chimesfreedom are moving in a way that the filmmakers designed. Here, although the exact propaganda designs of the original Nazi filmmakers of “Das Ghetto” are unclear to this day, the resulting movie has the opposite effect to those original plans. The portrait of history and human suffering revealed in A Film Unfinished is difficult, but essential, viewing.

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