Beyond the Danceable Hits: Irene Cara’s Moving Song About Isolation and Loneliness, “Out Here On My Own”

While best known for the uplifting title songs from “Fame” and “Flashdance,” Irene Cara created a movng performance of a song about isolation and loneliness with “Out Here On My Own.”

In the early 1980’s, one would have expected Irene Cara, who passed away in November 2022, to go on to have a long and successful music (and acting) career based largely upon recording two of the biggest hits of the early 1980s. Few artists have such big exciting hit title tracks from successful movies so close together. First, starring in the movie Fame (1980), Cara hit it big not only with “Fame,” but an impressive star turn as an actress. Then, three years later, she topped the charts with “Flashdance . . . What a Feeling” from the movie Flashdance (1983). But while I loved those songs, it was a quieter performance from Fame that I always think of first when I hear her name.

In the early 1980s, I had gone off to attend college several hundred miles away from home. Like many others there, I was young and living on my own for the first time, going somewhere where I had no friends or family. Of course, all of us there were extremely fortunate to be where we were, but many of us also were experiencing a new kind of loneliness. As with any recolocation, during those early days we had not yet forged the new bonds and friendships that would eventually come.

It was in those days that the school’s movie theater offered a showing of Fame. And there, in that darkened theater, we found some kinship with the young characters on the screen striving to create something out of their lives, struggling for success while also learning to encounter failure.

In that context, Irene Cara appeared onscreen and performed the song “Out Here On My Own.” Unlike the title track where she and everyone danced, she sold this song by merely singing at a piano. Her moving performance of the opening lyrics made our audience lean into the song. And we were there with her all the way to the final note.

Sometimes I wonder where I’ve been,
Who I am,
Do I fit in.
Make believin’ is hard alone,
Out here on my own.

As I listened, I thought about my own feelings, connecting as we do with much great art to find ourselves. I felt connected to the isolation reflected in the song, thinking it was only me. But then something happened I had not seen before and have not seen since.

I have seen movie audiences clap at the end of a movie.

I have heard movie audiences cheer when the good guy finally defeats the bad guy.

But during Fame, in the middle of the film, I was surprised to hear the college audience applaud and cheer Irene Cara’s performance of this quiet song.

And that is why Cara’s “Out Here On My Own” remains so important for me. At that moment when I was feeling alone and isolated, I realized that others in that same room were feeling the same thing. And Irene Cara brought us together for those few minutes. And it also taught me a lesson that remains to this day, to remember to be kind to others because they are often going through things that you might not suspect or know.

In recent years due to the Covid pandemic, many of us around the world have encountered new layers of loneliness, making “Out Here On My Own” seem especially timely. Reportedly, Irene Cara herself faced her own isolation in these last years leading to her death too, making the song even more poignant.

“Out Here On My Own,” while not as big of a hit as the title track “Fame,” was successful on its own. The song, written by the sister-brother team of Lesley Gore and Michael Gore, not only charted but was nominated for an Academy Award. It lost to the other bigger and happier Irene Cara song from the movie about living forever, “Fame.”

But “Out Here On My Own” remains one of the great movie songs about loneliness. In Billboard, Chuck Taylor wrote about the rerelease of the soundtrack, noting that “Out Here On My Own” “remains as simplistic and memorable a statement of isolation as has ever been written”

For a song about isolation, though, I always remember it as bringing people together.

Leave your two cents in the comments.

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    Song of the Day: “You Don’t Own Me”

    You Don't Own Me With all of the changes on the horizon in the 1960s, it should not be too surprising that a strong empowering song for women would be recorded by a 17-year-old. In December of 1963, Lesley Gore released “You Don’t Own Me.”

    The song was actually written by two men, John Madara and David White. But Gore’s power made it an instant classic about a young woman asserting herself in her relationship and reminding her significant other that she is going to be her own person.

    You don’t own me,
    Don’t try to change me in any way;
    You don’t own me,
    Don’t tie me down ’cause I’d never stay.

    “You Don’t Own Me,” however, did have to play second fiddle to a bunch of boys in one way. Gore’s song stalled at number two on the charts while The Beatles held the number one spot with “I Want to Hold Your Hand.”

    While both songs are two of the most joyous rock songs of all time, it is Gore’s recording that seems more timeless and timely. Gore also does an amazing job slowly building, building, building until the song explodes near the end.  Below, Gore sings “You Don’t Own Me” at the 1964 T.A.M.I show.

    Leave your two cents in the comments.

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    Lesley Gore and Barry Goldwater

    Lesley Gore Mike Douglas

    Singer-songwriter Lesley Gore has passed away on February 16, 2015 at the age of 68 from complications related to cancer. Gore had a long track record of great hit songs that started when she was 16 years old with the 1963 hit recording of “It’s My Party.”

    Other hit songs included “Judy’s Turn to Cry,” “You Don’t Own Me,” “That’s the Way Boys Are,” and “Sunshine, Lollipops, and Rainbows.”  All of those performances are easily found on the Internet.

    Additionally, she co-wrote the beautiful song “Out Here On My Own,” which was performed by Irene Cara in the movie Fame (1980). I still recall the first time I heard that song in the movie theater. It is the only time I have heard an audience applaud for a song in the middle of a film.

    An interesting video you might otherwise overlook is her November 10, 1969 appearance on The Mike Douglas Show. Typically, she gives an excellent singing performance. But then she sits down and discusses the Vietnam War with Barry Goldwater.

    Gore’s discussion with Goldwater is a nice reminder how people can disagree on television without screaming at each other. Check it out.

    What is your favorite Lesley Gore recording? Leave your two cents in the comments.

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    The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”

    TAMI Show

    On December 31, 1964, American International Pictures released The T.A.M.I. Show in theaters as a “once-in-a-lifetime experience.” This early rock concert film gave rock and roll fans a snapshot of some of the biggest bands of the time and was groundbreaking.

    “T.A.M.I.” stands for “Teenage Awards Music International,” although some promotional materials also used “Teen Age Music International.” But the important part of The T.A.M.I. Show is the music, filmed from the standpoint of the audience.  The technique made viewers feel like they were at the show recorded at the Santa Monica Civic Auditorium on October 28 and 29, 1964.

    Below is the trailer for the film.

    The general consensus is that James Brown gives his greatest filmed performance here, an outstanding display of passion and performing experience that made the Rolling Stones regret they had to follow him. But there are other highlights throughout the concert, including the 18-year-old Lesley Gore and a surprisingly loose performance by The Beach Boys.

    Although producer Bill Sargent lost the rights to the film and it disappeared for decades, it is now available for your viewing on DVD (with extras) and with various performances on YouTube.  Below, James Brown performs “Please, Please, Please.”

    Performers include Jan and Dean (over the credits), Chuck Berry, Gerry & the Pacemakers, Smokey Robinson and The Miracles, Marvin Gaye, Lesley Gore, The Beach Boys, Billy J. Kramer and The Dakotas, The Supremes, The Barbarians, James Brown and The Famous Flames, and The Rolling Stones.

    Artists are still making great music today, but it is hard to imagine people agreeing on so many great performers in one film now. So, travel back to another time, and check out the Rolling Stones closing the show, joined by others on the stage.

    Some trivia tidbits: The opening credits list The Blossoms with the performers, but they are not introduced when they appear as the backing singers for Marvin Gaye (or when later they appear to encourage James Brown to return to the stage). The Blossoms were used to not getting credit, having recorded the 1962 hit “He’s a Rebel” without credit.

    Also, future actress Teri Garr and future recording star Toni Basil appear as background dancers in the film, and singer Glen Campbell and musician Leon Russell played in the show’s backing band, The Wrecking Crew. Reportedly, filmmaker John Landis and future Partridge Family star David Cassidy, who were seventh grade classmates at the time, were in the audience for the show.

    What are your favorite parts of The T.A.M.I. Show? Leave your two cents in the comments.

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