Category: Movies

A Film Unfinished (Short Review)

At the end of the outstanding documentary Anne Frank Remembered (1995), there is a scene that takes my breath away. It is a short clip of a home movie taken by people celebrating a wedding outside where Frank and her family lived before they had to go into hiding. The silent black and white home movie captures a window above for a few seconds, where one fleetingly sees Anne Frank as a happy girl leaning out watching the wedding celebration below. The scene is a testament to the power of video in capturing something unfathomable about the Nazi atrocities by merely showing a little girl on a balcony on a nice day.

A Film Unfinished

The images in the movie A Film Unfinished (2010) — released on DVD this month — are different but haunting in a similar way. So that after watching it, I felt like I had not breathed for the entire 88 minutes running time. Yael Hersonski’s documentary examines an unfinished Nazi propaganda film taken of the Warsaw Ghetto in May 1942, a few months before the people there started being sent to the Treblinka extermination camp. Although that uncompleted propaganda film, called “Das Ghetto,” was found soon after the end of World War II, another film of outtakes found in 1998 revealed how much of the propaganda film was staged. The Nazis made the Jewish people in the film participate in staged scenes to highlight a contrast between the poor and those who appeared to be more affluent.

A Film Unfinished unveils the Nazi propaganda to reveal footage of profound suffering of people trying to survive. The footage is more disturbing knowing what awaits most people in the film in the months ahead of them. Hersonski makes wise choices about when to add explanation and when to let the scenes speak for themselves. Some of he power of the movie comes from hearing from some survivors as they watch the video (““What if I see someone I know?”).

Most of the movies we discuss on Chimesfreedom are moving in a way that the filmmakers designed. Here, although the exact propaganda designs of the original Nazi filmmakers of “Das Ghetto” are unclear to this day, the resulting movie has the opposite effect to those original plans. The portrait of history and human suffering revealed in A Film Unfinished is difficult, but essential, viewing.

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    Client 9: The Rise and Fall of Eliot Spitzer

    Client 9: Rise and Fall of Eliot SpitzerThe documentary Client 9: The Rise and Fall of Eliot Spitzer (2010) is a fascinating portrayal of the former New York governor and his downfall. The movie follows Spitzer’s fast rise from a state attorney general heralded as “the sheriff of Wall Street” through his presidential aspirations to his even faster fall following the discovery of his use of prostitutes.

    Client 9: The Rise and Fall of Eliot Spitzer, directed by Alex Gibney and now available on Blu-ray and DVD, does an excellent job of showing all sides of the story, featuring interviews with Spitzer as well as with several of Spitzer’s enemies. The story gives one a new perspective on the major players. Among other revelations, one learns that the woman featured in multiple covers of New York tabloids and interviewed by Diane Sawyer had only one encounter with Spitzer. As a result of the media attention, she is now a columnist for the New York Post, while the actual woman who met Spitzer frequently avoids the spotlight.

    The story of a powerful man who falls has been around for ages. In a famous quote from the Bible, Jesus asked a question that one might recall while watching Client 9: “And why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thine own eye?” The movie reveals that the beam in Spitzer’s eye included his hubris and pride, which led him to make numerous enemies and few trusted friends. While Spitzer admits he caused his own descent, and that is true, his downfall is much more complicated. Some of the people who had past run-ins with Spitzer — including legislators and those he prosecuted as Attorney General — played interesting roles in the drama.

    Client 9: The Rise and Fall of Eliot Spitzer does not let Spitzer off the hook, but it also portrays the man and the scandal in its complexity. Spitzer, who now has his own television show on CNN and who may eventually return to politics to run for mayor of New York City, was one of the first leaders to reveal the problems on Wall Street that later led to the most recent recession. But he lacked empathy in his encounters with other people. He was a man who was driven to reform government because he saw the flaws in others, but who then fell because he could not see the flaws in himself.

    Has Spitzer learned from his mistakes and become more humble? What do you think? Leave a comment?

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    The King’s Speech Wins Best Picture

    Another Academy Awards show is over, ending minutes ago. The top six awards were:

    King's Speech

    Best Picture: The King’s Speech
    Best Director: Tom Hooper, The King’s Speech
    Best Actress: Natalie Portman, Black Swan
    Best Actor: Colin Firth, The King’s Speech
    Best Supporting Actress: Melissa Leo, The Fighter
    Best Supporting Actor: Christian Bale, The Fighter

    You may find a full list of winners and nominees at the website for The Academy of Motion Picture Arts and Sciences. Regarding the Oscar Predictions from the critics posted on Chimesfreedom a few days ago, only two got all of the top six awards correct: Jeff Johnson at Popdose and The Best Picture Project. Congratulations!

    As for the show itself, several of your favorite newspapers and news sources will have articles about it tomorrow, but Entertainment Weekly already has something up. Overall, there were few surprises with the awards but the show had its moments, like Randy Newman’s acceptance speech and an appearance by Kirk Douglas. I liked that Steven Spielberg introduced the Best Picture nominees by reminding everyone of some of the great movies of the past that did not win the award (“Citizen Kane. . . Raging Bull!”). To paraphrase Director Peter Jackson, movies should not be made for winning the Oscars, they should be made for the audience. And now the awards are over and we can get back to focusing on the films.

    What did you think of the 2011 Academy Awards telecast? What did you think of the hosts? Leave a comment.

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    2011 Oscar Predictions Roundup

    Most commentators agree on predictions for the top awards at tomorrow night’s 2011 Academy Awards presentations. According to them, the Oscar goes to:

    Academy Award, Oscar

    – Best Picture: The King’s Speech (with The Social Network in second);
    – Best Director: David Fincher for The Social Network, with Tom Hooper a close second for The King’s Speech;
    – Best Actress: Natalie Portman from Black Swan (with Annette Bening from The Kids Are All Right in second);
    – Best Actor: Colin Firth from The King’s Speech (with Jesse Eisenberg from The Social Network a distant second);
    – Best Supporting Actress: Melissa Leo for The Fighter, with Hailee Steinfeld for True Grit a close second.
    – Best Supporting Actor: Christian Bale for The Fighter, with Geoffrey Rush for The King’s Speech a close second.

    Anything outside these picks will be a big surprise, but surprises are always possible. The contested areas with close two-horse races are Best Director, Best Supporting Actress, and Best Supporting Actor Categories.

    For a random sampling of predictions and other Oscar news around the Internet:

    – For the three contested slots of Director/Supporting Actress/Supporting Actor, Roger Ebert opts for the non-Fighter leaders and is in the Hooper/Steinfeld/Rush category. While agreeing with the consensus on the other picks, he notes that if he were voting for Best Picture, he would opt for The Social Network even as he predicts The King’s Speech to win.

    – Roger Ebert’s former TV co-host Richard Roeper of the Chicago Sun-Times goes a different route, opting for the Fincher/Leo/Bale combination. Also, he is one of the few who are still predicting The Social Network as the Best Picture, although he hedges his bets by saying it might be safer to go with The King’s Speech.

    – Melenia Ryzik at The New York Times liked The Fighter and is in the Fincher/Leo/Bale category. Moviephone also liked The Fighter‘s supporting nominees and is in the Fincher/Leo/Bale category, as is Rick’s Predictions at Awards Wiz.

    – Peter Hartlaub at the San Francisco Chronicle agrees, going with Fincher/Leo/Bale, although he thinks The Social Network will upset The King’s Speech.

    – Gregory Ellwood at the HitFlix Blog bravely predicts a Fighter split with the Supporting Acting awards going to Steinfeld and Bale.

    – Jeff Johnson over at Popdose also mixes it up a little bit, going with a Hooper/Leo/Bale combination, and The Best Picture Project agrees.

    – Five critics at The Guardian UK differ among themselves, but with most saying the contested three categories will go to Fincher, Bale and . . . the country’s own Helena Bonham Carter for Best Supporting Actress (The King’s Speech)! Three of the five also pick The Social Network as Best Picture.

    – For another take on the Ocars, Oscar the Grouch from Sesame Street makes his predictions (Best Actor: “Colin Filth”).

    – Cinematical has some interesting Oscar statistics. Did you know that the movie with the highest number of Oscars while winning 100% of nominated categories was The Lord of the Rings: The Return of the King (2003) with 11 wins out of 11 nominations?

    – For a trip down memory lane, Salon has a slide show of past Oscar Moments Everyone Should See.

    Among other big categories, the sure things seem to be Toy Story 3 for Best Animated Feature and The Social Network for Best Adapted Screenplay. The Best Documentary category seems to be a battle between Exit Through the Gift Shop and Inside Job. See Chimesfreedom’s previous post on an industry’s campaign against another Best Documentary nominee, Gasland.

    Conclusion on the Big Awards? It is always tricky to predict the winners because you are not selecting the “Best” but who you think others will say is the “Best.” So Chimesfreedom will leave the predictions to others (but see related posts below for thoughts on some of the contenders). From our random sampling, it will be a big surprise if The King’s Speech does not get Best Picture or if Natalie Portman does not get Best Actress or if Colin Firth does not get Best Actor. The difference in the close races will depend on whether or not the voters completely loved The King’s Speech and how much they liked The Fighter, as The Fighter lovers are going for Fincher/Leo/Bale while The King’s Speech lovers opt for Hopper/Steinfeld/Rush.

    But if predictions were always right, we would not need the awards show. So our prediction is simply that somewhere along the line, there will be a surprise or two.

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    What are your thoughts on the predictions? Who do you think will win? Who should win? Leave a comment.

    Barney’s Version (short review)

    There are movies like this week’s Oscar front-runner The King’s Speech (2010), where very early into the film, you know what it is and where it is going and you enjoy it from the first minutes. Then there are movies like Barney’s Version (2010), which slowly suck you into the story and then takes you in unexpected directions.

    Barney's Version PosterFrom the reviews and previews, I knew going in that the movie starred Paul Giamatti as the Barney in the title and had something to do with following his life through three marriages. IMDb describes the movie as a “picaresque and touching story” about “Barney Panofsky, a hard-drinking, cigar-smoking, foulmouthed 65-year old hockey fanatic and television producer, as he reflects on his life’s successes and (numerous) gaffes and failures.” And the movie starts off that way and I went along, because I always enjoy Giamatti. There were little surprises in the movie, some of which you discover early on, such as a police officer who thinks Giamatti committed a murder. But the real turning point in Barney’s Version, which is based on a novel by Mordecai Richler, comes nearer the end when the movie heads in a different direction in a way that happens in real life.

    Like co-star Dustin Hoffman, Giamatti is always an interesting actor to watch. There are moments in many of his movies where I am blown away by his fine acting, such as in an ordinary scene in American Splendor where he is talking to one of the movie’s oddball characters in a car. Nothing special happens in the scene, but Giamatti is so comfortable in the character it blurs the line between acting and real life. Similarly, there is an emotional scene in Barney’s Version between Giamatti and Rosamund Pike, playing his third wife, that that is understated and cuts to the bone of reality. Although Giamatti was not nominated for an Oscar, he won the Golden Globe for Best Actor in a Comedy for this performance.

    I am not going to ruin the movie for you by saying anything more, and you should not expect a big twist ending, as the surprises are small scale. But if you are looking for a good smaller movie that is a character study after you have seen the big studio Oscar contenders, check out Barney’s Version, which is in theaters now.

    What did you think of Barney’s Version? Leave a comment.

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