The Great AGT Rebirth of Marty Brown

Marty Brown Shellie Regular readers know Chimesfreedom has been a Marty Brown fan since he released four albums in the 1990s. A few years ago we wished for him to return to the national stage, and our hopes came true this summer when he became a contestant on NBC’s America’s Got Talent. As the season draws to a close, it seemed like a good time to look back on his amazing run on the show.

Brown’s Surprising Debut on AGT

TV viewers saw Marty Brown back at the beginning of June when he appeared on the first episode of season eight of America’s Got Talent. The show included Brown auditioning in San Antonio singing Bob Dylan’s “Make You Feel My Love” after it introduced him simply as a carpenter from Kentucky.

We learned that Brown’s wife Shellie tricked him into appearing on the show, illustrating her faith in him and making a nice storyline that continued through all of Brown’s appearances. After the introduction, Brown gave a heartfelt performance of the song.

The judges apparently did not know the full backstory on Brown. Judge Howard Stern called him an “undiscovered treasure.” The judges’ comments throughout Marty Brown’s tenure on the episodes continued to show that even as they praised him, they really had no idea about the depths of his talent. But after this first performance, the judges had nothing but praise and put Marty Brown through to the Las Vegas round. The audience loved him too.

Las Vegas Rounds

In the Las Vegas round shown in July, contestants performed in front of the judges with no audience. Below is a video of what they showed on television from the Las Vegas rounds, including a part of Brown’s performance of Keith Whitley‘s “When You Say Nothing At All.”

Howard Stern and Howie Mandel did not like the performance as much as Marty Brown’s San Antonio performance of “Make You Feel My Love.” On the other hand, if you saw the entire episode, you would see the editing was designed to create drama, so it showed the judges saying something negative about everyone. Meanwhile, one of the other competitors noted about Brown, “He makes me like country music.”

Most importantly, the judges liked the performance enough to send Brown to the live performances at Radio City Music Hall in New York City. Brown had made it through two rounds with the judges to advance to the next stage where viewers would be the judge.

Brown’s performance thus far was impressive. As a country act, it was tough competition against a range of acts that included acrobats, magic, and people risking their lives. The next question was whether the viewing audience would vote for a traditional country music act among all of the other contestants.

A Tough Round at Radio City Music Hall

For his debut at Radio City Music Hall at the end of July, Marty Brown sang Shania Twain‘s “You’re Still the One.” The artists are not allowed to select any song they want, but it was still a good choice because many voters would know the song. Unlike the previous performances, Brown went with a band this time, which appeared to be a good choice. He has played with bands in the past, and he needed to do something to use the big stage before the big audience.

But almost immediately, viewers knew something was wrong. As Brown’s sister has explained on this website, Brown’s father had been ill, and when Brown saw the lead-in video with his father it choked him up. The judges would claim that nerves got the better of him.  But regardless of the cause, Brown’s voice cracked at the start of the song.

Eventually, he recovered during the performance.  But on what was probably the biggest stage of his career thus far, it was far from the best performance of his career.

The judges were tough on him after the performance. Howard Stern genuinely seemed to be rooting for Brown but expressed his disappointment. Melanie Brown, i.e., Mel B, was especially critical, not only getting his name wrong, but Tweeting a few minutes after the performance, “Ok. ok. I got his name wrong!! He blew it anyways, so what!!”

The next night on July 31, the results came in. The judges and many others expected Marty Brown to go home. Had the run ended here, it would have been tragic. Brown would have come all this way to launch a comeback and then have to live the rest of his life wondering if he blew it.

But something only slightly short of miraculous happened: America appreciated the emotion in his performance and voted for him to go to the next round. The judges were shocked, but nobody was surprised as much as Brown himself, appearing humbled by the support of his fans. The audience still loved Brown and recognized the real emotion in his performance, even if the judges did not.

The whole run on America’s Got Talent featured Brown seeking redemption, and now he would get another chance thanks to the voters. The pressure, though, ramped up. With one less-than-perfect performance, he could not afford to follow it with another mistake in his next performance.

Semi-Finals Round

On September 3, on a semi-finals show of America’s Got Talent, Marty Brown performed “Bless the Broken Road,” made famous by the Nitty Gritty Dirt Band and Rascal Flatts. After the awkwardness with the band in the previous round, Brown opted to go it alone again with his guitar.

Howard Stern would say it was a “safe” performance and that he wished Brown had done something to blow him away. Maybe he was right, but Brown had something to prove after the judges claimed he could not handle pressure. He had to go out and show he could do a solid performance on that stage facing extra intense scrutiny.

And he did what he set out to do, showing he could handle the pressure. He gave a touching performance of the song within the limited time given to performers on the show, earning a standing ovation.

The heartfelt performance of “Bless the Broken Road” would be Marty Brown’s last song in the competition because he found out the next night that he would not advance further. But if he were to have a final song on the show, it was a perfect one to go out on. As we have previously written, his life has taken a broken road to get to this point. So the song fittingly connected to this one moment on stage, reflecting the path of both his career and his life, including finding the love that inspired his entire run on the show. He lived the song, and it was a great heartfelt performance.

Going Home To a Revitalized Career

Looking back on the show, one might understand why the run ended here. Brown has never been a pop artist. The audience for real traditional country music is big, but it might not be enough for winning a talent show like this one. And, of course, on the show, America never really got to see the depths of Brown’s talents.

Because of the limited time on the show, the producers showed Brown as part of the story they created, never coming near to showing Brown’s real intelligence. Had he been able to bust out a few of his own songs, it might have changed the outcome. But even an unknown Bob Dylan or Hank Williams would not have advanced further on such a talent show. For example, a principal closed the curtain on Dylan at a high school talent show.

Marty Brown Sparky As the field narrowed, the producers and judges also seemed to stray away from the initial strong support for Brown. On the September show, they put him in the second spot, traditionally one of the worst places to be on one of these shows because viewers do not remember the second or third performers on a long show.

By contrast, in that show, the producers put Brown’s main competition, country singer and former Marine Jimmy Rose, in the prime finale spot. Rose is talented and seems like a great guy, but his subdued (but very good) cover of Garth Brooks’s “The Dance” is not a traditional closing act.  Producers made an interesting choice to promote Rose, especially when they had bigger acts such as dancer-special-effects master Kenichi Ebina or even powerhouse singer little Anna Christine.

That is not to say there was a conspiracy or that Brown might have advanced given a better spot during the night. Someone has to go into the second slot, and the producers have to sell a show. So, I do not begrudge them their choices, and I appreciate that they put him on the show. But if Brown won, some viewers might have felt cheated that the producers never mentioned his 1990s albums (even though artists with careers are allowed to compete on shows like America’s Got Talent and The Voice). People are more critical of you when you win. On the other hand, had Brown sang his own songs, it would have been a different competition.

For Brown and his family, I wish they had won and were a million dollars richer. But as a selfish fan, had I written the story of Marty Brown’s tenure on America’s Got Talent, I pretty much would have written it exactly how it went. It is a great story of someone climbing back, falling, and rising again through his talent and the love of family and fans. And throughout the whole run, Brown showed nothing but class, decency, and heart.

As for the outcome, had Brown won, there would have been more expectations, more critics, and more outside control. Instead, it worked out perfectly for those of us who love great country music. Marty Brown got some attention, new fans fell in love with him, and now we hope for some new recordings and performances (and all his old CDs back in print).

True art is not a competition, it is about the artist bearing the soul. And this new music will be done Marty Brown’s way. And that’s the way it should be.

We look forward to the next chapter in the great rediscovered career of Marty Brown.

What was your favorite performance on “America’s Got Talent”? Leave your two cents in the comments.

  • Marty Brown Advances to Radio City Music Hall on AGT!
  • Marty Brown is an “Undiscovered Treasure” on America’s Got Talent
  • Marty Brown Gives Emotional Performance in NY: Still the One
  • Marty Brown’s AGT Las Vegas Performance of “When You Say Nothing At All”
  • Goth Meets Opera on America’s Got Talent
  • Marty Brown: “My Love Will Follow You”
  • (Some related Chimesfreedom posts.)

    How Lucky, John Prine on “The Colbert Report”

    Last night, singer-songwriter John Prine appeared on The Colbert Report, where he talked about his former career as a mailman, hence the name of his latest release from the archives, The Singing Mailman Delivers.

    Prine then performed “How Lucky” from his album Pink Cadillac (1979). Colbert also announced that one of Prine’s great albums The Missing Years (1991) will be released on vinyl for the first time. That is great news for vinyl collectors. I have had the wonderful CD since it came out and listen to it often.

    Also, as a web exclusive, Prine performed “Paradise,” a song about Kentucky coal mining from his self-titled debut album, with a little help from Stephen Colbert. [February 2014 Update: Unfortunately, Prine’s performances on The Colbert Show are no longer available online, but the following Internet exclusive duet between Colbert and Prine on “That’s the Way That the World Goes Round” is below.]

    What is your favorite John Prine song? Leave your two cents in the comments.

  • Goodbye to Stephen Colbert and Craig Ferguson
  • Listen to What Paul McCartney Said (and Sang) on “The Colbert Report”
  • Why Did Stephen Colbert Sing “Jump Up” With Elvis Costello on the Final “Late Show”?
  • Arlo McKinley: “Watching Vermont”
  • On the Hill Where Angels Sing: John Prine and Justin Townes Earle Singing “Far From Me”
  • We sang, “Silent Night” All Day Long
  • (Some related Chimesfreedom posts.)

    Buy from Amazon

    No Longer Just “Deportees”

    Woody Guthrie Bio Joel Klein The nameless “deportees” of Woody Guthrie‘s “Plane Wreck at Los Gatos (Deportee)” were recently remembered by name on a monument unveiled in Fresno, California. The song and the memorial commemorate a plane crash on January 28, 1948 after a plane chartered by the U.S. Immigration Services flew out of Oakland and crashed near Coalinga.

    Thirty-two people died in the crash, but newspapers originally only reported the four names of the pilot, the first officer, the flight attendant, and an immigration officer. The media merely referred to the 28 others as “deportees.” Many of the 28 Mexicans were part of a government work program who the government was flying home, while some of them had entered the country illegally.

    Woody Guthrie knew about the importance of names, as he showed in his earlier song about the 1941 sinking of the Reuben James. After the California plane crash, he read about the nameless deaths and created his own protest by writing a poem about the event, noting the way the media dehumanized the people from south of the border.

    Goodbye to my Juan, goodbye, Rosalita,
    Adios mis amigos, Jesus y Maria;
    You won’t have your names when you ride the big airplane,
    All they will call you will be “deportees.”

    Guthrie biographer Joe Klein called the “Plane Wreck at Los Gatos” lyrics “the last great song [Woody Guthrie] would write” (Woody Guthrie: A Life, p. 362). Guthrie, however, chanted the words of the poem, as it was without music.

    “Plane Wreck at Los Gatos” would not be performed publicly as a song for more than a decade, after a schoolteacher named Martin Hoffman added the music and Pete Seeger began performing the song. In the video below, Woody’s son Arlo Guthrie performs the song at Farm Aid in 2000.

    The song ends with a question, asking “Is this the best way we can grow our good fruit?/ To fall like dry leaves to rot on my topsoil/ And be called by no name except ‘deportees’?” The memorial evokes Guthrie’s imagery, as it features a stone etched with names on 32 leaves, commemorating all who died in the plane crash.

    The recent news coverage of the memorial has tried to make up for the original reporting on the crash. The Los Angeles Times published an article listing the names of everyone who died in the crash. You may also order a cool print that commemorates the memorial and lists the names.

    There are several nice covers of “Deportee,” including one by Joan Baez and Bob Dylan during the Rolling Thunder Revue in the mid-1970s (thanks to Dylan scholar Michael Gray for pointing me to the Baez-Dylan version).

    Also, check out this cool video of Lance Canales & The Flood singing “Plane Wreck At Los Gatos (Deportee)” that also features the memorial. Canales lives in Fresno, and he and his band wanted to highlight the names of those killed. At around the 3:25 mark, you see people holding up signs with the names. So this video of a powerful rendition of the song finally answers Guthrie’s question, “What were their names?”


    What is your favorite Woody Guthrie song? Leave your two cents in the comments.

    Buy from Amazon

  • Woody Guthrie’s “So Long It’s Been Good to Know You”
  • This Land Is Your Land: The Angry Protest Song That Became an American Standard
  • Woody Guthrie’s “Pretty Boy Floyd” Was About More Than an Outlaw
  • Bonnie “Prince” Billy’s Cover of Bob Dylan’s “Brownsville Girl”
  • “Satan’s Jeweled Crown” & Bruce Springsteen (Cover of the Day)
  • Mary Chapin Carpenter and Emmylou Harris Pay Tribute to Joan Baez
  • (Some related Chimesfreedom posts.)

    Marty Brown’s “Broken Road”

    Marty Brown Broken Road Tonight on a semi-finals show of America’s Got Talent, Marty Brown performed the “Bless the Broken Road,” made famous by the Nitty Gritty Dirt Band and Rascal Flatts. Alone on stage with his guitar, Brown had a lot of pressure on him after the judges had criticized his last performance. But Brown showed he could handle the pressure, putting on a touching performance of the song within the limited time given to performers on the show.

    Hopefully, Brown will advance to the pre-finals Top 12 round, but the competition is tough with a wide variety of talented acts, so fans need to make sure to vote by phone, Internet, and Twitter. See our previous post on how to vote or go to AGT’s website.

    Marty Brown chose a fitting song for this national television performance. Marty Brown has taken a broken road to get to the semifinals of America’s Got Talent. Here’s to the next steps along that comeback road.

    September 4 Update: Marty Brown did not advance to the top 12 of America’s Got Talent. Besides making a great run, we are more excited than ever that he won so many new fans. So we look forward to more exposure and more original music in the future. We will continue to cover Brown’s ongoing successful career!

    [Update: For a post on Brown’s entire run on America’s Got Talent, check out our post on The Great AGT Rebirth of Marty Brown.]

    What was your favorite performance on “America’s Got Talent”? Leave your two cents in the comments.

  • The Great AGT Rebirth of Marty Brown
  • Marty Brown’s Son Christian Brown Auditions on “American Idol”
  • Marty Brown Sings His Song “To the Moon” (Originally Recorded by George Strait)
  • George Strait Sings a Marty Brown Song: “To the Moon” (Song of the Day)
  • Marty Brown Sings “There’s a Honky Tonk in Heaven”
  • Kentucky Music Hall of Fame Opens Exhibit on Marty Brown
  • (Some related Chimesfreedom posts.)

    It’s the Working, the Working, Just the Working Life

    Labor Day book We hope our U.S. readers are enjoying the Labor Day weekend. The official holiday was signed into law by President Grover Cleveland to honor working people, following the 1894 Pullman Strike where strikers had been killed by law enforcement officials and soldiers. But citizens had already been celebrating the Labor Day for years.

    There are a number of songs about jobs, but when I think of the word “work” and music, the first song that comes to my mind is Bruce Springsteen’s “Factory,” from Darkness on the Edge of Town (1978). The haunting repetitiveness of the line about “the working, the working, just the working life” captures the boring sameness that appears in some way in almost every job, although some more than others. Yet, the song always seemed like a tribute to those who do those difficult jobs, such as the factory workers in the song.

    I recently discovered the Canadian band The Deep Dark Woods. The band, from Saskatoon, has put out several albums that one might classify as alt-country. I plan to check out more of there music, and you should too. For now, though, check out their awesome take on Springsteen’s “Factory.”

    The U.S. Labor Department website notes that the holiday is “a creation of the labor movement and is dedicated to the social and economic achievements of American workers.” And it is a “tribute to the contributions workers have made to the strength, prosperity, and well-being of our country.” Enjoy your day, and then get back to the working, the working, just the working life.

    What is your favorite song about working? Leave your two cents in the comments.

    Buy from Amazon

  • Bruce Springsteen Releases New Protest Song About ICE Protests: “Streets of Minneapolis”
  • 9 Thoughts on the “Deliver Me from Nowhere” Movie and Springsteen’s “Nebraska” Box Set
  • Who Sings the Gospel Song “Last Mile of the Way” in the Film “Springsteen: Deliver Me from Nowhere”?
  • “Under a Big Sky”: Digesting Songs on Springsteen’s “Tracks II: The Lost Albums”
  • The Stanley Brothers, Bruce Springsteen, and “Rank Strangers to Me” in Our Modern Times
  • Bruce Springsteen’s Fighting Prayer for the U.S.
  • (Some related Chimesfreedom posts.)