“Dawn of the Planet of the Apes” (Short Review)

Dawn Apes In 2011, Director Rupert Wyatt rebooted the Planet of the Apes franchise with the excellent Rise of the Planet of the Apes, featuring wonderful performances by James Franco, Andy Serkis, and John Lithgow. In Dawn of the Planet of the Apes, Franco and Lithgow are gone, and the movie suffers a bit from their absence. But the new film, directed by Matt Reeves, is full of action and Serkis again is outstanding as the leader of the apes, Caesar.

Most critics and fans like the action-packed Dawn, and I did too, although I do not think it matched the first in the new series. The film picks up ten years after Rise, when most humans have died from a virus. Some of the remaining humans struggle to survive, while the apes, still led by Caesar, work to build their own civilization. Not surprisingly, the two groups come in contact. Both the humans and the apes have individuals who want war and individuals who want peace. The film builds to a dramatic and action-filled conclusion that I will not ruin here. In light of current debates about violence among countries, the film also is a gentle reminder about how difficult it is to protect a fragile peace.

Serkis gives an excellent emotional performance in Dawn of the Planet of the Apes, and Judy Greer does a great job as Caesar’s wife, Cornelia, whose name is likely a reference to the original series (making me wonder if their son “Blue Eyes” — played by Nick Thurston — has the real name of Cornelius?). This time around, the human characters are less interesting, although Jason Clarke, Gary Oldman, and Keri Russell do a good job with the roles they have.

Dawn of the Planet of the Apes
is a dark movie in more than one way. Besides the storyline, the action takes place on cloudy days and at night. While the CGI effects were fantastic, because 3D glasses make movies even darker and I was not blown away by the 3D effects, I would have preferred to see the film in regular 2D so I would not have had to squint to make out the action in the dark. But I will leave it to you to determine how important 3D is to you.

Finally, the original movie franchise began by landing Charlton Heston in the middle of the established ape world (as the Tim Burton reboot similarly did with Mark Wahlberg) and then later films took us back to the origin stories. But this new franchise opts for more of a chronological version in the way the films are being produced, starting at the beginning of the timeline. Thus, Rise of the Planet of the Apes was comparable to Conquest of the Planet of the Apes (1972) of the original series, while the new Dawn of the Planet of the Apes is comparable to Battle for the Planet of the Apes (1973), which was the last one made in the original series and is generally seen as the weakest. Thus, considering the new very good movie is a reinterpretation of the weakest of the original franchise, I am especially looking forward to seeing how this new franchise develops with future movies. For a look at how the movies fit into a timeline, check out the io9 website.

Conclusion? Dawn of the Planet of the Apes is an action-packed sequel and a worthy continuation of the story that began in Rise of the Planet of the Apes. If you liked the first film, you will want to see this sequel. If you have not yet seen Rise of the Planet of the Apes, you can still start with Dawn of the Planet of the Apes without being lost, but you might want to watch the superior first film first.

What did you think of Dawn of the Planet of the Apes? Leave your two cents in the comments.

  • Trailer for “Dawn of the Planet of the Apes”
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    Trailer for “Dawn of the Planet of the Apes”

    Planet of the Apes

    Check out the new trailer for the upcoming movie Dawn of the Planet of the Apes. Like The Rise of the Planet of the Apes (2011), the sequel features Andy Serkis as the intelligent Caesar. Gary Oldman stars in the new film as the leader of humans who survived a plague a decade earlier. The surviving humans and the apes must reach a peace or go to war. It sounds similar to the plot of Battle for the Planet of the Apes (1973). Either way, the trailer looks cool, and I cannot wait to see this one too.

    Jason Clarke and Keri Russell also star in the movie, directed by Matt Reeves. 20th Century Fox plans to release Dawn of the Planet of the Apes on July 11, 2014.

    What is your favorite Planet of the Apes film? Leave your two cents in the comments.

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    “Paul Williams Still Alive” (Missed Movies)

    Paul Williams Still Alive If you grew up in the 1970s, you could not have missed singer-songwriter-actor-showman Paul Williams. He was everywhere. Williams wrote songs like “We’ve Only Just Begun,” the Oscar-winning “Evergreen” (co-written with Barbra Streisand), the theme to Love Boat, and the Muppet classic “Rainbow Connection.” He also wrote one of the first 45 rpm singles I bought as a kid, Three Dog Night’s “Just an Old Fashioned Love Song.” He appeared in movies like Smokey and The Bandit (1977) and Battle for the Planet of the Apes (1973).

    Additionally, Paul Williams was a regular on Johnny Carson’s late night show and appeared on many other TV shows like The Muppets. And, just as suddenly as he came into our lives and dominated TV, movies, and radio, he disappeared.

    Director Stephen Kessler was a big fan of Williams as a child, and like many of us decades later, wondered what had happened to Williams and assumed he was dead. So he tracked down the singer, who was still touring in small venues, and began a documentary, Paul Williams Still Alive (2011).

    The movie is not a straight-up documentary about the career of Paul Williams, as Kessler ends up being a part of the story of the film. Surprisingly for someone who was everywhere in popular culture at one time, Williams does not seem to embrace being in what is in some ways a modern reality show, with cameras following him every place he goes.

    Williams is also somewhat resistant to analyzing his own life in front of the camera, putting off Kessler’s attempts to get Williams to discuss his feelings about how drugs affected his career. So we have lots of shots of Williams being slightly annoyed at the camera and Kessler’s digging.

    Instead of deep introspection from Willimas, Kessler shows his own feelings about traveling with Williams in the Philippines (Kessler is scared, while Williams seems to soldier through every adversity). And Kessler tries to provoke a response from Williams by getting him to watch a talk show where Williams was obviously high.

    How much you enjoy the film may depend on how you appreciate the focus on the director-subject relationship. It makes the movie a little less traditional and might engage some viewers more than a straight-up documentary. I appreciated the other part of the film that told us more about Paul Williams, his career, and his current life. But I must admit that it was the combination of the two film styles that told me other things about Paul Williams, such as the way he still perseveres and his refreshing desire to avoid revealing everything about himself.

    While Williams rejects the opportunity for self-analysis, you still get to see what happened to one of the big icons of the 1970s and learn a little about the man indirectly. If you ever wondered what happened to Paul Williams, Paul Williams Still Alive is worth your time.

    Other Reviews Because Why Should You Trust Me? Rotten Tomatoes reveals that critics liked Paul Williams Still Alive more than general audience members, giving the film a 97% critics rating and a 79% audience rating. Donald Liebenson at the Chicago Sun-Times found the movie interesting but was annoyed by the way the director inserted himself into the story. Meanwhile, Sodajerker has an audio interview with Paul Williams where Williams discusses his career and the documentary.

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